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Elsewhere

Così fan tutte at Covent Garden

Desire and deception; Amor and artifice. In Jan Philipp Gloger’s new production of Così van tutte at the Royal Opera House, the artifice is of the theatrical, rather than the human, kind. And, an opera whose charm surely lies in its characters’ amiable artfulness seems more concerned to underline the depressing reality of our own deluded faith in human fidelity and integrity.

Plácido Domingo as Macbeth, LA Opera

On September 22, 2016, Los Angeles Opera presented Darko Tresnjak’s production of Giuseppe Verdi’s opera Macbeth. Verdi and Francesco Maria Piave based their opera on Shakespeare’s play of the same name.

The Rake’s Progress: an Opera for Our Time

On September 18th, at a casual Sunday matinee, Pacific Opera Project presented a surprising choice for a small company. It was Igor Stravinsky’s 1951 three act opera, The Rake’s Progress. It’s a piece made for today's supertitles with its exquisitely worded libretto by W.H. Auden and Chester Kallman.

Classical Opera: Haydn's La canterina

We are nearing the end of Classical Opera’s MOZART 250 sojourn through 1766, a year that the company’s artistic director Ian Page admits was ‘on face value … a relatively fallow year’. I’m not so sure: Jommelli’s Il Vogoleso, performed at the Cadogan Hall in April, was a gem. But, then, I did find the repertoire that Classical Opera offered at the Wigmore Hall in January, ‘worthy rather than truly engaging’ (review). And, this programme of Haydn and his Czech contemporary Josef Mysliveček was stylishly executed but did not absolutely convince.

Dream of the Red Chamber in San Francisco

Globalization finds its way ever more to San Francisco Opera where Italian composer Marco Tutino’s La Ciociara saw the light of day in 2015 and now, 2016, Chinese composer Bright Sheng’s Dream of the Red Chamber has been created.

San Diego Opera Opens with Recital by Piotr Beczala

Renowned Polish tenor Piotr Beczala and well-known collaborative pianist Martin Katz opened the San Diego Opera 2016–2017 season with a recital at the Balboa Theater on Saturday, September 17th.

Andrea Chénier at San Francisco Opera

San Francisco Opera makes occasional excursions into the operatic big-time, such just now was Giordano’s blockbuster Andrea Chénier, last seen at the War Memorial 23 years ago (1992) and even then after a hiatus of 17 years (1975).

A rousing I due Foscari at the Concertgebouw

There is no reason why, given the right performers, second-tier Verdi can’t be a top-tier operatic experience, as was the case with this concert version of I Due Foscari.

A double dose of Don Quixote at the Wigmore Hall

Since their first appearance in Miguel de Cervantes Saavedra’s literary master-piece, during the Spanish Golden Age, the ingenuous and imaginative knight-errant, Don Quixote, and his loyal subordinate and squire, Sancho Panza, have touched the creative imagination of composers from Salieri to Strauss, Boismortier to Rodrigo.

Bampton Classical Opera: A double bill of divine comedies

Bampton Classical Opera’s 2016 double-bill ‘touched down’ at St John’s Smith Square last night, following performances in The Deanery Garden at Bampton and The Orangery of Westonbirt School earlier this summer.

Mahler’s Second, Concertgebouw

Daniele Gatti opened the first series of Royal Concertgebouw Orchestra’s season with a slightly uneven performance of Mahler’s Resurrection Symphony. With four planned, this staple repertoire for the RCO meant to introduce Gatti to the RCO subscribers.

Mad About San Jose’s Lucia

Opera San Jose opened a commendably impassioned Lucia di Lammermoor that sets the company’s bar very high indeed as it begins its new season.

ROH, Norma

The approach of the 2016-17 opera season has brought rising anticipation and expectation for the ROH’s new production - the first at Covent Garden for almost 30 years - of Bellini’s bel canto master-piece, Norma.

The Changing of the Guard

Last June, Riccardo Chailly led the Leipzig Gewandhaus Orchestra in Bach’s St. Matthew’s Passion for his last concert as Principal Conductor.

Morgen und Abend at Berlin

After its world premiere at Royal Opera House in London last year, the German première of Georg Friedrich Haas’s Morgen und Abend took place at the Deutsche Oper Berlin.

Der Freischütz at Unter den Linden

Rarely have I experienced such fabulous singing in such a dreadful production. With magnificent voices, Andreas Schager and Dorothea Röschmann rescued Michael Thalheimer’s grotesque staging of von Weber’s Der Freischütz. At Staatsoper Unter den Linden, Alexander Soddy led a richly detailed, transparent and brilliantly glowing Berliner Staatskapelle.

Prom 74: Verdi's Requiem

For the penultimate BBC Prom at the Royal Albert Hall on Friday 9 September 2016, Marin Alsop conducted the BBC Youth Choir and Orchestra of the Age of Enlightenment in Verdi's Requiem with soloists Tamara Wilson, Alisa Kolosova, Dimitri Pittas, and Morris Robinson.

British Youth Opera: English Eccentrics

“Eccentricity is not, as dull people would have us believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd.”

2016 Elizabeth Connell Prize Winner Announced

Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.

Prom 68: a wonderful Semiramide

When I look back on the 2016 Proms season, this Opera Rara performance of Semiramide - the last opera that Rossini wrote for Italy - will be, alongside Pekka Kuusisto’s thrillingly free and refreshing rendition of Tchaikovsky’s violin concerto - one of the stand-out moments.


OPERA TODAY ARCHIVES »

Commentary

Kseniia Muslanova [Photo courtesy of Elizabeth Connell Prize International Singing Competition]
09 Sep 2016

2016 Elizabeth Connell Prize Winner Announced

Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.  »

Recently in Commentary

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28 Jan 2005

Homage to Marian Anderson

Start buying pieces of fine art this week for 37 cents. The Marian Anderson first-class postage stamp, the 28th in the Black Heritage series, debuted Thursday in Washington, D.C. Richard Sheaff designed the stamp, which is based on an Albert Slark oil painting. Sheaff previously designed nine stamps that include Paul Robeson, Thurgood Marshall, Langston Hughes, Roy Wilkins and Patricia Harris. »

26 Jan 2005

Comparing Tebaldi and de los Angeles

According to popular legend, one great operatic soprano comes along every generation. The years directly following the end of World War II were singularly blessed with the emergence of no fewer than three great divas. The tempestuous and too-short life of Maria Callas, regarded by many as the greatest, ended in 1977. But her two greatest rivals lived into old age, by strange fate – the force of destiny? – dying within less than a month of each other. »

26 Jan 2005

Julia Jones Conducts at the Wiener Staatsoper

VIENNA, Jan. 23 -It was just eight years ago that the Vienna Philharmonic, which doubles as the orchestra of the Vienna State Opera, officially admitted the first woman to its august ranks. On Jan. 12, there were at least six in the pit for “Parsifal.” On the 13th, there was one in the pit for “Don Giovanni.” On Saturday, there was one at the head of the orchestra: Julia Jones, an English conductor who made her debut here in 2001, has conducted a number of times here since, and who led a robust “Così Fan Tutte” during the house’s second annual “Vienna Mozart Days” (which ends with a final “Nozze di Figaro” on Jan. 29). »

24 Jan 2005

Le Figaro Interviews Marc Minkovski

A 20 ans, Marc Minkovski fondait les Musiciens du Louvre et, très vite, imprimait sa sensibilité gourmande sur le répertoire baroque, puis sur des Offenbach qui ont fait mouche à Lyon, Grenoble et Paris. On se souvient d’un grand Couronnement de Poppée à Aix-en-Provence, d’un admirable Pelléas et Mélisande, salle Favart, pour le centenaire de l’oeuvre en 2002. A l’Opéra de Paris, Gérard Mortier en fait aujourd’hui un pilier de ce qui ne ressemble pas à de la sagesse : le voici aux commandes musicales d’une nouvelle Flûte enchantée venue du Festival de la Ruhr, et donnée en pâture au délirant groupe catalan La Fura del Baus. Le chef, lui, s’occupe surtout de Mozart. »

21 Jan 2005

John Eliot Gardiner Goes It Alone — Take Two

What is it that urges an eminent musician to spurn the mainstream record industry and set up on his own? Some orchestras have been doing it for quite a while, bypassing the major companies and releasing competitively priced discs of live performances that regularly lead the market and at the same time help to promote the orchestras’ image. Where the London Symphony Orchestra led the way in that field, Sir John Eliot Gardiner, who already has a formidable backlist of recordings to his credit, is now blazing a trail for the individual artist by launching his own label, Soli Deo Gloria, the first two albums of which have just gone on sale. »

21 Jan 2005

So Much For Einstein's Theory

For many years Wolfgang Amadeus Mozart’s operatic work Zaide was regarded as a fragment. More than an hour of music was preserved but that was only the arias. Originally they were linked by spoken text, none of which survived. The German musicologist and conductor Andreas Kroeper, who now lives in the Czech Republic, says he has found the missing text and has proved it belonged to Zaide. Mozart started to compose the two-act Singspiel, set in a Turkish harem — a popular setting at that time, some time around 1780 in Salzburg. The libretto, developing similar plots of the period, was written by the Salzburg court musician Johann Andreas Schachtner. But Mozart soon realised a serious piece like that would not go down well with the Viennese audience whose tastes had turned to comic operas. »

18 Jan 2005

More Than 2,000 Say Goodbye to Victoria de los Ángeles

The coffin of Spanish Victoria de los Angeles, a distinctive soprano who sang most of the great lyric roles in most of the world’s opera houses, is placed inside the cathedral Nostra Senora del Mar during her funeral in Barcelona, January 17, 2005. Victoria de los Angeles died in hospital on Saturday at the age of 81. »

18 Jan 2005

Fidelio at the Lyric Opera of Chicago

Among history’s crowded pantheon of tormented genius-artists, Beethoven holds an honored spot. Often he composed quickly and with little apparent struggle. But he was no Mozart, who typically composed with a facility and speed that some music scholars have described as “taking dictation from God.” Beethoven filled sketchbooks with musical fragments, doggedly reworking and refining them like a miner scratching for diamonds in a black-walled shaft. With his wild hair, scowling gaze, deafness—a particularly cruel infirmity for a musician—and volcanic temper, he is the very model of a modern angst-ridden artist. »

18 Jan 2005

Mozart's Mass in C Minor Completed

Mozart left comparatively few major (or potentially major) works unfinished, and while it may seem daunting – presumptious even – for another musician to complete these scores, the lure of making an incomplete work whole is clearly too great to resist. Can the results ever be more than hyphenated Mozart? Probably not. A musicologist steeped in Mozart’s musical moves may project what the composer might have done at any point in a work, based on what he did in similar scores, and the completion may sound thoroughly Mozartean. But Mozart often came up with solutions that are completely surprising. Part of what made him Mozart – in fact, part of what makes any great composer great – is unpredictability. »

17 Jan 2005

Le Monde on Victoria de Los Angeles

Elle s’en est allée rejoindre les anges, dont elle portait si bien le nom. Victoria de Los Angeles s’est éteinte samedi 15 janvier, à l’âge de 81 ans, à la clinique Teknon de Barcelone, où elle avait été hospitalisée, à la suite de troubles cardio-pulmonaires, le 31 décembre 2004. Née le 1er novembre 1923 dans la capitale catalane, Victoria Gómez Cima (ou Garcia Lopez), dite Victoria de Los Angeles, avait grandi dans une Espagne meurtrie par les guerres. La fille du concierge de l’université, qui travaillait sa voix dans les salles de cours vides, avait conquis le monde de l’opéra dès 1947 en remportant le grand Concours international de Genève, qui lui valut de débuter l’année suivante à la BBC dans le rôle de Salud de La Vie brève de De Falla. »

15 Jan 2005

Victoria de los Ángeles Has Died

Barcelona.—La decana de los cantantes líricos españoles, Victoria dels Ángeles, ha fallecido hoy a los 81 años en la Clínica Teknon de Barcelona, donde se encontraba ingresada desde el 30 de diciembre como consecuencia de una afección respiratoria. La familia de la soprano ha comunicado que la capilla ardiente se instalará mañana en el Palau de la Generalitat de Catalunya, entre las 12.00 y las 19.00 horas. El funeral de la cantante, nacida en Barcelona el 1 de noviembre de 1923, tendrá lugar en la Basílica de Santa María del Mar, el lunes a las 11.00 horas. »

14 Jan 2005

Mozart's Portrait — Doubts Emerge

Nur wer mit den Eigentümlichkeiten Wiens und seiner Bewohner, ihren Empfindlichkeiten und Ab grenzungen, vor allem im Umgang mit den einverleibten Idolen, einigermaßen vertraut ist, kann ermessen, welch empfindlichen Nerv die Nachricht treffen musste, die am Dreikönigstag aus Berlin, ausgerechnet Berlin, verbreitet wurde, dass in der Berliner Gemäldegalerie ein bisher unbekanntes Mozart-Porträt aufgetaucht sei. Zwar wurde zugleich eine elektronische Kopie dieses Bildnisses mitgeliefert, auch der Name des Malers, Johann Georg Edlinger, genannt und mitgeteilt, es sei 1790 bei Mozarts letztem Aufenthalt in München entstanden, alles Nähere jedoch soll erst bei einem Vortrag am 27. Januar 2005 durch den Oberkustos der Berliner Gemäldegalerie, Rainer Michaelis, bekannt gegeben werden. Also just an Mozarts 249. Geburtstag. »

11 Jan 2005

Going It Alone

The conductor Sir John Eliot Gardiner — for 20 years one of the most famous names contracted to the recording company Deutsche Grammophon — has launched his own CD label, after recovering from the blow of the abrupt severance of his contract with DG. Sir John faced a crisis when the company pulled the plug just as he was planning the gargantuan project of touring with and recording live the complete Bach cantatas throughout the year 2000, which would have resulted in over 50 CDs. »

07 Jan 2005

A Lost Portrait of Mozart Recovered?

Musikgenie zwischen Verschwendungssucht und verhärmter Armut — doch aus Mozart-Porträts spricht auch Lebensfreude, Lust am Genuß und tödliche Krankheit. Höchste Zeit, über Amadeus-Legenden nachzudenken. War Mozart dicklich und wohlgenährt? Ein neu aufgetauchtes Bildnis zeigt den Salzburger Meister in seiner späten Zeit, im Jahre 1790. Mozart war 34 Jahre alt und hatte noch gut ein Jahr zu leben. Die Sensation: Pausbäckig und jovial, den Jackenknopf mühsam über dem Bäuchlein geschlossen, bietet Mozart einen Anblick gesunder Lebensfreude und jovialer Genußfähigkeit. »

29 Dec 2004

Salieri Redux

For Mozart's Archrival, an Italian Renaissance By JASON HOROWITZ MILAN - For more than 200 years, Antonio Salieri's obscure opera "Europa Riconosciuta" ("Europa Revealed") was forgotten. Before its return to La Scala this month, the opera had not been performed... »

29 Dec 2004

Marketing Classical Music

Folks tirelessly trying to market classical music these days will settle on almost any hook to lure customers, from martini bars in lobbies and cutesy program titles to that reliable, when-all-else-fails measure, the deeply discounted ticket price. I’m just old-fashioned enough to prefer come-ons that actually have something substantive to do with the music itself, and I’m a sucker for promotions that involve historic pegs – the anniversary of a composer’s birth or death, or of a composition’s first performance, for example. »

20 Dec 2004

Michael Tilson Thomas Turns 60

The ageless baton By Allan Ulrich Published: December 20 2004 13:44 | Last updated: December 20 2004 13:44 The conductor Michael Tilson Thomas turns 60 this week and, despite a few streaks of silver in his hair, his is a... »

19 Dec 2004

E' morta Renata Tebaldi

E' morta Renata Tebaldi Era la "rivale" di Maria Callas SAN MARINO - Renata Tebaldi è morta alle 03.30 nella sua casa di San Marino. La grande cantante lirica, nata a Pesaro, avrebbe compiuto 83 anni nel febbraio prossimo. La... »

17 Dec 2004

Krassimira Stoyanova: A Biographical Note

The Wiener Staatsoper's 2004-2005 season includes Verdi's Simon Boccanegra, which premiered on 8 December. Krassimira Stoyanova performed the role of "Amelia" to rave reviews. Beginning 3 January 2005, she will appear at the Met's production of Turandot in the role... »

15 Dec 2004

Renée Fleming: Not By Talent Alone

Aiming For Her Very Top Note Tue Dec 14, 7:00 PM ET Curt Schleier Renee Fleming understands that natural talent isn't enough to assure success. In fact, Fleming said during a recent interview, natural ability can work against you. Take... »