Does anyone do this specialized repertory better than the New York Gilbert & Sullivan Players?

By Peter G. Davis [New York Magazine, 23 January 2006]

Lots of good folk out there are still passionate about Gilbert & Sullivan, emerging every January when the New York Gilbert & Sullivan Players take over City Center. This year’s season was limited to a week’s run of H.M.S. Pinafore and The Mikado, and the two matinees I attended were packed. True fans can’t get enough of these operettas, even though many of them know each one by heart—newcomers excepted, of course, like the bug-eyed kid next to me on his dad’s lap, hugely enjoying his first Pinafore. Neither Gilbert nor Sullivan was able to conjure up this kind of special magic on his own or with other collaborators. Perhaps the fact that they could barely tolerate each other—an antipathy tempered by a healthy mutual respect—kept their creativity so potent.