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Elsewhere

Oxford Lieder Festival: in conversation with Julius Drake

In October 2014, the Oxford Lieder Festival - under its imaginative and intrepid founder, Sholto Kynoch - fulfilled an incredibly ambitious goal: to perform Schubert’s entire corpus of songs - more than 600 - and, for three marvellous weeks, to bring Vienna to Oxford. ‘The Schubert Project’ was a magnificent celebration of the life and music of Franz Schubert: at its core lay the first complete performance of Schubert’s songs - including variants and alternative versions - in the UK.

Così fan tutte at Covent Garden

Desire and deception; Amor and artifice. In Jan Philipp Gloger’s new production of Così van tutte at the Royal Opera House, the artifice is of the theatrical, rather than the human, kind. And, an opera whose charm surely lies in its characters’ amiable artfulness seems more concerned to underline the depressing reality of our own deluded faith in human fidelity and integrity.

Plácido Domingo as Macbeth, LA Opera

On September 22, 2016, Los Angeles Opera presented Darko Tresnjak’s production of Giuseppe Verdi’s opera Macbeth. Verdi and Francesco Maria Piave based their opera on Shakespeare’s play of the same name.

The Rake’s Progress: an Opera for Our Time

On September 18th, at a casual Sunday matinee, Pacific Opera Project presented a surprising choice for a small company. It was Igor Stravinsky’s 1951 three act opera, The Rake’s Progress. It’s a piece made for today's supertitles with its exquisitely worded libretto by W.H. Auden and Chester Kallman.

Classical Opera: Haydn's La canterina

We are nearing the end of Classical Opera’s MOZART 250 sojourn through 1766, a year that the company’s artistic director Ian Page admits was ‘on face value … a relatively fallow year’. I’m not so sure: Jommelli’s Il Vogoleso, performed at the Cadogan Hall in April, was a gem. But, then, I did find the repertoire that Classical Opera offered at the Wigmore Hall in January, ‘worthy rather than truly engaging’ (review). And, this programme of Haydn and his Czech contemporary Josef Mysliveček was stylishly executed but did not absolutely convince.

Dream of the Red Chamber in San Francisco

Globalization finds its way ever more to San Francisco Opera where Italian composer Marco Tutino’s La Ciociara saw the light of day in 2015 and now, 2016, Chinese composer Bright Sheng’s Dream of the Red Chamber has been created.

San Diego Opera Opens with Recital by Piotr Beczala

Renowned Polish tenor Piotr Beczala and well-known collaborative pianist Martin Katz opened the San Diego Opera 2016–2017 season with a recital at the Balboa Theater on Saturday, September 17th.

Andrea Chénier at San Francisco Opera

San Francisco Opera makes occasional excursions into the operatic big-time, such just now was Giordano’s blockbuster Andrea Chénier, last seen at the War Memorial 23 years ago (1992) and even then after a hiatus of 17 years (1975).

A rousing I due Foscari at the Concertgebouw

There is no reason why, given the right performers, second-tier Verdi can’t be a top-tier operatic experience, as was the case with this concert version of I Due Foscari.

A double dose of Don Quixote at the Wigmore Hall

Since their first appearance in Miguel de Cervantes Saavedra’s literary master-piece, during the Spanish Golden Age, the ingenuous and imaginative knight-errant, Don Quixote, and his loyal subordinate and squire, Sancho Panza, have touched the creative imagination of composers from Salieri to Strauss, Boismortier to Rodrigo.

Bampton Classical Opera: A double bill of divine comedies

Bampton Classical Opera’s 2016 double-bill ‘touched down’ at St John’s Smith Square last night, following performances in The Deanery Garden at Bampton and The Orangery of Westonbirt School earlier this summer.

Mahler’s Second, Concertgebouw

Daniele Gatti opened the first series of Royal Concertgebouw Orchestra’s season with a slightly uneven performance of Mahler’s Resurrection Symphony. With four planned, this staple repertoire for the RCO meant to introduce Gatti to the RCO subscribers.

Mad About San Jose’s Lucia

Opera San Jose opened a commendably impassioned Lucia di Lammermoor that sets the company’s bar very high indeed as it begins its new season.

ROH, Norma

The approach of the 2016-17 opera season has brought rising anticipation and expectation for the ROH’s new production - the first at Covent Garden for almost 30 years - of Bellini’s bel canto master-piece, Norma.

The Changing of the Guard

Last June, Riccardo Chailly led the Leipzig Gewandhaus Orchestra in Bach’s St. Matthew’s Passion for his last concert as Principal Conductor.

Morgen und Abend at Berlin

After its world premiere at Royal Opera House in London last year, the German première of Georg Friedrich Haas’s Morgen und Abend took place at the Deutsche Oper Berlin.

Der Freischütz at Unter den Linden

Rarely have I experienced such fabulous singing in such a dreadful production. With magnificent voices, Andreas Schager and Dorothea Röschmann rescued Michael Thalheimer’s grotesque staging of von Weber’s Der Freischütz. At Staatsoper Unter den Linden, Alexander Soddy led a richly detailed, transparent and brilliantly glowing Berliner Staatskapelle.

Prom 74: Verdi's Requiem

For the penultimate BBC Prom at the Royal Albert Hall on Friday 9 September 2016, Marin Alsop conducted the BBC Youth Choir and Orchestra of the Age of Enlightenment in Verdi's Requiem with soloists Tamara Wilson, Alisa Kolosova, Dimitri Pittas, and Morris Robinson.

British Youth Opera: English Eccentrics

“Eccentricity is not, as dull people would have us believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd.”

2016 Elizabeth Connell Prize Winner Announced

Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.


OPERA TODAY ARCHIVES »

Commentary

Kseniia Muslanova [Photo courtesy of Elizabeth Connell Prize International Singing Competition]
09 Sep 2016

2016 Elizabeth Connell Prize Winner Announced

Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.  »

Recently in Commentary

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13 Dec 2004

Demonstrations of the École de Danse of the Ballet de l’Opéra National de Paris

The Paris Opera Ballet School, founded by Louis XIV in 1713—it’s the world’s oldest academy for producing classical dancers—is now located in a utilitarian complex specifically built for it in Nanterre, on the bleak outskirts of the City of Light. But for more than a century it was located in the bowels of the lavish Palais Garnier, at the hub of urban elegance. It was there—cocooned in that opera house’s imposing Second Empire decorative excesses of varicolored marble offset by gilt and bronze; of statues, bas-reliefs, frescos, and mosaics; of deep red plush and heavy figured and tasseled drapery; of an infinity of mirrors and chandeliers—that I saw the daylong program this extraordinary school, the oldest and arguably the greatest of its kind, modestly calls its “Demonstrations.” »

13 Dec 2004

What's On Le Figaro's Christmas List?

Notre sélection de DVD pour les fetes La rituelle ruée sur les cadeaux de Noel passe, cette année encore plus que la précédente, par le déferlement des DVD musicaux : archives, documentaires, retours sur les vieilles gloires ou concerts de... »

13 Dec 2004

Opera Etiquette

Going to the Theater Miss May The Epoch Times Dec 12, 2004 Dear Miss May: I am very lucky and am able to go to NY soon for a weekend of theater and, well, just enjoying New York. I attended... »

13 Dec 2004

Anna Netrebko on 60 Minutes

Anna Netrebko: A Happy Diva Singer Does Opera Music Videos Dec 12, 2004 7:45 pm US/Eastern Anna Netrebko in St. Petersburg Photograph: © Peter Rigaud There isn't a musical instrument on earth that can produce sounds as varied, as beautiful,... »

11 Dec 2004

Bolcom in Chicago

Marriage and manners By George Loomis [Financial Times] Published: December 10 2004 02:00 | Last updated: December 10 2004 02:00 The general director of Lyric Opera of Chicago, William Mason, likes to put his company's relationship with William Bolcom in... »

03 Dec 2004

An Interview with Juan Diego Flórez

"Nunca he sido un melómano" Es el tenor del momento, y sorprende que ostente la corona al reconocérsele sólo como un experto rossiniano. Odia las entrevistas porque le roban parte de su tiempo libre, un tesoro que valora desde la... »

03 Dec 2004

Joan Sutherland Named as 2004 Kennedy Center Honoree

World of opera graced by the true grande dame By T.L. Ponick SPECIAL TO THE WASHINGTON TIMES Published December 3, 2004 Legendary coloratura soprano Joan Sutherland says she was "bowled over" upon learning that she would be a 2004 Kennedy... »

30 Nov 2004

La Diva Renée

The 'Voice' of the Darling Diva By BARBARA JEPSON November 30, 2004 New York For sheer beauty of sound, no soprano today can match Renee Fleming. Her rich, golden-hued voice shines and seduces; she can sustain a long-lined legato passage,... »

30 Nov 2004

Lorraine Hunt Lieberson at NY Philharmonic

Turning Tragedy into Art By Jeannie Williams 29 Nov 2004 An interview with mezzo-soprano Lorraine Hunt Lieberson, who makes her New York Philharmonic debut this month. "I am drawn to these characters, the juicier the better, and sometimes that means... »

28 Nov 2004

Natalie Dessay Rehabilitating After Another Surgical Procedure

La chanteuse Natalie Dessay s'explique sur ses nombreuses défections LE MONDE | 27.11.04 | 19h06 La soprano colorature a du subir une nouvelle intervention chirurgicale le 17 novembre. Depuis le début de la saison, les nombreuses défections de la soprano... »

28 Nov 2004

Le Figaro Interviews Peter Eötvös on Angels in America

Eötvös : "Je ne cherche plus, je trouve" Après le lyrisme russe revisité dans Trois Soeurs, chef-d'oeuvre unanimement salué, et Le Balcon de Genet ramené du coté de la chanson française, reçu plus froidement, le troisième opéra de Peter Eötvös... »

26 Nov 2004

On Callas Forever

One for the opera buffs: 'Callas Forever' profiles a diva on the downslope Friday, November 26, 2004 By WILLIAM ARNOLD SEATTLE POST-INTELLIGENCER MOVIE CRITIC At first thought, Fanny Ardant would seem all wrong to play opera diva Maria Callas.... »

21 Nov 2004

On Robert Carsen

He's a smooth operator John Allison [Times Online] Robert Carsen may be a showman but his intent is serious FOR more than a decade Robert Carsen has been one of the operatic world's most visible directors, but right now he... »

18 Nov 2004

On Lulu's Portrait

Ascription of Identity: The Bild Motif and the Character of Lulu Silvio José Dos Santos The most controversial aspect of Alban Berg's opera Lulu — and one that has generated considerable criticism — is the composer's conception of the protagonist's... »

18 Nov 2004

The Biting Kiss

"Pardon me, but your teeth are in my neck": Giambattista Marino, Claudio Monteverdi, and the bacio mordace Massimo Ossi Claudio Monteverdi's "Eccomi pronta ai baci" presents an odd pairing of a first-person female voice with a three-voice low male ensemble;... »

16 Nov 2004

Manhattan School of Music to Present Hoiby's A Month in the Country

LEE HOIBY: A Month in the Country Libretto by William Ball after the play by Ivan Turgenev The Manhattan School of Music Opera Theater presents Lee Hoiby's A Month in the Country on Wednesday, December 8 and Friday, December 10... »

12 Nov 2004

Lebrecht on Gelb

How the Met was fixed By Norman Lebrecht / November 11, 2004 The Metropolitan Opera House in New York regards itself, with some justice, as the world's greatest. In America, it has no close competitor: the Met's annual deficit can... »

10 Nov 2004

Haroun and the Sea of Stories at NYC Opera

An American master premieres at City Opera An interview with Charles Wuorinen 10/26/2004 The world premiere of Haroun and the Sea of Stories features an inspired cross-section of artists among the most respected in their disciplines: Salman Rushdie, one of... »

09 Nov 2004

Biographical Note: Angela M. Brown

For a Fill-In Aida, a Triumph Long in Coming By ANNE MIDGETTE [NY Times] Angela M. Brown grew up singing gospel music in her grandfather's Baptist church in Indianapolis, but her father, an autoworker, didn't see that as the makings... »

08 Nov 2004

Appearing at the Met: Verdi's I Vespri Siciliani

Dubious History - Miraculous Music By John Yohalem [Playbill Arts] November 1, 2004 I Vespri Siciliani, a collaboration between Verdi and librettist Eugène Scribe, produced some astounding music--but historical fact was sacrificed to fit the drama. John Yohalem delves into... »

03 Nov 2004

A New Series on the History of Opera

Signifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera Mauro Calcagno1 Operas written in Venice in the 1640s feature surprisingly long melismas often setting seemingly insignificant words, in opposition to (although concurrently with) traditional madrigalisms. This magnification... »

03 Nov 2004

Dario Volonté: A Biographical Note

by Miguel A. DeVirgilio Dario Volonté was born on September 1, 1963, in Buenos Aires, although his family came from a humble household some 250 miles north of the capital, Entre Rios. His musical vocation began late after having discovered... »

03 Nov 2004

An Interview with Ewa Podles

Contralto taking on fresh challenge in 'Il Trovatore' By TOM STRINI Journal Sentinel music critic Posted: Nov. 1, 2004 Ewa Podles, a leading international concert and opera contralto, will make her Milwaukee debut Saturday, courtesy of the Florentine Opera. She... »

02 Nov 2004

Peter Gelb and the Met

In today's Wall Street Journal, Heidi Waleson opines on the future of the Met under Peter Gelb's leadership. She maintains that, given his background with Sony, this is a radical choice. Comparing his work at Sony with the Met, she... »

31 Oct 2004

Obstacles to Celebrity

Brownlee lends voice to the subject of race By Richard Dyer, Globe Staff | October 31, 2004 African-American divas have swept triumphantly across the international operatic stage for decades, and in this country Leontyne Price became a household name and... »

28 Oct 2004

Octavio Roca on Carmen

Carmen Forever By Octavio Roca October 19, 2004 Bizet's legendary heroine still inspires artists and opera lovers. The woman is fascinating, no question about it. Little by little, we are still getting to know Carmen. The fascination is strong, and... »

28 Oct 2004

FT on Countertenor Lawrence Zazzo

US countertenor who is a wow in Europe By Francis Carlin Published: October 28 2004 03:00 | Last updated: October 28 2004 03:00 It is always a good sign when you find a singer attending a performance of something else... »

28 Oct 2004

A Tribute to Robert Merrill (1919-2004)

MEMORIES OF ROBERT MERRILL: AMERICAN OPERATIC ICON by James Engdahl, Engdahl Artists International Robert Merrill, born Moishe Miller in the Williamsburg section of Brooklyn, passed away last Saturday, October 22, 2004, as he watched the first game of the World... »

27 Oct 2004

FT on the Future of Wexford Opera Festival

Wexford's dilemma for future operas By Andrew Clark Published: October 27 2004 03:00 | Last updated: October 27 2004 03:00 When Wexford's opera festival was young and innocent, audiences used to talk of "one for the head, one for the... »

27 Oct 2004

Looking for Wolfgang in All the Wrong Places

Scientists dig up family skeletons Luke Harding in Berlin Wednesday October 27, 2004 The Guardian It has been a mystery for more than a century - is a skull in an Austrian basement really that of arguably the greatest composer... »

22 Oct 2004

The Guardian Profiles René Jacobs

Not so hippy now Since the 1960s, René Jacobs has been a pioneer of the early music movement. Stephen Everson hears how his vision has evolved Friday October 22, 2004 The Guardian Anyone who still thinks "authentic" performances of baroque... »

21 Oct 2004

An Interview with Michael Kaye on Puccini Rediscovered

*New Repertoire Discoveries for Singers: An Interview with Michael Kaye* by Maria Nockin Did you ever wonder why that last Tales of Hoffmann you sang had all those photocopied sheets added in? Or why the version of "Butterfly" you learned... »

17 Oct 2004

The Independent: John Tavener Rejects Orthodox Faith; To Compose Theatric Work Based on Krishna

Top composer Tavener turns to Islam for inspiration The Orthodox faith inspired him for more than 25 years, but after a rift with his spiritual adviser, the composer has rejected its 'tyranny' in a major work based on the Koran.... »

10 Oct 2004

Ópera Actual Interviews Anne Sofie von Otter

El sexo en la ópera no es sólo vulgar: ya nos aburre Fuera de la escena, la mezzo sueca es áspera y poco acogedora. Sus escasas sonrisas son un premio y sus respuestas son rápidas y precisas. Una evidente robustez... »

10 Oct 2004

Daily Telegraph Interviews Pierre Boulez

Mistakes? I've made a few... (Filed: 04/10/2004) Pierre Boulez, the greatest and most uncompromising composer-conductor of our time, is mellowing as he approaches 80. He talks to Ivan Hewett However hard one normally prepares for interviews, there's always the feeling... »

07 Oct 2004

Deborah Voigt withdraws from Vancouver Opera’s production of Der Rosenkavalier

*Deborah Voigt withdraws from Vancouver Opera's production of Der Rosenkavalier* Vancouver, BC ~ American soprano Deborah Voigt, who was to make her role début as the Marschallin in the company's première production of Richard Strauss's Der Rosenkavalier, has withdrawn from... »

07 Oct 2004

Licia Albanese at the Opening of the San Francisco Performing Arts Library and Museum's Exhibition "Madame Butterfly: From Puccini to Miss Saigon"

Many a tear was shed when soprano Licia Albanese sang. Now she is celebrating her signature work, 'Madama Butterfly.' Allan Ulrich, Special to The Chronicle Monday, October 4, 2004 Was she or wasn't she? Licia Albanese is adamant. "Diva? Hah!... »