06 Jul 2008
Opera at the BBC Proms — the world’s biggest Music Festival
London’s musical life shuts down for eight weeks while the Proms reign supreme, and no wonder !
Among the tributes that came to the legendary Producer, Designer and Director Franco Zeffirelli, in the remaining days of this past March, a little gem of a celebration was held at the Lincoln Triangle Barnes and Noble bookstore, on the evening of March 28th.
By Tom Moore
Composer Allen Anderson will be familiar to aficionados of contemporary music through various works released on CRI, or those in the Research Triangle through his presence in the new music scene here in North Carolina, where he has taught at UNC since 1996.
Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.
When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated.
In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well.
Operas do not often get a second chance. A new work is premiered and — if it’s a co-commission — it moves on to another company or two.
It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses.
“Quand je vous aimerais? Ma fois, je ne sais pas?” are Carmen’s first words of seduction.
Oct. 25, 2007, Sala Cecilia Meireles
I met the young gaucho composer Dimitri Cervo at the 2003 Bienal of Contemporary Music, where his works for solo flute and strings, Pattapiana [named for Pattapio Silva, a great Brazilian flutist who died tragically
young at the beginning of the last century] made quite an impression.
There’s still a hint of jest in the comparison, but it’s not without reason that Jake Heggie and Terrence McNally are mentioned now and then in opera circles as “the Strauss and Hofmannsthal of the 21st century.”
Incoming general director of Santa Fe Opera, Charles MacKay, has made clear he is “in the tradition -- I will not be an agent for radical change,” at the celebrated New Mexico summer opera festival, MacKay says.
Composer Frederick Carrilho was born in 1971 in the state of Sao Paulo, and has studied guitar and composition, most recently at UNICAMP in Campinas. His music has been heard at the recent biennial festivals of contemporary music in Rio, with the Profusão V – Toccata making a strong impression at the Bienal of 2007. We spoke in Portuguese.
October 23, 2007, Sala Cecilia Meireles, Rio de Janeiro
What makes the first visit to Guanajuato’s Teatro Juárez breathtaking is the suddenness of the encounter.
Oct. 25, 2007, Rio de Janeiro.
José Orlando Alves is a young composer, originally from Minas Gerais, but who spent many years in Rio de Janeiro, where he has been active for a decade with the composers’ collaborative, Preludio XXI.
In the long ago, when the best source of music reproduction in the home was a handsome piece of furniture, fitted with hidden audio components, and usually called radio-phonographs, my family had one — from Avery Fisher I believe — that had among its controls a switch labeled ‘presence.’
Uncut with Canada’s Mistress of the trouser-role: the multifaceted Kimberly Barber.
Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection of pieces based on the “Orpheus” legend. “Don’t look back” is the marketing catch phrase.
In 1966 Jørn Utzon was forced to quit as architect of the Sydney Opera House before it was complete. Next week, the first new interiors he and his son have designed will be revealed. Louis Jebb reports 07 September 2004...
London’s musical life shuts down for eight weeks while the Proms reign supreme, and no wonder !
The Proms are the world’s biggest classical Music Festival. For eight weeks, they are a barometer of what’s happening in music. The BBC broadcasts every Prom worldwide, online and on demand. With this huge, international audience, the Proms are truly a worldwide celebration, bringing music lovers together wherever they may be.
The Proms have a formidable reputation for excellence. They’ve been running for 114 years, almost without a break. Most concerts take place in the Royal Albert Hall, a monument to the Victorian idea that culture advances human progress. Nearly every significant composer and performer over the last century has featured at the Proms, and the atmosphere is unique. To be in this spectacular building when 7000 people are cheering is an amazing experience, which the BBC captures remarkably well, supporting the broadcasts with many extras on its comprehensive website — they even tell you about the mysterious “Proms sub-culture” ! Many Proms are televised.
The Royal Albert Hall is famous for large scale orchestral music, but opera, too, is heard to advantage. This year’s big event is Monteverdi’s L’incoronazione di Poppea. It’s a concert performance of the Glyndebourne production, performed by the highly regarded baroque specialists, Emmanuel Haïm and the Orchestra of the Age of Enlightenment. Glyndebourne is the epitome of “country house opera”, where top quality productions take place in glorious settings. The BBC Proms makes it possible for everyone listening to catch some of the magic. This isn’t one to miss — it’s on July 31st .
Puccini’s Il tabarro follows on August 11th, with Barbara Frittoli as Giorgetta and Lado Ataneli as Michelo. Jiřì Bělohlávek is at last being recognised as a superlative Janàcěk conductor, so Osud on August 21st will be another highlight, particularly as Bělohlávek’s work is seldom recorded. Even rarer is Rimsky-Korsakov’s Kaschey the Immortal on September 5th. Vladimir Jurowski conducts. He’s been a sensation at Glyndebourne and at the South Bank, and this is his kind of repertoire.
The Proms also bring Messiaen’s St Francis of Assisi straight from Amsterdam. It’s almost exactly the same cast, with Rodney Gilfrey as St. Francis, and Ingo Metzmacher conducts the Hague Philharmonic rather than the Residentie Orkest. This should be intriguing, as this 5 hour blockbuster is quite an undertaking. Again, unmissable ! James Sohre reviewed the original Amsterdam performance for Opera Today here.
These operas are just the tip of the iceberg. There’s also Verdi’s Requiem, Handel’s Belshazzar, Janàcěk’s Glagolitic Mass (conducted by Boulez), Bach’s St John Passion, and the massed choir spectacular that is Messiaen’s La Transfiguration de Notre Seigneur Jésus Christ. Among the singers who will be heard are Karita Mattila (Strauss Four Last Songs), John Tomlinson (excerpts from Boris Gudunov), and Angelika Kirchschlager (Schubert). The famous (or notorious, depending on your point of view) Last Night of the Proms is always an experience, but Beethoven’s 9th Symphony which always features before the Last Night. “Alle Menschen werden Brüder, wo dein sanfter Flügeln wielt”. People all over the world are brought together, wherever The Proms “wings” can reach. Nothing expresses the ethos of the BBC Proms spirit better ! And thanks to international broadcasting and the internet, the dream can come true, for a while.
The BBC Proms website with a link for listening may be found here.
Anne Ozorio