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Elsewhere

Cooperstown and the Hood

Glimmerglass Festival continues its string of world premiere youth operas with a wholly enchanting production of Ben Moore and Kelly Rourke’s Robin Hood.

Glimmerglass Oklahoma: Yeow!

Director Molly Smith knew just how to best succeed at staging the evergreen classic Oklahoma! for Glimmerglass Festival.

An Invitation to Travel: Christiane Karg and Malcolm Martineau at the Proms

German soprano Christiane Karg invited us to accompany her on a journey during this lunchtime chamber music Prom at Cadogan Hall as she followed the voyages of French composers in Europe and beyond, and their return home.

Schoenberg's Gurrelieder at the Proms - Sir Simon Rattle

Prom 46: Schoenberg's Gurrelieder with Simon Rattle and the London Symphony Orchestra, Simon O'Neill, Eva-Maria Westbroek, Karen Cargill, Peter Hoare, Christopher Purves and Thomas Quasthoff. And three wonderful choirs - the CBSO Chorus, the London Symphony Chorus and Orfeó Català from Barcelona, with Chorus Master Simon Halsey, Rattle's close associate for 35 years.

Le Siège de Corinthe in Pesaro

That of Rossini (in French) and that of Lord Byron (in English, Russian, Italian and Spanish), the battles of both Negroponte (1470) and of Missolonghi (1826) re-enacted amidst massive piles of plastic water bottles (thousands of them) that collapsed onto the heroine at Mahomet II's destruction of Corinth.

Dunedin Consort perform Bach's St John Passion at the Proms

John Butt and the Dunedin Consort's 2012 recording of Bach's St John Passion was ground-breaking for it putting the passion into the context of a reconstruction of the original Lutheran Vespers service.

Collision: Spectra Ensemble at the Arcola Theatre

‘Asteroid flyby in October: A drill for the end of the world?’ So shouted a headline in USA Today earlier this month, as journalist Doyle Rice asked, ‘Are we ready for an asteroid impact?’ in his report that in October NASA will conduct a drill to see how well its planetary defence system would work if an actual asteroid were heading straight for Earth.

Joshua Bell offers Hispanic headiness at the Proms

At the start of the 20th century, French composers seemed to be conducting a cultural love affair with Spain, an affair initiated by the Universal Exposition of 1889 where the twenty-five-year old Debussy and the fourteen-year-old Ravel had the opportunity to hear new sounds from East Asia, such as the Javanese gamelan, alongside gypsy flamenco from Granada.

John Joubert's Jane Eyre

Librettists have long mined the literature shelves for narratives that are ripe for musico-dramatic embodiment. On the whole, it’s the short stories and poems - The Turn of the Screw, Eugene Onegin or Death in Venice, for example - that best lend themselves to operatic adaptation.

Hibiki: a European premiere by Mark-Anthony Turnage at the Proms

Hibiki: sound, noise, echo, reverberation, harmony. Commissioned by the Suntory Hall in Tokyo to celebrate the Hall’s 30th anniversary in 2016, Mark-Anthony Turnage’s 50-minute Hibiki, for two female soloists, children’s chorus and large orchestra, purports to reflect on the ‘human reverberations’ of the Tohoku earthquake in 2011 and the devastation caused by the subsequent tsunami and radioactive disaster.

Through Life and Love: Louise Alder sings Strauss

Soprano Louise Alder has had an eventful few months. Declared ‘Young Singer of the Year’ at the 2017 International Opera Awards in May, the following month she won the Dame Joan Sutherland Audience Prize at the BBC Cardiff Singer of the World.

Janáček: The Diary of One Who Disappeared, Grimeborn

A great performance of Janáček’s song cycle The Diary of One Who Disappeared can be, allowing for the casting of a superb tenor, an experience on a par with Schoenberg’s Erwartung. That Shadwell Opera’s minimalist, but powerful, staging in the intimate setting of Studio 2 of the Arcola Theatre was a triumph was in no small measure to the magnificent singing of the tenor, Sam Furness.

Khovanshchina: Mussorgsky at the Proms

Remembering the centenary of the Russian Revolution, this Proms performance of Mussorgsky’s mighty Khovanshchina (all four and a quarter hours of it) exceeded all expectations on a musical level. And, while the trademark doorstop Proms opera programme duly arrived containing full text and translation, one should celebrate the fact that - finally - we had surtitles on several screens.

Santa Fe: Entertaining If Not Exactly (R)evolutionary

You know what I loved best about Santa Fe Opera’s world premiere The (R)evolution of Steve Jobs?

Longborough Young Artists in London: Gluck's Orfeo ed Euridice

For the last three years, Longborough Festival Opera’s repertoire of choice for their Young Artist Programme productions has been Baroque opera seria, more specifically Handel, with last year’s Alcina succeeding Rinaldo in 2014 and Xerxes in 2015.

A Master Baritone in Recital: Sesto Bruscantini, 1981

This is the only disc ever devoted to the art of Sesto Bruscantini (1919–2003). Record collectors value his performance of major baritone roles, especially comic but also serious ones, on many complete opera recordings, such as Il barbiere di Siviglia (with Victoria de los Angeles). He continued to perform at major houses until at least 1985 and even recorded Mozart's Don Alfonso in 1991, when he was 72.

Emalie Savoy: A Portrait

Since 1952, the ARD—the organization of German radio stations—has run an annual competition for young musicians. Winners have included Jessye Norman, Maurice André, Heinz Holliger, and Mitsuko Uchida. Starting in 2015, the CD firm GENUIN has offered, as a separate award, the chance for one of the prize winners to make a CD that can serve as a kind of calling card to the larger musical and music-loving world. In 2016, the second such CD award was given to the Aris Quartett (second-prize winner in the “string quartet” category).

Full-throated Cockerel at Santa Fe

A tale of a lazy, befuddled world leader that ‘has no clothes on’ and his two dimwit sons, hmmmm, what does that remind me of. . .?

Santa Fe’s Trippy Handel

If you don’t like a given moment in Santa Fe Opera’s staging of Alcina, well, just like the volatile mountain weather, wait two minutes and it will surely change.

Santa Fe’s Crowd-Pleasing Strauss

With Die Fledermaus’ thrice familiar overture still lingering in our ears, it didn’t take long for the assault of hijinks to reduce the audience into guffaws of delight.


OPERA TODAY ARCHIVES »

Commentary

An interview with Natalya Romaniw
03 Jul 2017

Natalya Romaniw: 'one of the outstanding sopranos of her generation’

There can hardly be a dry eye in the house, at the ‘Theatre in the Woods’ at West Horsley Place - Grange Park Opera’s new home - when, in Act 3 of Janáček's first mature opera, Natalya Romaniw’s Jenůfa realises that the tiny child whose frozen body has been discovered under the ice is her own dead son. »

Recently in Commentary

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15 Oct 2012

Rewriting the Unwritten Law: Gilliam and Ghent Tackle Damnation

One of the most noteworthy and controversial productions in recent memory arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural opera, an inspired interpretation of Hector Berlioz’s Le Damnation de Faust, blasted into Ghent, followed by a run in Antwerp. »

09 Oct 2012

Florian Boesch on Schubert’s Die schöne Müllerin

Florian Boesch is singing Schubert’s Die Schöne Müllerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide” »

05 Oct 2012

Exciting Glyndebourne 2013 season

Exciting developments at Glyndebourne ! Many new initiatives which could transform Glyndebourne from a summer festival to a truly international, year-round opera experience.  »

28 Sep 2012

Good News for Opera in Barcelona

The recently released numbers for the past season at Barcelona’s opera Liceu gives some hope for the future.  »

12 Sep 2012

New Attendance Record for Salzburg

A record 278,978 people attended events of the 2012 edition of the famed Salzburg Festival in Austria, the largest number since its founding 92 years ago. »

13 Aug 2012

Another Bayreuth Stunner

Just after things were settling after the scandal of baritone Evgeny Nitikin supposed swastika tattoo at the Bayreuth Festival, another one seems likely to take its place.  »

08 Aug 2012

Opera Tomorrow: Wolf Trap Today

Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”  »

30 Jul 2012

Laurent Pelly on Glyndebourne's Ravel Double Bill

The Glyndebourne Festival highlight this year could be the Ravel double bill - L’heure espagnole and L'enfant et les sortilèges. Laurent Pelly directs. Anyone who saw his brilliant Humperdinck Hansel und Gretel at Glyndebourne in 2008 will know what to expect - a staging of great imagination and verve, true to the spirit of the composer. »

18 Jul 2012

Changes at Florida Grand Opera

Effective July 30, Cassidy E. Fitzpatrick will be the new artistic administrator of Florida Grand Opera. a position open since the dismissal of Kelly Anderson last year. »

07 Jul 2012

Changes in Bratislava

A change of leadership has been announced today by Bratislava’s Slovak National Theatre. In the opera division, famed tenor Peter Dvorsky, the current artistic director, is to be replaced on August 1st by the Austrian conductor Friedrich Haider.  »

04 Jul 2012

Honors for Bayreuth’s “other” house

Bayreuth’s opera house has been awarded the honor of UNESCO World Heritage status. If you think that means Wagner’s festival house in the same city, with its excellent acoustics and uncomfortable seats, you will be mistaken. »

04 Jul 2012

Continued Progress at the Vienna State Opera

In his second season, intendant Dominique Meyer has chalked up increases both in tickets sold and earnings at the Vienna State Opera.  »

03 Jul 2012

Lots of Loose Ends in Cologne

The fall-out from the very public display of anger on both sides continues in Cologne. Uwe Erich Laufenberg, 51, director of the city’s opera, one of the leading operas in Germany, was fired with immediate effect on June 22.  »

26 Jun 2012

Bavarian State Opera Renews Nicolas Bachler’s Contract

Nicolas Bachler, intendant of the Bavarian State Opera, has had his contract extended through August 2018.  »

09 Jun 2012

Duisburg Petition Drive Proves Strong Support for Local Opera

Amidst crucial, ongoing financial concerns about future funding for opera and ballet throughout Germany’s highly populous North Rhein-Westphalia region, a diverse gathering at the Duisburg Theatre verified sincere grassroots support for Deutsche Oper Am Rhein and the current partnership with nearby Dusseldorf. »

31 May 2012

More Delays for the Berlin State Opera

The re-opening of Berlin State Opera Unter den Linden has been set back for another year.  »

30 May 2012

Lyric Opera Posts Annual Report

The Lyric Opera of Chicago announced their financial figures in their annual report and “balanced its budget” for the 2011-2012 season, according to general director Anthony Freud.  »

30 May 2012

Thunder Storm at the Theater an der Wien

Conflicts like this usually remain inside opera house walls. The three Viennese daily newspapers carried headlines reporting that Oscar-winning director William Friedkin called the intendant of the Theater an der Wien a “liar.”  »

26 May 2012

Garsington Opera at Wormsley

Director David Freeman tells why this is an event worth experiencing in the Olympic year.  »

09 May 2012

Torsten Kerl to Perform Tannhäuser

Casting changes continue at the Bayreuth Festival, now only three months away.  »

02 May 2012

The Kathleen Ferrier Awards 2012

This year’s Kathleen Ferrier Awards final was both a competition and a celebration, marking as it did the centenary anniversary of the great singer’s birth. »

26 Apr 2012

Christopher Koelsch Tapped by LA Opera

Christopher Koelsch has been tapped Wednesday as the new president and chief executive officer of the Los Angeles Opera. Koelsch, 41, was the opera’s chief financial officer and will take the new post September 15. »

24 Apr 2012

Ignacio Garcia-Belenguer Appointed

Ignacio Garcia-Belenguer, 45, has been named as the new general manager of Madrid’s opera, Teatro Real.  »

24 Apr 2012

Uwe Eric Laufenberg Resigns

The director of the Cologne Opera, Uwe Eric Laufenberg, has confirmed at the press conference this afternoon that he will leave his post at the end of the coming season. His contract runs until 2016. »

23 Apr 2012

Denoke Bows Out of Bayreuth

Soprano Angela Denoke announced on Wednesday that she would not be appearing as Brünnhilde, one of the critically important roles, at the 2013 Bayreuth Festival Ring Cycle.  »

18 Apr 2012

Cologne Opera to Cancel Next Season?

On Tuesday evening, Cologne Opera’s director indicated he was planning to cancel the next season, 2012-2013.  »

17 Apr 2012

Chinese Conductor to Lead Italian Opera

The Chinese conductor and pianist Xu Zhong will be the new artistic director of an Italian opera house, the Teatro Massimo Bellini in Catania.  »

17 Apr 2012

Mishap at the Musikfreunde

Tenor Johan Botha had just started carving his steak when his phone rang. A director of Vienna’s Gesellschaft der Musikfreunde was on the line with an emergency request.  »

12 Apr 2012

International HD Broadcast of Rigoletto by Royal Opera House

The Royal Opera House started doing opera and ballet broadcasts before many other houses, and is now expanding its schedule. On April 17th, Verdi’s Rigoletto is being streamed live in over 600 cinemas in 21 countries.  »

31 Mar 2012

Gerald Barry: The Importance of Being Earnest

Irish composer Gerald Barry’s opera The Importance of Being Earnest premieres at the Barbican, London on April 26th. It is a joint commission between the Barbican and the Los Angeles Philharmonic.  »

24 Mar 2012

Royal Opera House 2012-13 season

“Opera is an emotional fitness centre”, says Kasper Holten, new Director of Opera, announcing the Royal Opera House 2012-13 season which mixes daring with prudence. »

19 Mar 2012

Metropolitan Opera National Council Grand Finals Concert

A major part of the rejuvenation of opera in the 21st century is the cultivation of young singers.  »

09 Mar 2012

The Los Angeles Opera — A Cultural Icon in Downtown LA

Los Angeles is often identified as “tinsel town,” a cultural wasteland. The city has long been considered as artistically irrelevant. Nothing could be further from the truth, especially with the arrival of the Los Angeles Opera in 1984. »

29 Feb 2012

Gran Teatre del Liceu Reverses Course

Barcelona’s opera, the Gran Teatre del Liceu, has reversed course and restored cuts in the current season made earlier this month.  »

27 Feb 2012

The Opera House that Almost Wasn’t — Le Palais Garnier in Paris

One of the main performing arts venues for opera, ballet and modern dance is Le Palais Garnier in Paris.  »

26 Feb 2012

Bryan Hymel, Rusalka’s Prince

New Orleans native Bryan Hymel is singing the role of The Prince in Antonin Dvořák's Rusalka at the Royal Opera House, London. »

21 Feb 2012

Victoires de la Musique Classique 2012

Last night’s French classical music awards show, the Victoires de la Musique Classique 2012, awarded the “Best Composer of the Year” honors to Philippe Manoury, 59, for his opera, “La Nuit de Gutenberg” (“The Night of Gutenberg”).  »

21 Feb 2012

Natalie Dessay to go on sabbatical

French soprano star Natalie Dessay has announced that she is taking a sabbatical from opera during 2015. She is unhappy with her current work at the Paris Opera, a production of Massenet’s opera “Manon,” and had conflicts with the stage director, French filmmaker Coline Serreau.  »

20 Feb 2012

The Veronica Dunne International Singing Competition: Showcase Concert

Inaugurated in 1995, the Veronica Dunne International Singing Competition is a triennial competition, held in the National Concert Hall in Dublin, which takes place over a week in January.  »

17 Feb 2012

Don Pasquale at the Théâtre des Champs Elysées

Critics. Can you get along without us? It is possible to reflect on this when the production of Donizetti’s Don Pasquale is shown on television tonight. »

15 Feb 2012

Carmela Remigio as Donna Anna and Donna Elvira

Carmela Remigio is a Mozart specialist, having created Donna Elvira, Donna Anna, The Countess in Le nozze di Figaro, Susana, Ilia, Ellettra, Vitellia, Pamina and Fiordigli. She speaks to Mark Berry about her latest Donna Anna at the Royal Opera House. »

13 Feb 2012

Added Drama for Wagner

It might have reminded some in the audience of the finale of Wagner’s “Götterdämmerung.” Saturday evening, during the finale of that same composer’s “Das Rheingold” at the Staatstheater in the German city of Darmstadt when a large section of the scene fell and shattered on stage. »

10 Feb 2012

Opera in Florence Has a New Home

Who says Italian opera is in the doldrums? Contrary to all the recent budget bad news from the country that invented the form, the dramatic new 150 million Euro ($200 million) opera house in Florence projects another view.  »

09 Feb 2012

Another Tenor Drops Down?

In today’s edition of the Viennese newspaper, “Die Presse” a reviewer gushes over Roberto Alagna’s recital yesterday evening at the Vienna State Opera.  »

08 Feb 2012

Lawrence Foster Named Music Director of Orchestre Philharmonique de Marseille

February 8, 2012. Los Angeles born conductor Lawrence Foster, the music director of the orchestra and the Opéra National in the French city of Montpellier from September 2009 to the end of this season, has signed on for a similar post with the Orchestre Philharmonique de Marseille starting September 1 of this year. »

07 Feb 2012

Nicola Luisotti Named Music Director of Teatro di San Carlo

February 7, 2012. Italian conductor Nicola Luisotti, the popular music director of the San Francisco Opera, has been appointed to the same position at the historic Teatro di San Carlo in Naples.  »

04 Feb 2012

Chad Shelton Comes to the Rescue

February 4, 2012. A few days before the opening of the production of Verdi’s “La Traviata” at the Houston Grand Opera, tenor David Lomeli, playing Alfredo, took ill.  »

04 Feb 2012

San Francisco Opera — Bad News Tempered by Good

February 4, 2012. With a budget of $71 million dollars, the San Francisco Opera announced a deficit for the FY 2011 year. But the numbers, in the Opera’s press release, contain some good news to offset the negative bottom line.  »