(and reviewed at Opera Today) has also been issued in Blu-ray, and this technology enhances further the production values of this particular recording. Visually the Blu-ray video is superior to the DVD release with regard to the refinement of the images and the clarity of presentation. The sharp definition allows the performers to appear immediate and accessible. Without exaggerating any details, the realistic images also reinforce the sense of immediacy, which is already present in the DVD version of this production.

At times, however, the blue-cast of the sets in the first act seems more pronounced in this medium, and this seems to color the resulting images in an unintended manner. At the same time, that blue-cast makes the flesh tones of the actors more prominent, an element which is essential to the gritty, realistic production that has some provocative displays of various sexual interaction. As a filmed opera, some aspects of the staging appear also seem more pronounced in the Blu-ray disc, as with the use of the flashlight later in the act. This detail may not emerge as clearly in the theater, where this effect depends on the distance and elevation from the stage. Here the blurring light of the flashlight has a welcome prominence in drawing the viewer’s attention to the scene. Overall the already fine visual presentation that is available on the DVD is heightened in Blu-ray, as is the sound, which is qualitatively clearer. The fine performance is transmitted with a sense of immediacy that is not always possible with opera videos.

More importantly the sound on the Blu-ray version is more details and clearer than on DVD. Granted, the sound levels on the DVD are excellent, some aspects of the performance emerge with greater clarity on the Blu-ray version of this video. The orchestra has a fine presence, with the dynamic levels nicely distinguished in this recording. At times the sound conveys the sense of a studio recording, an aspect of the release which also commends itself to those interested in an effective recording. Yet this sense of clarity also allows the voices to be heard more precisely, thus reinforcing the sense of immediacy that is part of the visual presentation in this medium. The sound quality is fine throughout the Blu-ray recording, but particularly effective in the final scene in the fourth act (disc 2, tracks 8-17), as the score buildings to its powerful conclusion. This is a part of the opera in which the visual and sonic details are only enhanced through this level of refinement.

The Blu-ray release contains the same supporting materials as the DVD version of this opera. The documentary by Reiner E. Moritz “Lady Macbeth of Mtsensk: The Tragedy of Katerina Ismailova”, was already part of the DVD version, and it is included on the Blu-ray release. In fact, all the features of the original recording are found here, and given the qualitative differences in the sonic and visual levels, this version of the video is preferable for those who want to experience the opera almost as if they were in the audience for the production itself.

James L. Zychowicz

For this recording on standard DVD: