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Elsewhere

A Winterreise both familiar and revelatory: Ian Bostridge and Thomas Adès at Wigmore Hall

‘“Will you play your hurdy-gurdy to my songs?” the wanderer asks. If the answer were to be a “yes”, then the crazy but logical procedure would be to go right back to the beginning of the whole cycle and start all over again. This could explore a notion of eternal recurrence: we are trapped in the endless repetition of this existential lament.’

Stars of Lyric Opera at Millennium Park, 2018

Lyric Opera of Chicago’s annual concert, Stars of Lyric Opera at Millennium Park, given during last weekend, was both a tribute to the many facets of opera and a preview of what lies ahead in the upcoming repertoire season.

Classical Opera: Bastien und Bastienne on Signum Classics

Pride and Prejudice, North and South, Antony and Cleopatra, Much Ado About Nothing: literary fiction and drama are strewn with dissembling lovers who display differing degrees of Machiavellian sharpness in matters of amatory strategy. But, there is an artless ingenuousness about Bastien and Bastienne, the eponymous pastoral protagonists of Mozart’s 1768 opera, who pretend not to love in order to seal their shared romantic destiny, but who require a hefty dose of the ‘Magician’ Colas’s conjuring/charlatanry in order to avoid a future of lonely singledom.

A Stunning Semiramide from Opera Rara

In early October 1822, Gioachino Rossini summoned the librettist Gaetano Rossi to a villa (owned by his wife, the soprano Isabella Colbran) in Castenaso, just outside Bologna. Their project: to work on a new opera, which would be premiered during the Carnival in Venice on 3rd February the following year, based on the legend of Queen Semiramide.

Dorothea Röschmann at Wigmore Hall: songs by Schumann, Wolf and Brahms

One should not judge a performance by its audience, but spying Mitsuko Uchida in the audience is unlikely ever to prove a negative sign. It certainly did not here, in a wonderfully involving recital of songs by Schumannn, Wolf, and Brahms from Dorothea Röschmann and Malcolm Martineau.

Two of Garsington Opera's 2018 productions to reach a wider audience

Garsington Opera is delighted to announce that on Saturday 6 October, BBC Radio 3’s ‘Opera on 3’, will broadcast the production of its first festival world premiere - The Skating Rink by David Sawer set to a libretto by Rory Mullarkey based on a novel by Chilean author Roberto Bolaño.

The Path of Life: Ilker Arcayürek sings Schubert at Wigmore Hall

Wigmore Hall’s BBC Radio 3 Lunchtime Concert 2018-19 series opened this week with a journey along The Path of Life as illustrated by the songs of Schubert, and it offered a rare chance to hear the composer’s long, and long-germinating, setting of Johann Baptist Mayrhofer’s philosophical rumination, ‘Einsamkeit’ - an extended eulogy to loneliness which Schubert described, in a letter of 1822, as the best thing he had done, “mein Bestes, was ich gemacht habe”.

Heine through Song: Florian Boesch and Malcolm Martineau open a new Wigmore Hall season

The BBC Proms have now gone into hibernation until July 2019. But, as the hearty patriotic strains rang out over South Kensington on Saturday evening, in Westminster the somewhat gentler, but no less emotive, flame of nineteenth-century lied was re-lit at Wigmore Hall, as baritone Florian Boesch and pianist Malcolm Martineau opened the Hall’s 2018-19 season with a recital comprising song settings of texts by Heinrich Heine.

Elgar Orchestral Songs - SOMM

Edward Elgar's Sea Pictures are extremely well-known, but many others are also worth hearing. From SOMM recordings, specialists in British repertoire, comes this interesting new collection of other Elgar orchestral songs, sponsored by the Elgar Society.

Prom 74: Handel's Theodora

“One of the most insufferable prigs in a literature.” Handel scholar Winton Dean’s dismissal of Theodora, the eponymous heroine of Handel’s 1749 oratorio, may well have been shared by many among his contemporary audience.

Remembering and Representing Dido, Queen of Carthage: an interview with Thomas Guthrie

The first two instalments of the Academy of Ancient Music’s ‘Purcell trilogy’ at the Barbican Hall have posed plentiful questions - creative, cultural and political.

Landmark Productions and Irish National Opera present The Second Violinist

Renaissance madrigals and twentieth-century social media don’t at first seem likely bed-fellows. However, Martin - the protagonist of The Second Violinist, a new opera by composer Donnacha Dennehy and librettist Enda Walsh - is, like the late sixteenth-century composer, Carlo Gesualdo, an artist with homicidal tendencies. And, Dennehy and Walsh bring music, madness and murder together in a Nordic noir thriller that has more than a touch of Stringbergian psychological anxiety, analysis and antagonism.

The Rake's Progress: British Youth Opera

The cautionary tale which W.H. Auden and Chester Kallman fashioned for Igor Stravinsky’s 1951 opera, The Rake’s Progress - recounting the downward course of an archetypal libertine from the faux fulfilment of matrimonial and monetary dreams to the grim reality of madness and death - was, of course, an elaboration of William Hogarth’s 1733 series of eight engravings.

Prom 71: John Eliot Gardiner and the Orchestre Revolutionaire et Romantique play Berlioz

Having recently recorded the role of Dido in Berlioz' Les Troyens on Warner Classics, there was genuine excitement at the prospect of hearing Joyce DiDonato performing Dido's death scene live at the BBC Proms. She joined John Eliot Gardiner and the Orchestre Revolutionaire et Romantique for an all-Berlioz Prom at the Royal Albert Hall on Wednesday 5 September 2018. As well as the scene from Les Troyens, DiDonato sang La mort de Cleopatre and the orchestra performed the overture Le Corsaire and The Royal Hunt and Storm from Les Troyens, and were joined by viola player Antoine Tamestit for Harold in Italy.

ENO Studio Live: Paul Bunyan

“A telegram, a telegram,/ A telegram from Hollywood./ Inkslinger is the name; And I think that the news is good.” The Western Union Boy’s missive, delivered to Johnny Inkslinger in the closing moments of 1941 ‘choral operetta’ Paul Bunyan and directly connecting the American Dream with success in Tinseltown, may have echoed an offer that Benjamin Britten himself received, for the composer had written expectantly to Wulff Scherchen on 7th February 1939, ‘(((Shshshsssh … I may have an offer from Holywood [sic] for a film, but don’t say a word))).’ Ten days later he wrote again: ‘Hollywood seems a bit nearer - I’ve got an interview with the Producer on Monday’.

Young audience embraces Die Zauberflöte at Dutch National Opera

The Dutch National Opera season opens officially on the 7th of September with a third run of Simon McBurney’s production of Mozart’s Die Zauberflöte, an unqualified success at its 2012 premiere. Last Tuesday, however, an audience aged between sixteen and thirty-five got to see a preview of this co-production with English National Opera and the Aix-en-Provence Festival.

Prom 67: The Boston Symphony Orchestra play Mahler’s Third

Mahler and I, at least in the concert hall, parted company over a decade ago - and with his Third Symphony it has been an even longer abandonment, fifteen years. Reviewing can nurture great love for music; but it can also become so obsessive for a single composer it can make one profoundly unresponsive to their music. This was my tragedy with Mahler.

Bampton Classical Opera Goes to the Ball

I wonder if Cinderella realised that when she found her Prince she would also find international fame, becoming not just a Princess but also a global celebrity and icon. The glass slipper, placed loving on her shapely foot, has graced theatres, variety halls, cinema screens and opera houses - even postage stamps - and the perennial popularity of this rags-to-riches fairy-tale, in which innocence and goodness triumph over injustice and oppression, shows no signs of waning.

A Landmark Revival of Sullivan's Haddon Hall

With The Gondoliers of 1889, the main period of Arthur Sullivan's celebrated collaboration with W. S. Gilbert came to an end, and with it the golden age of British operetta. Sullivan was accordingly at liberty to compose more serious and emotional operas, as he had long desired, and turned first to the moribund tradition of "Grand Opera" with Ivanhoe (1891).

Die Meistersinger at Bayreuth

Famously, controversy is the stuff of Bayreuth, be it artistic, philosophic or political. As well occasionally a Bayreuth production can simply be illuminating, as is the Barrie Kosky production of Wagner’s only comedy, Die Meistersinger.


OPERA TODAY ARCHIVES »

Commentary

13 Sep 2018

Two of Garsington Opera's 2018 productions to reach a wider audience

Garsington Opera is delighted to announce that on Saturday 6 October, BBC Radio 3’s ‘Opera on 3’, will broadcast the production of its first festival world premiere - The Skating Rink by David Sawer set to a libretto by Rory Mullarkey based on a novel by Chilean author Roberto Bolaño.  »

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15 Jan 2005

Victoria de los Ángeles Has Died

Barcelona.—La decana de los cantantes líricos españoles, Victoria dels Ángeles, ha fallecido hoy a los 81 años en la Clínica Teknon de Barcelona, donde se encontraba ingresada desde el 30 de diciembre como consecuencia de una afección respiratoria. La familia de la soprano ha comunicado que la capilla ardiente se instalará mañana en el Palau de la Generalitat de Catalunya, entre las 12.00 y las 19.00 horas. El funeral de la cantante, nacida en Barcelona el 1 de noviembre de 1923, tendrá lugar en la Basílica de Santa María del Mar, el lunes a las 11.00 horas. »

14 Jan 2005

Mozart's Portrait — Doubts Emerge

Nur wer mit den Eigentümlichkeiten Wiens und seiner Bewohner, ihren Empfindlichkeiten und Ab grenzungen, vor allem im Umgang mit den einverleibten Idolen, einigermaßen vertraut ist, kann ermessen, welch empfindlichen Nerv die Nachricht treffen musste, die am Dreikönigstag aus Berlin, ausgerechnet Berlin, verbreitet wurde, dass in der Berliner Gemäldegalerie ein bisher unbekanntes Mozart-Porträt aufgetaucht sei. Zwar wurde zugleich eine elektronische Kopie dieses Bildnisses mitgeliefert, auch der Name des Malers, Johann Georg Edlinger, genannt und mitgeteilt, es sei 1790 bei Mozarts letztem Aufenthalt in München entstanden, alles Nähere jedoch soll erst bei einem Vortrag am 27. Januar 2005 durch den Oberkustos der Berliner Gemäldegalerie, Rainer Michaelis, bekannt gegeben werden. Also just an Mozarts 249. Geburtstag. »

11 Jan 2005

Going It Alone

The conductor Sir John Eliot Gardiner — for 20 years one of the most famous names contracted to the recording company Deutsche Grammophon — has launched his own CD label, after recovering from the blow of the abrupt severance of his contract with DG. Sir John faced a crisis when the company pulled the plug just as he was planning the gargantuan project of touring with and recording live the complete Bach cantatas throughout the year 2000, which would have resulted in over 50 CDs. »

07 Jan 2005

A Lost Portrait of Mozart Recovered?

Musikgenie zwischen Verschwendungssucht und verhärmter Armut — doch aus Mozart-Porträts spricht auch Lebensfreude, Lust am Genuß und tödliche Krankheit. Höchste Zeit, über Amadeus-Legenden nachzudenken. War Mozart dicklich und wohlgenährt? Ein neu aufgetauchtes Bildnis zeigt den Salzburger Meister in seiner späten Zeit, im Jahre 1790. Mozart war 34 Jahre alt und hatte noch gut ein Jahr zu leben. Die Sensation: Pausbäckig und jovial, den Jackenknopf mühsam über dem Bäuchlein geschlossen, bietet Mozart einen Anblick gesunder Lebensfreude und jovialer Genußfähigkeit. »

29 Dec 2004

Salieri Redux

For Mozart's Archrival, an Italian Renaissance By JASON HOROWITZ MILAN - For more than 200 years, Antonio Salieri's obscure opera "Europa Riconosciuta" ("Europa Revealed") was forgotten. Before its return to La Scala this month, the opera had not been performed... »

29 Dec 2004

Marketing Classical Music

Folks tirelessly trying to market classical music these days will settle on almost any hook to lure customers, from martini bars in lobbies and cutesy program titles to that reliable, when-all-else-fails measure, the deeply discounted ticket price. I’m just old-fashioned enough to prefer come-ons that actually have something substantive to do with the music itself, and I’m a sucker for promotions that involve historic pegs – the anniversary of a composer’s birth or death, or of a composition’s first performance, for example. »

20 Dec 2004

Michael Tilson Thomas Turns 60

The ageless baton By Allan Ulrich Published: December 20 2004 13:44 | Last updated: December 20 2004 13:44 The conductor Michael Tilson Thomas turns 60 this week and, despite a few streaks of silver in his hair, his is a... »

19 Dec 2004

E' morta Renata Tebaldi

E' morta Renata Tebaldi Era la "rivale" di Maria Callas SAN MARINO - Renata Tebaldi è morta alle 03.30 nella sua casa di San Marino. La grande cantante lirica, nata a Pesaro, avrebbe compiuto 83 anni nel febbraio prossimo. La... »

17 Dec 2004

Krassimira Stoyanova: A Biographical Note

The Wiener Staatsoper's 2004-2005 season includes Verdi's Simon Boccanegra, which premiered on 8 December. Krassimira Stoyanova performed the role of "Amelia" to rave reviews. Beginning 3 January 2005, she will appear at the Met's production of Turandot in the role... »

15 Dec 2004

Renée Fleming: Not By Talent Alone

Aiming For Her Very Top Note Tue Dec 14, 7:00 PM ET Curt Schleier Renee Fleming understands that natural talent isn't enough to assure success. In fact, Fleming said during a recent interview, natural ability can work against you. Take... »

13 Dec 2004

Demonstrations of the École de Danse of the Ballet de l’Opéra National de Paris

The Paris Opera Ballet School, founded by Louis XIV in 1713—it’s the world’s oldest academy for producing classical dancers—is now located in a utilitarian complex specifically built for it in Nanterre, on the bleak outskirts of the City of Light. But for more than a century it was located in the bowels of the lavish Palais Garnier, at the hub of urban elegance. It was there—cocooned in that opera house’s imposing Second Empire decorative excesses of varicolored marble offset by gilt and bronze; of statues, bas-reliefs, frescos, and mosaics; of deep red plush and heavy figured and tasseled drapery; of an infinity of mirrors and chandeliers—that I saw the daylong program this extraordinary school, the oldest and arguably the greatest of its kind, modestly calls its “Demonstrations.” »

13 Dec 2004

What's On Le Figaro's Christmas List?

Notre sélection de DVD pour les fetes La rituelle ruée sur les cadeaux de Noel passe, cette année encore plus que la précédente, par le déferlement des DVD musicaux : archives, documentaires, retours sur les vieilles gloires ou concerts de... »

13 Dec 2004

Opera Etiquette

Going to the Theater Miss May The Epoch Times Dec 12, 2004 Dear Miss May: I am very lucky and am able to go to NY soon for a weekend of theater and, well, just enjoying New York. I attended... »

13 Dec 2004

Anna Netrebko on 60 Minutes

Anna Netrebko: A Happy Diva Singer Does Opera Music Videos Dec 12, 2004 7:45 pm US/Eastern Anna Netrebko in St. Petersburg Photograph: © Peter Rigaud There isn't a musical instrument on earth that can produce sounds as varied, as beautiful,... »

11 Dec 2004

Bolcom in Chicago

Marriage and manners By George Loomis [Financial Times] Published: December 10 2004 02:00 | Last updated: December 10 2004 02:00 The general director of Lyric Opera of Chicago, William Mason, likes to put his company's relationship with William Bolcom in... »

03 Dec 2004

An Interview with Juan Diego Flórez

"Nunca he sido un melómano" Es el tenor del momento, y sorprende que ostente la corona al reconocérsele sólo como un experto rossiniano. Odia las entrevistas porque le roban parte de su tiempo libre, un tesoro que valora desde la... »

03 Dec 2004

Joan Sutherland Named as 2004 Kennedy Center Honoree

World of opera graced by the true grande dame By T.L. Ponick SPECIAL TO THE WASHINGTON TIMES Published December 3, 2004 Legendary coloratura soprano Joan Sutherland says she was "bowled over" upon learning that she would be a 2004 Kennedy... »

30 Nov 2004

La Diva Renée

The 'Voice' of the Darling Diva By BARBARA JEPSON November 30, 2004 New York For sheer beauty of sound, no soprano today can match Renee Fleming. Her rich, golden-hued voice shines and seduces; she can sustain a long-lined legato passage,... »

30 Nov 2004

Lorraine Hunt Lieberson at NY Philharmonic

Turning Tragedy into Art By Jeannie Williams 29 Nov 2004 An interview with mezzo-soprano Lorraine Hunt Lieberson, who makes her New York Philharmonic debut this month. "I am drawn to these characters, the juicier the better, and sometimes that means... »

28 Nov 2004

Natalie Dessay Rehabilitating After Another Surgical Procedure

La chanteuse Natalie Dessay s'explique sur ses nombreuses défections LE MONDE | 27.11.04 | 19h06 La soprano colorature a du subir une nouvelle intervention chirurgicale le 17 novembre. Depuis le début de la saison, les nombreuses défections de la soprano... »

28 Nov 2004

Le Figaro Interviews Peter Eötvös on Angels in America

Eötvös : "Je ne cherche plus, je trouve" Après le lyrisme russe revisité dans Trois Soeurs, chef-d'oeuvre unanimement salué, et Le Balcon de Genet ramené du coté de la chanson française, reçu plus froidement, le troisième opéra de Peter Eötvös... »

26 Nov 2004

On Callas Forever

One for the opera buffs: 'Callas Forever' profiles a diva on the downslope Friday, November 26, 2004 By WILLIAM ARNOLD SEATTLE POST-INTELLIGENCER MOVIE CRITIC At first thought, Fanny Ardant would seem all wrong to play opera diva Maria Callas.... »

21 Nov 2004

On Robert Carsen

He's a smooth operator John Allison [Times Online] Robert Carsen may be a showman but his intent is serious FOR more than a decade Robert Carsen has been one of the operatic world's most visible directors, but right now he... »

18 Nov 2004

On Lulu's Portrait

Ascription of Identity: The Bild Motif and the Character of Lulu Silvio José Dos Santos The most controversial aspect of Alban Berg's opera Lulu — and one that has generated considerable criticism — is the composer's conception of the protagonist's... »

18 Nov 2004

The Biting Kiss

"Pardon me, but your teeth are in my neck": Giambattista Marino, Claudio Monteverdi, and the bacio mordace Massimo Ossi Claudio Monteverdi's "Eccomi pronta ai baci" presents an odd pairing of a first-person female voice with a three-voice low male ensemble;... »

16 Nov 2004

Manhattan School of Music to Present Hoiby's A Month in the Country

LEE HOIBY: A Month in the Country Libretto by William Ball after the play by Ivan Turgenev The Manhattan School of Music Opera Theater presents Lee Hoiby's A Month in the Country on Wednesday, December 8 and Friday, December 10... »

12 Nov 2004

Lebrecht on Gelb

How the Met was fixed By Norman Lebrecht / November 11, 2004 The Metropolitan Opera House in New York regards itself, with some justice, as the world's greatest. In America, it has no close competitor: the Met's annual deficit can... »

10 Nov 2004

Haroun and the Sea of Stories at NYC Opera

An American master premieres at City Opera An interview with Charles Wuorinen 10/26/2004 The world premiere of Haroun and the Sea of Stories features an inspired cross-section of artists among the most respected in their disciplines: Salman Rushdie, one of... »

09 Nov 2004

Biographical Note: Angela M. Brown

For a Fill-In Aida, a Triumph Long in Coming By ANNE MIDGETTE [NY Times] Angela M. Brown grew up singing gospel music in her grandfather's Baptist church in Indianapolis, but her father, an autoworker, didn't see that as the makings... »

08 Nov 2004

Appearing at the Met: Verdi's I Vespri Siciliani

Dubious History - Miraculous Music By John Yohalem [Playbill Arts] November 1, 2004 I Vespri Siciliani, a collaboration between Verdi and librettist Eugène Scribe, produced some astounding music--but historical fact was sacrificed to fit the drama. John Yohalem delves into... »

03 Nov 2004

A New Series on the History of Opera

Signifying Nothing: On the Aesthetics of Pure Voice in Early Venetian Opera Mauro Calcagno1 Operas written in Venice in the 1640s feature surprisingly long melismas often setting seemingly insignificant words, in opposition to (although concurrently with) traditional madrigalisms. This magnification... »

03 Nov 2004

Dario Volonté: A Biographical Note

by Miguel A. DeVirgilio Dario Volonté was born on September 1, 1963, in Buenos Aires, although his family came from a humble household some 250 miles north of the capital, Entre Rios. His musical vocation began late after having discovered... »

03 Nov 2004

An Interview with Ewa Podles

Contralto taking on fresh challenge in 'Il Trovatore' By TOM STRINI Journal Sentinel music critic Posted: Nov. 1, 2004 Ewa Podles, a leading international concert and opera contralto, will make her Milwaukee debut Saturday, courtesy of the Florentine Opera. She... »