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Elsewhere

Bampton Classical Opera Young Singers’ Competition 2015

Bampton Classical Opera has announced that applications are now open for the company’s Young Singers’ Competition 2015. This biennial competition was first launched in 2013 to celebrate Bampton Classical Opera’s 20th birthday, and is aimed at identifying the finest emerging young opera singers currently working in the UK.

Marie-Nicole Lemieux, Wigmore Hall

Commenting on her recent, highly acclaimed CD release of late-nineteenth-century song, Chansons Perpétuelles (Naive: V5355), Canadian contralto Marie-Nicole Lemieux remarked ‘it’s that intimate side that interests me … I wanted to emphasise the genuinely embodied, physical side of the sensuality [in Fauré]’.

Eine florentinische Tragödie and I pagliacci in Monte-Carlo

An evening of strange-bedfellow one-acts in high-concept stagings, mindbogglingly delightful.

Carmen, Pacific Symphony

On February 19, 2015, Pacific Symphony presented its annual performance of a semi-staged opera. This year’s presentation at the Segerstrom Center for the Arts in Costa Mesa, California, featured Georges Bizet’s Carmen. Director Dean Anthony used the front of the stage and a few solid set pieces by Scenic Designer Matt Scarpino to depict the opera’s various scenes.

The Mastersingers of Nuremberg, ENO

Although the English National Opera has been decidedly sparing with its Wagner for quite some time now, its recent track record, leaving aside a disastrous Ring, has perhaps been better than that at Covent Garden.

San Diego Opera presents an excellent Don Giovanni

On Friday February 20, 2015, San Diego Opera presented Mozart’s Don Giovanni in a production by Nicholas Muni originally seen at Cincinnati Opera.

Tosca at Chicago Lyric

In a production first seen in Houston several years ago, and now revised by its director John Caird, Puccini’s Tosca has returned to Lyric Opera of Chicago with two casts, partially different, scheduled into March of the present season.

Henri Dutilleux: Correspondances

Henri Dutilleux’s music has its devotees. I am yet to join their ranks, but had no reason to think this was not an admirable performance of his song-cycle Correspondances.

LA Opera Revives The Ghosts of Versailles

In 1980, the Metropolitan Opera commissioned composer John Corigliano to write an opera celebrating the company’s one-hundredth anniversary. It was to be ready in 1983.

La Traviata, ENO

English National Opera’s revival of Peter Konwitschny’s production of Verdi’s La Traviata had many elements in common with the production’s original outing in 2013 (The production was a co-production with Opera Graz, where it had debuted in 2011).

Idomeneo in Lyon

You might believe you could go to an opera and take in what you see at face value. But if you did that just now in Lyon you would have had no idea what was going on.

Der fliegende Holländer, Royal Opera

I wonder whether we need a new way of thinking — and talking — about operatic ‘revivals’. Perhaps the term is more meaningful when it comes to works that have been dead and buried for years, before being rediscovered by subsequent generations.

Iphigénie en Tauride in Geneva

Hopefully this brilliant new production of Iphigénie en Tauride from the Grand Théâtre de Genève will find its way to the new world now that Gluck’s masterpiece has been introduced to American audiences.

Tristan et Isolde in Toulouse

Tristan first appeared on the stage of the Théâtre du Capitole in 1928, sung in French, the same language that served its 1942 production even with Wehrmacht tanks parked in front of the opera house.

Arizona Opera presents Tchaikovsky’s Eugene Onegin

Arizona Opera presented Eugene Onegin during and 1999-2000 season and again on February 1 of this year as part of the 2014-2015 season. In this country Onegin is not a crowd pleaser like La Bohème or Carmen, but its story is believable and its music melodic and memorable. Just hum the beginning of the “Polonaise” and your friends will know the music, if not where it comes from.

A Chat with Anita Rachvelishvili

Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin.

Ernst Krenek: Reisebuch aus den österreichischen Alpen, Florian Boesch, Wigmore Hall

Florian Boesch and Roger Vignoles at the Wigmore Hall in Ernst Krenek’s Reisebuch aus den österreichischen Alpen. Matthias Goerne has called Hanns Eisler’s Hollywooder Liederbuch the Winterreise of the 20th century. Boesch and Vignoles showed how Krenek’s Reisebuch is a journey of discovery into identity at an era of extreme social change. It is a parable, indeed, of modern times.

Anna Bolena at Lyric Opera of Chicago

Lyric Opera of Chicago’s new Anna Bolena, a production shared with Minnesota Opera, features a distinguished cast including several notable premieres.

San Diego Celebrates 50th Year with La Bohème

On Tuesday January 27, 2015, San Diego Opera presented Giacomo Puccini's La Boheme. It is the opera with which the company opened in 1965 and a work that the company has faithfully performed every five years since then.

English Pocket Opera Company: Verdi’s Macbeth

Last year we tracked Orfeo on his desperate search for his lost Euridice, through the labyrinths and studio spaces of Central St Martin’s; this year we were plunged into Macbeth’s tragic pursuit of power in the bare blackness of the CSM’s Platform Theatre.


OPERA TODAY ARCHIVES »

Commentary

Bampton Classical Opera
02 Mar 2015

Bampton Classical Opera Young Singers’ Competition 2015

Bampton Classical Opera has announced that applications are now open for the company’s Young Singers’ Competition 2015. This biennial competition was first launched in 2013 to celebrate Bampton Classical Opera’s 20th birthday, and is aimed at identifying the finest emerging young opera singers currently working in the UK.  »

Recently in Commentary

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11 
27 Feb 2015

Reviewers wanted

  »

04 Feb 2015

A Chat with Anita Rachvelishvili

Anita Rachvelishvili recently performed the title role in Carmen broadcast by The Metropolitan Opera Live in HD. Here she drops by for a little chat with our Maria Nockin. »

19 Oct 2014

On The Death of Klinghoffer

This is a revised version of my review of the Sept 5th 1991American premiere of The Death of Klinghoffer, at the Brooklyn Academy of Music. The opera was first performed at Brussels’ La Monnaie the previous spring.  »

27 Aug 2014

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development." »

17 Jun 2014

The Metropolitan Opera to cancel its Live in HD transmission of John Adams’s The Death of Klinghoffer scheduled for this fall

  »

13 Jun 2014

Anna Prohaska, one of Europe’s most promising sopranos

Anna Prohaska sings Sister Constance in Poulenc’s Dialogues des Carmélites at the Royal Opera House. In the same month, she’s also in London to sing a recital with Eric Schneider at the Wigmore Hall, and to sing Henze with Sir Simon Rattle at the Barbican Hall. »

03 Jun 2014

Garsington Opera’s 25th anniversary unites its past with its future

Garsington Opera celebrates its 25th anniversary this year.  »

29 May 2014

Annapolis Opera’s 26th Annual Vocal Competitions

Baritone Brandon Coleman’s mother, Linda, knew that 3-year old Brandon would be a great singer when a stranger who had heard him, predicted it. »

13 May 2014

Barbiere Comes to Sin City

Professional opera returns to the Las Vegas Valley June 6th and 8th with performances of one of the best-known comic operas of all time, Gioachino Rossini's Il Barbiere di Siviglia. »

13 Mar 2014

Jean-Paul Scarpitta in Montpellier

I met with the embattled artistic director of the Opéra et Orchestre National de Montepellier not to talk about his battles. I simply wanted to know the man who had cast and staged a truly extraordinary Mozart/DaPonte trilogy. »

12 Mar 2014

Interview: Tenor Saimir Pirgu — From Albania to Italy to LA

Maria Nockin interviews tenor Saimir Pirgu. »

20 Jan 2014

Claudio Abbado, Italian conductor, dies aged 80

Italian conductor Claudio Abbado, former principal conductor of the London Symphony Orchestra, has died aged 80 »

13 Jan 2014

Matthew Polenzani — Des Grieux, Manon, Royal Opera House

Matthew Polenzani reprises the role of the Chevalier des Grieux in Jules Massenet’s Manon at the Royal Opera House. “I love coming back to London”, he says, “It’s a very good house and they take care of you as a singer. And the level of music making is unbelievably high”.  »

26 Dec 2013

Season 2014 at San Diego Opera

On Saturday evening January 25, San Diego Opera opens its 2014 season with Ruggero Leoncavallo’s verismo blockbuster Pagliacci (Clowns).  »

07 Nov 2013

Maestro Joseph Rescigno Discusses The Flying Dutchman

The Flying Dutchman is a transitional piece because Wagner was only beginning to establish his style. He took some aspects from Carl Maria von Weber and others from Italian composers like Vincenzo Bellini. »

12 Sep 2013

Royal Opera House Announces Digital Theatre

The Royal Opera House has its own DVD arm, Opus Arte, and is developing quite a global following with its cinema broadcasts.  »

30 Aug 2013

Patricia Racette on Dolores Claiborne

On a personal level, I feel that Dolores is almost like Emmeline grown up. Their circumstances are not exactly parallel, but they are both women at very different points in their lives whose stories involve dilemmas with life-changing outcomes.  »

30 Aug 2013

Tobias Picker Talks About His New Opera Dolores Claiborne

With the help of Andrew Welch, a London theatrical producer who had adapted several of King’s works for the stage, including this one, I got the rights to both Dolores Claiborne and Misery.  »

19 Aug 2013

Dolora Zajick on New Opera Written for Her

On September 18, 2013, San Francisco Opera will present the world premiere of Tobias Picker’s opera, Dolores Claiborne, which has a libretto by J. D. McClatchy based on Stephen King’s novel of the same name.  »

13 Jul 2013

Ermonela Jaho — Singing and Character

Ermonela Jaho caused a sensation at Covent Garden in London five years ago, when she took over Violetta at short notice from Anna Netrebko.  »

09 Jun 2013

Ignite at Wigmore Hall

What do you get if you cross Benjamin Britten, ‘one-page scores’, an innovative performing ensemble and ‘Wigmore Learning’ — the Wigmore Hall’s imaginative outreach programme which aims to provide access to chamber music and song through innovative creative programmes, online resources and events? »

05 Jun 2013

Marseille, Capital of European Culture

Marseille woke up this past January 11 stunned to find itself number two on the New York Times list of 46 places you should visit in 2013 (Rio was number one, Paris just made the list at number 46). »

04 Jun 2013

Rossini Maometto Secondo at Garsington Opera - David Parry speaks

Garsington Opera at Wormsley is producing the British premiere of Giacomo Rossini´s Maometto Secondo. Garsington Opera is well-known for its role in reviving Rossini rarities in Britain. Since 1994, there have been 14 productions of 12 Rossini operas, and David Parry has conducted eleven since 2002. He´s very enthusiastic about Maometto Secondo.  »

17 May 2013

Michele Mariotti conducts La donna del lago

Rossini’s La donna del Lago at the Royal Opera House boasts a superstar cast. Joyce DiDonato and Juan Diego Flórez are perhaps the best in these roles in the business at this time. Yet the conductor Michele Mariotti is also hot news.  »

01 May 2013

Kate Lindsey at Glyndebourne

It would seem a logical step for the mezzo-soprano Kate Lindsey to take on the role of the Composer in Richard Strauss’s Ariadne auf Naxos. »

29 Apr 2013

Douglas Boyd on Garsington Opera at Wormsley

“Aim for excellence”, says Douglas Boyd, new Artistic Director of Garsington Opera at Wormsley, “and the audience will follow you”.  »

23 Apr 2013

A Chat with Aida Designer Zandra Rhodes

When I spoke with Zandra Rhodes, she was in her large San Diego workspace, which she described as having walls decorated with her own huge black and white drawings.  »

05 Mar 2013

An Interview with Virginia Zeani

Palm Beach audiences are famous for their glamour, but in recent years a special star has sparkled amid the jewels, sequins, feathers and furs (whatever the weather).  »

03 Mar 2013

Bel Canto Queen Jessica Pratt

When the soprano Jessica Pratt first arrived in Italy, she had yet to learn the language or sing in a staged opera.  »

02 Mar 2013

James Conlon Renews Contract with LA Opera

On Wednesday evening, February 20, Los Angeles Opera gave a press conference at the Dorothy Chandler Pavilion featuring Music Director James Conlon.  »

13 Feb 2013

The New Season at Teatro Real

It is another “What Could Have Been” moment. The debut of Brokeback Mountain by Charles Wuorinen is part of Madridʼs Teatro Real coming season. »

11 Feb 2013

Festival d’Aix en Provence 2013

Plans for July’s Aix-en-Provence Festival were announced and opera is, of course, at the center of the program with a particularly noteworthy Richard Strauss production.  »

06 Feb 2013

Amsterdam Welcomes Stanislavski Opera

Amsterdam enjoys a rare visit from Moscow’s Stanislavski Opera at the landmark Koninklijk Carre Theater, for three performances of Tchaikovski’s Eugene Onegin and a Sunday morning opera concert, on February 1st-3rd. »

01 Jan 2013

A New Festival Hall for Erl

A new festival hall has been inaugurated in the small town of Erl in the Tyrolean mountains.  »

28 Nov 2012

Rome Opera Opens New Season

Yesterday, Conductor Riccardo Muti opened the Rome Opera, where he is “honorary conductor for life,” with a gala presentation of Verdi’s Simon Boccanegra.  »

10 Nov 2012

Michael Spyres: Star Ascendant

When tenor Michael Spyres takes the stage at Carnegie Hall on December 5th, he will be in heady company. »

15 Oct 2012

Rewriting the Unwritten Law: Gilliam and Ghent Tackle Damnation

One of the most noteworthy and controversial productions in recent memory arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural opera, an inspired interpretation of Hector Berlioz’s Le Damnation de Faust, blasted into Ghent, followed by a run in Antwerp. »

09 Oct 2012

Florian Boesch on Schubert’s Die schöne Müllerin

Florian Boesch is singing Schubert’s Die Schöne Müllerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide” »

05 Oct 2012

Exciting Glyndebourne 2013 season

Exciting developments at Glyndebourne ! Many new initiatives which could transform Glyndebourne from a summer festival to a truly international, year-round opera experience.  »

28 Sep 2012

Good News for Opera in Barcelona

The recently released numbers for the past season at Barcelona’s opera Liceu gives some hope for the future.  »

12 Sep 2012

New Attendance Record for Salzburg

A record 278,978 people attended events of the 2012 edition of the famed Salzburg Festival in Austria, the largest number since its founding 92 years ago. »

13 Aug 2012

Another Bayreuth Stunner

Just after things were settling after the scandal of baritone Evgeny Nitikin supposed swastika tattoo at the Bayreuth Festival, another one seems likely to take its place.  »

08 Aug 2012

Opera Tomorrow: Wolf Trap Today

Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”  »

30 Jul 2012

Laurent Pelly on Glyndebourne's Ravel Double Bill

The Glyndebourne Festival highlight this year could be the Ravel double bill - L’heure espagnole and L'enfant et les sortilèges. Laurent Pelly directs. Anyone who saw his brilliant Humperdinck Hansel und Gretel at Glyndebourne in 2008 will know what to expect - a staging of great imagination and verve, true to the spirit of the composer. »

18 Jul 2012

Changes at Florida Grand Opera

Effective July 30, Cassidy E. Fitzpatrick will be the new artistic administrator of Florida Grand Opera. a position open since the dismissal of Kelly Anderson last year. »

07 Jul 2012

Changes in Bratislava

A change of leadership has been announced today by Bratislava’s Slovak National Theatre. In the opera division, famed tenor Peter Dvorsky, the current artistic director, is to be replaced on August 1st by the Austrian conductor Friedrich Haider.  »

04 Jul 2012

Honors for Bayreuth’s “other” house

Bayreuth’s opera house has been awarded the honor of UNESCO World Heritage status. If you think that means Wagner’s festival house in the same city, with its excellent acoustics and uncomfortable seats, you will be mistaken. »

04 Jul 2012

Continued Progress at the Vienna State Opera

In his second season, intendant Dominique Meyer has chalked up increases both in tickets sold and earnings at the Vienna State Opera.  »

03 Jul 2012

Lots of Loose Ends in Cologne

The fall-out from the very public display of anger on both sides continues in Cologne. Uwe Erich Laufenberg, 51, director of the city’s opera, one of the leading operas in Germany, was fired with immediate effect on June 22.  »

26 Jun 2012

Bavarian State Opera Renews Nicolas Bachler’s Contract

Nicolas Bachler, intendant of the Bavarian State Opera, has had his contract extended through August 2018.  »