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Elsewhere

Plácido Domingo as Macbeth, LA Opera

On September 22, 2016, Los Angeles Opera presented Darko Tresnjak’s production of Giuseppe Verdi’s opera Macbeth. Verdi and Francesco Maria Piave based their opera on Shakespeare’s play of the same name.

The Rake’s Progress: an Opera for Our Time

On September 18th, at a casual Sunday matinee, Pacific Opera Project presented a surprising choice for a small company. It was Igor Stravinsky’s 1951 three act opera, The Rake’s Progress. It’s a piece made for today's supertitles with its exquisitely worded libretto by W.H. Auden and Chester Kallman.

Classical Opera: Haydn's La canterina

We are nearing the end of Classical Opera’s MOZART 250 sojourn through 1766, a year that the company’s artistic director Ian Page admits was ‘on face value … a relatively fallow year’. I’m not so sure: Jommelli’s Il Vogoleso, performed at the Cadogan Hall in April, was a gem. But, then, I did find the repertoire that Classical Opera offered at the Wigmore Hall in January, ‘worthy rather than truly engaging’ (review). And, this programme of Haydn and his Czech contemporary Josef Mysliveček was stylishly executed but did not absolutely convince.

Dream of the Red Chamber in San Francisco

Globalization finds its way ever more to San Francisco Opera where Italian composer Marco Tutino’s La Ciociara saw the light of day in 2015 and now, 2016, Chinese composer Bright Sheng’s Dream of the Red Chamber has been created.

San Diego Opera Opens with Recital by Piotr Beczala

Renowned Polish tenor Piotr Beczala and well-known collaborative pianist Martin Katz opened the San Diego Opera 2016–2017 season with a recital at the Balboa Theater on Saturday, September 17th.

Andrea Chénier at San Francisco Opera

San Francisco Opera makes occasional excursions into the operatic big-time, such just now was Giordano’s blockbuster Andrea Chénier, last seen at the War Memorial 23 years ago (1992) and even then after a hiatus of 17 years (1975).

A rousing I due Foscari at the Concertgebouw

There is no reason why, given the right performers, second-tier Verdi can’t be a top-tier operatic experience, as was the case with this concert version of I Due Foscari.

A double dose of Don Quixote at the Wigmore Hall

Since their first appearance in Miguel de Cervantes Saavedra’s literary master-piece, during the Spanish Golden Age, the ingenuous and imaginative knight-errant, Don Quixote, and his loyal subordinate and squire, Sancho Panza, have touched the creative imagination of composers from Salieri to Strauss, Boismortier to Rodrigo.

Bampton Classical Opera: A double bill of divine comedies

Bampton Classical Opera’s 2016 double-bill ‘touched down’ at St John’s Smith Square last night, following performances in The Deanery Garden at Bampton and The Orangery of Westonbirt School earlier this summer.

Mahler’s Second, Concertgebouw

Daniele Gatti opened the first series of Royal Concertgebouw Orchestra’s season with a slightly uneven performance of Mahler’s Resurrection Symphony. With four planned, this staple repertoire for the RCO meant to introduce Gatti to the RCO subscribers.

Mad About San Jose’s Lucia

Opera San Jose opened a commendably impassioned Lucia di Lammermoor that sets the company’s bar very high indeed as it begins its new season.

ROH, Norma

The approach of the 2016-17 opera season has brought rising anticipation and expectation for the ROH’s new production - the first at Covent Garden for almost 30 years - of Bellini’s bel canto master-piece, Norma.

The Changing of the Guard

Last June, Riccardo Chailly led the Leipzig Gewandhaus Orchestra in Bach’s St. Matthew’s Passion for his last concert as Principal Conductor.

Morgen und Abend at Berlin

After its world premiere at Royal Opera House in London last year, the German première of Georg Friedrich Haas’s Morgen und Abend took place at the Deutsche Oper Berlin.

Der Freischütz at Unter den Linden

Rarely have I experienced such fabulous singing in such a dreadful production. With magnificent voices, Andreas Schager and Dorothea Röschmann rescued Michael Thalheimer’s grotesque staging of von Weber’s Der Freischütz. At Staatsoper Unter den Linden, Alexander Soddy led a richly detailed, transparent and brilliantly glowing Berliner Staatskapelle.

Prom 74: Verdi's Requiem

For the penultimate BBC Prom at the Royal Albert Hall on Friday 9 September 2016, Marin Alsop conducted the BBC Youth Choir and Orchestra of the Age of Enlightenment in Verdi's Requiem with soloists Tamara Wilson, Alisa Kolosova, Dimitri Pittas, and Morris Robinson.

British Youth Opera: English Eccentrics

“Eccentricity is not, as dull people would have us believe, a form of madness. It is often a kind of innocent pride, and the man of genius and the aristocrat are frequently regarded as eccentrics because genius and aristocrat are entirely unafraid of and uninfluenced by the opinions and vagaries of the crowd.”

2016 Elizabeth Connell Prize Winner Announced

Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.

Prom 68: a wonderful Semiramide

When I look back on the 2016 Proms season, this Opera Rara performance of Semiramide - the last opera that Rossini wrote for Italy - will be, alongside Pekka Kuusisto’s thrillingly free and refreshing rendition of Tchaikovsky’s violin concerto - one of the stand-out moments.

Double Bill by Oper am Rhein

Of all the places in Germany, Oper am Rhein at Theater Duisburg staged an intriguing American double bill of rarities. An experience that was well worth the trip to this desolate ghost town, remnant of industrial West Germany.


OPERA TODAY ARCHIVES »

Commentary

Kseniia Muslanova [Photo courtesy of Elizabeth Connell Prize International Singing Competition]
09 Sep 2016

2016 Elizabeth Connell Prize Winner Announced

Kseniia Muslanova from the Russian Federation has won the 3rd annual Elizabeth Connell Prize for aspiring dramatic sopranos held at the Sydney Conservatorium of Music in Sydney Australia on 3 September 2016.  »

Recently in Commentary

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18 Apr 2012

Cologne Opera to Cancel Next Season?

On Tuesday evening, Cologne Opera’s director indicated he was planning to cancel the next season, 2012-2013.  »

17 Apr 2012

Chinese Conductor to Lead Italian Opera

The Chinese conductor and pianist Xu Zhong will be the new artistic director of an Italian opera house, the Teatro Massimo Bellini in Catania.  »

17 Apr 2012

Mishap at the Musikfreunde

Tenor Johan Botha had just started carving his steak when his phone rang. A director of Vienna’s Gesellschaft der Musikfreunde was on the line with an emergency request.  »

12 Apr 2012

International HD Broadcast of Rigoletto by Royal Opera House

The Royal Opera House started doing opera and ballet broadcasts before many other houses, and is now expanding its schedule. On April 17th, Verdi’s Rigoletto is being streamed live in over 600 cinemas in 21 countries.  »

31 Mar 2012

Gerald Barry: The Importance of Being Earnest

Irish composer Gerald Barry’s opera The Importance of Being Earnest premieres at the Barbican, London on April 26th. It is a joint commission between the Barbican and the Los Angeles Philharmonic.  »

24 Mar 2012

Royal Opera House 2012-13 season

“Opera is an emotional fitness centre”, says Kasper Holten, new Director of Opera, announcing the Royal Opera House 2012-13 season which mixes daring with prudence. »

19 Mar 2012

Metropolitan Opera National Council Grand Finals Concert

A major part of the rejuvenation of opera in the 21st century is the cultivation of young singers.  »

09 Mar 2012

The Los Angeles Opera — A Cultural Icon in Downtown LA

Los Angeles is often identified as “tinsel town,” a cultural wasteland. The city has long been considered as artistically irrelevant. Nothing could be further from the truth, especially with the arrival of the Los Angeles Opera in 1984. »

29 Feb 2012

Gran Teatre del Liceu Reverses Course

Barcelona’s opera, the Gran Teatre del Liceu, has reversed course and restored cuts in the current season made earlier this month.  »

27 Feb 2012

The Opera House that Almost Wasn’t — Le Palais Garnier in Paris

One of the main performing arts venues for opera, ballet and modern dance is Le Palais Garnier in Paris.  »

26 Feb 2012

Bryan Hymel, Rusalka’s Prince

New Orleans native Bryan Hymel is singing the role of The Prince in Antonin Dvořák's Rusalka at the Royal Opera House, London. »

21 Feb 2012

Victoires de la Musique Classique 2012

Last night’s French classical music awards show, the Victoires de la Musique Classique 2012, awarded the “Best Composer of the Year” honors to Philippe Manoury, 59, for his opera, “La Nuit de Gutenberg” (“The Night of Gutenberg”).  »

21 Feb 2012

Natalie Dessay to go on sabbatical

French soprano star Natalie Dessay has announced that she is taking a sabbatical from opera during 2015. She is unhappy with her current work at the Paris Opera, a production of Massenet’s opera “Manon,” and had conflicts with the stage director, French filmmaker Coline Serreau.  »

20 Feb 2012

The Veronica Dunne International Singing Competition: Showcase Concert

Inaugurated in 1995, the Veronica Dunne International Singing Competition is a triennial competition, held in the National Concert Hall in Dublin, which takes place over a week in January.  »

17 Feb 2012

Don Pasquale at the Théâtre des Champs Elysées

Critics. Can you get along without us? It is possible to reflect on this when the production of Donizetti’s Don Pasquale is shown on television tonight. »

15 Feb 2012

Carmela Remigio as Donna Anna and Donna Elvira

Carmela Remigio is a Mozart specialist, having created Donna Elvira, Donna Anna, The Countess in Le nozze di Figaro, Susana, Ilia, Ellettra, Vitellia, Pamina and Fiordigli. She speaks to Mark Berry about her latest Donna Anna at the Royal Opera House. »

13 Feb 2012

Added Drama for Wagner

It might have reminded some in the audience of the finale of Wagner’s “Götterdämmerung.” Saturday evening, during the finale of that same composer’s “Das Rheingold” at the Staatstheater in the German city of Darmstadt when a large section of the scene fell and shattered on stage. »

10 Feb 2012

Opera in Florence Has a New Home

Who says Italian opera is in the doldrums? Contrary to all the recent budget bad news from the country that invented the form, the dramatic new 150 million Euro ($200 million) opera house in Florence projects another view.  »

09 Feb 2012

Another Tenor Drops Down?

In today’s edition of the Viennese newspaper, “Die Presse” a reviewer gushes over Roberto Alagna’s recital yesterday evening at the Vienna State Opera.  »

08 Feb 2012

Lawrence Foster Named Music Director of Orchestre Philharmonique de Marseille

February 8, 2012. Los Angeles born conductor Lawrence Foster, the music director of the orchestra and the Opéra National in the French city of Montpellier from September 2009 to the end of this season, has signed on for a similar post with the Orchestre Philharmonique de Marseille starting September 1 of this year. »

07 Feb 2012

Nicola Luisotti Named Music Director of Teatro di San Carlo

February 7, 2012. Italian conductor Nicola Luisotti, the popular music director of the San Francisco Opera, has been appointed to the same position at the historic Teatro di San Carlo in Naples.  »

04 Feb 2012

Chad Shelton Comes to the Rescue

February 4, 2012. A few days before the opening of the production of Verdi’s “La Traviata” at the Houston Grand Opera, tenor David Lomeli, playing Alfredo, took ill.  »

04 Feb 2012

San Francisco Opera — Bad News Tempered by Good

February 4, 2012. With a budget of $71 million dollars, the San Francisco Opera announced a deficit for the FY 2011 year. But the numbers, in the Opera’s press release, contain some good news to offset the negative bottom line.  »

03 Feb 2012

An Aria of Lincoln Center — The Metropolitan Opera

To the dismay of New York opera fans, the original Metropolitan Opera House, located at Broadway and 39th Street, was to be torn down and replaced by a new hall a mere 30 blocks away. »

02 Feb 2012

Barcelona’s Liceo Opera in Financial Crisis

Confronting a financial shortfall, the Gran Theatro del Liceo in Barcelona has announced a reduction in performances this season with two scheduled operas cancelled.  »

02 Feb 2012

Bayreuth Festspielhaus

In an interview, Katharina Wagner, 33, granddaughter of the composer and co-director of the Richard Wagner Bayreuth Festival, spoke of the declining state of the legendary Festival House on the “Green Hill” at Bayreuth.  »

01 Feb 2012

The Smola Prize

A Swiss soprano and an Australian baritone shared the 20,000 Euro Emmerich Smola Prize awarded on Monday.  »

31 Jan 2012

Angela Meade Wins Beverly Sills Artist Award

The seventh annual Beverly Sills Artist Award, carrying with it a $50,000 prize, was awarded to American soprano Angela Meade.  »

31 Jan 2012

Vienna State Opera Keeps It’s Team

Jan. 31, 2012. The recent announcement of the extension of the contract for Dominique Meyer, the General Director of the Vienna State Opera was a firm endorsement of his leadership by the Austrian government. Meyer, 57, the first French person to hold the office, will continue now through August 31, 2020. »

25 Jan 2012

Interview with Lise Lindstrom — An Intelligent Soprano’s Guide to Turandot and Salome

Lise Lindstrom, who made a notable splash in the opera world (debuts at La Scala and at the Met) with her portrayals of Giacomo Puccini’s Turandot, has recently undertaken the still more demanding role of Salome.  »

30 Dec 2011

Vivica Genaux — An Interview

I spoke with Vivica Genaux in December 2011, when she stopped in New York at the end of one of her concert tours.  »

28 Dec 2011

The English Oratorio: A Celebration (Barbican Hall, London)

When we think of the ‘English oratorio’, the composer whose name most readily comes to mind is George Frideric Handel, the ‘adopted’ Englishman who in the first half of the eighteenth-century both anticipated and dictated English musical and theatrical taste.  »

27 Nov 2011

Piotr Beczala

Piotr Beczala, the Polish lyric tenor, stars in the current La Traviata at the Royal Opera House, London.  »

12 Oct 2011

Ten Years of Celebrating Song: Oxford Lieder Festival 2011

In just ten years, the Oxford Lieder Festival has become Britain’s most important Lieder festival, with an international following.  »

05 Oct 2011

Wes Blomster 1929-2011

It is with great sadness to report that Wes Blomster has passed on.  »

03 Oct 2011

The Inaugural Cambridge Handel Festival: a rosy dawn?

The haughty beauties that are the ancient colleges of Cambridge were definitely feeling the heat this past weekend, and not even the cooling streams of the Cam and its tributaries could assuage the heat of an Indian summer in the Fens of Eastern England.  »

12 Jul 2011

Raffaele Cardone, Miami Lyric Opera

Remember when opera was all the rage? Remember when you could walk across to any town and experience a whole different opera scene, a different opera house, different orchestras and singers?  »

12 Jul 2011

“Opera is like a tree” — ZhengZhong Zhou

In Gounod’s Faust at the Royal Opera House in October 2011, Zhengzhong Zhou is alternating with Dmitri Hvorostovsky in the part of Valentin. Alternating, not covering or substituting. Since Zhou is very young, it’s quite a challenge. »

30 Jun 2011

Luca Pisaroni sings Handel at Glyndebourne

Luca Pisaroni is one of one the more exciting young bass-baritones of his generation. In July 2011, he sings Argante in the first ever Handel Rinaldo at the Glyndebourne Festival. »

27 Jun 2011

Madama Butterfly by Caurier and Leiser

Patrice Caurier and Moshe Leiser’s Madama Butterfly is such a classic that it is being filmed for the second time at the Royal Opera House, London.  »

22 Jun 2011

Will Crutchfield: Interview with the Director of Opera for the Caramoor Festival

Will Crutchfield made his name as a writer and musicologist in the mid-1980s, becoming the youngest music critic in the history of The New York Times.  »

17 Jun 2011

Jeremy White and the British character singer tradition

Divas make headlines, but character singers are fundamental to the British opera tradition. “Character singing,” says Jeremy White, one of the stalwarts of the Royal Opera House, “is much more than just voice.” »

16 Jun 2011

Jane Henschel — An Interview

Since her first significant and highly acclaimed debut as a guest artist with the Netherlands Opera in 1992, in the taxing role of the Nurse in Richard Strauss’s Die Frau ohne Schatten, American mezzo-soprano Jane Henschel has triumphed in opera houses across the world, marvelling international audiences with her musical versatility, vocal strength and striking stage presence. »

14 Jun 2011

New directions at the Royal Opera House

John Fulljames has been appointed Associate Director for Opera at the Royal Opera House.  »

10 Jun 2011

Luke Bedford’s Seven Angels

There has been much eager anticipation for Luke Bedford’s opera Seven Angels.  »

31 May 2011

Handel – True or False?

“Germanico del sig. Hendl”. Since 1929 the printed catalogue of the Conservatorio Cherubini in Florence (section “Opere teatrali”, p. 143) has contained a Handel title not mentioned in any other sources.  »

22 May 2011

Liudmyla Monastyrska — An Interview

Ukrainian soprano Liudmyla Monastyrska certainly knows how to make the most of every opportunity.  »