Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.








Jamie Barton at the Wigmore Hall

“Hi! … I’m at the Wigmore Hall!” American mezzo-soprano Jamie Barton’s exuberant excitement at finding herself performing in the world’s premier lieder venue was delightful and infectious. With accompanist James Baillieu, Barton presented what she termed a “love-fest” of some of the duo’s favourite art songs. The programme - Turina, Brahms, Dvořák, Ives, Sibelius - was also surely designed to show-case Barton’s sumptuous and balmy tone, stamina, range and sheer charisma; that is, the qualities which won her the First and Song Prizes at the 2013 BBC Cardiff Singer of the World Competition.

And London Burned: in conversation with Raphaela Papadakis

Raphaela Papadakis seems to like ‘playing with fire’. After her acclaimed performance as the put-upon maid, Anna, in Independent Opera’s production of Šimon Voseček’s Beidermann and the Arsonists at Sadler’s Wells last year, she is currently rehearsing for the premiere this week of And London Burned, a new opera by Matt Rogers which has been commissioned by Temple Music Foundation to commemorate the 350th anniversary of The Great Fire of London.

The Nose: Royal Opera House, Covent Garden

“If I lacked ears, it would be bad, but still more bearable; but lacking a nose, a man is devil knows what: not a bird, not a citizen—just take and chuck him out the window!”

Věc Makropulos in San Francisco

A fixation on death at San Francisco Opera. A 337 year-old woman gave it all up just now after only six years since she last gave it all up on the War Memorial stage.

The Pearl Fishers at English National Opera

Penny Woolcock's 2010 production of Bizet's The Pearl Fishers returned to English National Opera (ENO) for its second revival on 19 October 2018. Designed by Dick Bird (sets) and Kevin Pollard (costumes) the production remains as spectacular as ever, and ENO fielded a promising young cast with Claudia Boyle as Leila, Robert McPherson as Nadir and Jacques Imbrailo as Zurga, plus James Creswell as Nourabad, conducted by Roland Böer.

Center for Contemporary Opera presents Jane Eyre (World Premiere)

Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.

A Venetian Double: English Touring Opera

Francesco Cavalli’s La Calisto was the composer’s fifteenth opera, and the ninth to a libretto by Giovanni Faustini (1615-1651). First performed at the Teatro Sant’Apollinaire in Venice on 28th November 1651, the opera by might have been sub-titled ‘Gods Behaving Badly’, so debauched are the deities’ dalliances and deviations, so egotistical their deceptions.

Boston Early Music Festival announces the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director

Cambridge, MA–The Boston Early Music Festival (BEMF) is pleased to announce the appointment of Melinda Sullivan to the new position of the Lucy Graham Dance Director.

Academy of Ancient Music: The Fairy Queen at the Barbican Hall

At the end of Shakespeare’s A Midsummer Night’s Dream, Theseus delivers a speech which returns to the play’s central themes: illusion, art and the creative imagination. The sceptical king dismisses ‘The poet’s vision - his ‘eye, in a fine frenzy rolling’ - which ‘gives to airy nothing/ A local habitation and a name’; such art, and theatre, is a psychological deception brought about by an excessive, uncontrolled imagination.

Vaughan Williams and Friends: St John's Smith Square

Following the success of previous ‘mini-festivals’ at St John’s Smith Square devoted to Schubert and Schumann, last weekend pianist Anna Tilbrook curated a three-day exploration of the work of Ralph Vaughan Williams and his contemporaries. The music performed in these six concerts was chosen to reflect the changing contexts in which it was composed and to reveal the vast changes in society, politics and culture which occurred during Vaughan Williams’ long life-time (1872-1958) and which shaped his life and creative output.

Bloodless Manon Lescaut at DNO

Trying to work around Manon Lescaut’s episodic structure, this new production presents the plot as the dying protagonist’s feverish hallucinations. The result is a frosty retelling of what is arguably Puccini’s most hot-blooded opera. Musically, the performance also left much to be desired.

English Touring Opera: Xerxes

It is Herodotus who tells us that when Xerxes was marching through Asia to invade Greece, he passed through the town of Kallatebos and saw by the roadside a magnificent plane-tree which, struck by its great beauty, he adorned with golden ornaments, and ordered that a man should remain beside the tree as its eternal guardian.

English National Opera: Tosca

Poor Puccini. He is far too often treated as a ‘box-office hit’ by our ‘major’ opera houses, at least in Anglophone countries. For so consummate a musical dramatist, that is something beyond a pity. Here in London, one is far better advised to go to Holland Park for interesting, intelligent productions, although ENO’s offerings have often had something to be said for them.

Don Pasquale in San Francisco

With only four singers and a short-story-like plot Don Pasquale is an ideal chamber opera. That chamber just now was the 3200 seat War Memorial Opera House where this not always charming opera buffa is an infrequent visitor (post WWII twice in the 1980’s after twice in the 40’s).

“Written in fire”: Momenta Quartet blazes through an Indonesian chamber opera

“Yang sementara tak akan menahan bintang hilang di bimasakti; Yang bergetar akan terhapus.” (“The transient cannot hold on to stars lost in the Milky Way; that which quivers will be erased.”) As soprano Tony Arnold sang these words of Tony Prabowo’s chamber opera Pastoral, with astonishingly crisp Indonesian diction, the first night of the second annual Momenta Festival approached its end.

English National Opera: Don Giovanni

Some operas seemed designed and destined to raise questions and debates - sometimes unanswerable and irresolvable, and often contentious. Termed a dramma giocoso, Mozart’s Don Giovanni has, historically, trodden a movable line between seria and buffa.

World Premiere Eötvös, Wigmore Hall, London

Péter Eötvös’ The Sirens Cycle received its world premiere at the Wigmore Hall, London, on Saturday night with Piia Komsi and the Calder Quartet. An exceptionally interesting new work, which even on first hearing intrigues: imagine studying the score! For The Sirens Cycle is elegantly structured, so intricate and so complex that it will no doubt reveal even greater riches the more familiar it becomes. It works so well because it combines the breadth of vision of an opera, yet is as concise as a chamber miniature. It's exquisite, and could take its place as one of Eötvös's finest works.

Walter Braunfels : Orchestral Songs Vol 1

New from Oehms Classics, Walter Braunfels Orchestral Songs Vol 1. Luxury singers - Valentina Farcas, Klaus Florian Vogt and Michael Volle, with the Staatskapelle Weimar, conducted by Hansjörg Albrecht.

Manitoba Underground Opera: Mozart and Offenbach

Manitoba Underground Opera took audiences on a journey — literally and figuratively — as it presented its latest installment of repertory opera between August 19–26.

Stars of Lyric Opera 2016, Millennium Park, Chicago

On a recent weekend Lyric Opera of Chicago gave its annual concert at Millennium Park during which the coming season and its performers are variously showcased. Several of the performers, who were featured at this “Stars of Lyric Opera” event, are scheduled to make their debuts in Lyric Opera’s new production of Wagner’s Das Rheingold beginning on 1 October.



Jennifer Zetlan [Photo by J & J Photography courtesy of Columbia Artists Management Inc.]
19 Oct 2016

Center for Contemporary Opera presents Jane Eyre (World Premiere)

Louis Karchin’s Jane Eyre, a full-length opera in three acts with a libretto by Diane Osen based on Charlotte Bronte’s novel, will receive its world premiere at The Kaye Playhouse (Hunter College) on Thursday, October 20, 7:30pm with a second performance on Saturday, October 22, 8pm. Jane Eyre is Karchin’s second opera, composed in 2014, following his critically acclaimed one-act comic opera Romulus.  »

Recently in Commentary

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12 
16 Jun 2011

Jane Henschel — An Interview

Since her first significant and highly acclaimed debut as a guest artist with the Netherlands Opera in 1992, in the taxing role of the Nurse in Richard Strauss’s Die Frau ohne Schatten, American mezzo-soprano Jane Henschel has triumphed in opera houses across the world, marvelling international audiences with her musical versatility, vocal strength and striking stage presence. »

14 Jun 2011

New directions at the Royal Opera House

John Fulljames has been appointed Associate Director for Opera at the Royal Opera House.  »

10 Jun 2011

Luke Bedford’s Seven Angels

There has been much eager anticipation for Luke Bedford’s opera Seven Angels.  »

31 May 2011

Handel – True or False?

“Germanico del sig. Hendl”. Since 1929 the printed catalogue of the Conservatorio Cherubini in Florence (section “Opere teatrali”, p. 143) has contained a Handel title not mentioned in any other sources.  »

22 May 2011

Liudmyla Monastyrska — An Interview

Ukrainian soprano Liudmyla Monastyrska certainly knows how to make the most of every opportunity.  »

20 May 2011

A Fond Remembrance of Hildegard Behrens

Hildegard Behrens died in August of 2009. Considered one of the great Wagnerian sopranos of her day, many tributes were pubished acclaiming her virtues and accomplishments on and off stage. Previously unknown information, however, has come to light concerning her personal life that spans from before the flowering of her career and thereafter. This is an informal account of events by Charles Pratt as told to Shirley Hessel. »

22 Apr 2011

Cyrano, Florida Grand Opera

To enter into David DiChiera’s space as he talks opera shop is to risk being pulled into his world, rapt by a tractor beam emitting a constant flow of music theater load.  »

13 Apr 2011

Still Dangerous After 181 Years?

The new brochure of the 2011-2012 season at Paris’ Opéra-Comique has only arrived in the past few days and has already caused a stir in two countries.  »

10 Apr 2011

Paata Burchuladze, The Tsar’s Bride, London

“A tale of corruption, passion and poisoning”, as the Royal Opera House, London, describes its first-ever production of Rimsky-Korsakov’s The Tsar’s Bride, with Paata Burchuladze, highly experienced in this repertoire.  »

01 Apr 2011

From the Field to the Stage

“All the world’s a stage” and for Morris Robinson the translation was literal. From the football field to the grand opera he managed to make few stage set changes along the way. »

20 Feb 2011

Virginia Arts recalls Civil War

For geography buffs the Rappahannock is a river that flows from Virginia’s Blue Ridge Mountains to Chesapeake Bay.  »

01 Feb 2011

Real Opera In New Jersey

In an episode of the series West Wing, political strategist Josh Lyman (played by Bradley Whitford) visits his friend and speech writer Sam Seaborn (Rob Lowe) in New York City before heading to New Hampshire for a promising candidate’s campaign speech.  »

31 Jan 2011

Elizabeth Futral — An Interview

Elizabeth Futral has established herself as one of the major coloratura sopranos in the world today. With her stunning vocalism and vast dramatic range, she has embraced a diverse repertoire that includes Vivaldi, Handel, Mozart, Bellini, Donizetti, Rossini, Verdi, Glass, and Previn. »

31 Jan 2011

Elisabeth Meister — An Interview

British soprano, Elisabeth Meister, is a rare combination of pragmatism, serious intent, personal warmth and infectious energy.  »

31 Dec 2010

Andrea Clearfield — An Interview

Composer and pianist Andrea Clearfield is a fundamental presence on the contemporary music scene in Philadelphia, with a long collaboration with the Relâche Ensemble to her credit, as well as a monthly salon in her home (with close to 25 years of concerts) that brings together artists from various disciplines, not only music.  »

09 Dec 2010

Renée Fleming Named By Lyric Opera Of Chicago First Ever Creative Consultant

December 9, 2010 CHICAGO – The Board of Directors of Lyric Opera of Chicago announced today that soprano RENÉE FLEMING has been named Creative Consultant, a first in this company’s history.  »

06 Dec 2010

Rodney Waschka — An Interview

Rodney Waschka is a professor at North Carolina State University in Raleigh, where his multifarious activities are fundamental to the presence of contemporary music in the state.  »

18 Nov 2010

Stellan Sagvik: An Interview

Swedish composer Stellan Sagvik is a protean figure with a large and diverse body of work ranging from works for solo flute (most recently written for his wife, Kinga Práda), to chamber music — five string quartets, with another on the way, and symphonies, operas and choral music.  »

07 Nov 2010

New Adriana Lecouvreur in London — Alessandro Corbelli

A completely new production of Francesco Cilea’s Adriana Lecouvreur is coming to the Royal Opera House, London.  »

03 Nov 2010

Overture to London’s Handel Festival 2011

The small but perfectly formed Grosvenor Chapel in London’s exclusive Mayfair was the venue last Monday night for a programme of Handel vocal and instrumental music of considerable quality — if minimal quantity.  »

03 Nov 2010

Marcela Pavia — An Interview

Composer Marcela Pavia was born and raised in Rosario, Argentina, and comes from a family of Italian immigrants.  »

13 Oct 2010

Joan Sutherland: My Starter Diva

I was sixteen and knew nothing about opera, had just seen my first Traviata at the City Opera (Patricia Brooks, Placido Domingo), was entranced by the melodies — especially the Brindisi and “Sempre libera” — and wanted more.  »

10 Oct 2010

Oxford Lieder Festival 2010

The Oxford Lieder Festival is small, but is extremely important. It's quite an achievement, extremely well organized and comprehensive, a model for intelligently-presented festivals of any kind.  »

24 Sep 2010

Pierre Jalbert: An Interview

Composer Pierre Jalbert (b.1967), of French Canadian ancestry, was born and raised in northern New England, and studied composition at Oberlin Conservatory and at the University of Pennsylvania, where he worked with George Crumb.  »

13 Sep 2010

Kate Lindsey: An Interview

This season Santa Fe Opera offered new productions that ranged from standard repertoire (Madame Butterfly and The Magic Flute) to a world premiere (Lewis Spratlan’s Life is a Dream) with The Tales of Hoffmann and Albert Herring falling somewhere amidst.  »

13 Sep 2010

Bruce Adolphe: An Interview

Bruce Adolphe, born and raised in the New York area, a student of composition at Juilliard in the sixties and seventies, has an impressive body of work commissioned by artists known on every continent, and was chosen by the Music Library Association to write a piece for brass (Triskelion) marking the sixtieth anniversary of the Association, premiered by the American Brass Quintet at the national meeting in Indianapolis in February, 1991.  »

12 Sep 2010

Mohammed Fairouz: An Interview

As one of the most sought after composers of the young generation, Mohammed Fairouz has many commissions and a substantial body of work, and maintains a busy performance schedule. »

09 Sep 2010

Jacques Imbrailo, Malatesta at the Royal Opera House

Jacques Imbrailo sings Dr Malatesta in Donizetti’s Don Pasquale at the Royal Opera House, London »

24 Aug 2010

Robert Baksa — An Interview by Tom Moore

Robert Baksa is a name that is well-known to lovers of contemporary chamber music, with a hundred chamber works to his credit.  »

07 Jul 2010

Daniel Catán: An Interview by Maria Nockin

“You want to frame the voice in such a way that it shines.”— Daniel Catán »

01 Jul 2010

Baritone Austin Kness on his way

Baritone Austin Kness, an Adler Fellow at San Francisco Opera recently spoke with Opera Today critic Michael Milenski.  »

28 Jun 2010

Jay Reise: An Interview by Tom Moore

Jay Reise is one of the senior musical figures in Philadelphia, serving on the composition faculty of the University of Pennsylvania since 1980.  »

19 Jun 2010

Christine Brewer: An Interview by Maria Nockin

On 7 June 2010, I spoke with Christine Brewer who was enjoying a relatively free week at her home near St. Louis, Missouri, after long months of air travel between concerts, recitals and operatic performances.  »

17 Jun 2010

Polishing Gemstones — Jette Parker Young Artists

Opera stars are made as well as born. The Royal Opera House Jette Parker Young Artists Programme shapes the stars of the future.  »

07 Jun 2010

Jurgita Adamonytė: An Interview

‘Focussed and pure of tone’, ‘beautifully steady’, ‘pure clarity and note perfection’ — just some of the accolades bestowed on the Lithuanian mezzo soprano Jurgita Adamonytė for her recent performances of Mozart.  »

04 Jun 2010

Aris Argiris debuts as Escamillo in the Royal Opera House's Carmen

Aris Argiris makes his debut at Covent Garden as Escamillo in Bizet’s Carmen. But this is unusually high-profile because it's a first, being filmed in 3D. »

03 Jun 2010

Olja Jelaska: An Interview by Tom Moore

Olja Jelaska (b. 1967) is an important figure in the younger generation of composers from Croatia.  »

01 Jun 2010

Juan Trigos: An Interview by Tom Moore

Juan Trigos, composer and conductor, was born and raised in Mexico City, where his father, also Juan Trigos, is a noted playwright and novelist.  »

18 May 2010

Robert Maggio — An Interview by Tom Moore

Composer Robert Maggio is professor of composition at West Chester University (in suburban Philadelphia).  »

17 May 2010

Elena Ruehr: An Interview by Tom Moore

According to her web site, Elena Ruehr has been called a “composer to watch” by Opera News, and her music has been described as “stunning...beautifully lighted by [a] canny instinct for knowing when and how to vary key, timbre, and harmony” by The Boston Globe. »

03 May 2010

Central City: the little opera company that can

You don’t have to be Asian to sing Madama Butterfly, but if you’ve got a top soprano from that part of the world, it adds another dimension of reality to Puccini’s tear-drenched verismo.  »

24 Apr 2010

Shadowboxer, the opera

The Clarice Smith Performing Arts Center at the University of Maryland — College Park is presenting Shadowboxer, an opera based on the life of Joe Louis, with music composed by Frank Proto to a libretto by John Chenault. »

22 Apr 2010

Stephen Jaffe: an Interview by Tom Moore

Composer Stephen Jaffe is the Mary and James H. Semans Professor of Music Composition at Duke University. We spoke in his office there in Durham NC on June 25, 2007. »

22 Apr 2010

Micaela Carosi sings Aida in a new production at the Royal Opera House, London

Micaela Carosi, the Verdi specialist, has created Aida many times, so she’s closely attuned to the role. The new production, at the Royal Opera House, London, though, is different. “It’s like singing Aida for the first time”, she says, her eyes sparkling. »

20 Apr 2010

Osmo Tapio Räihälä: An interview by Tom Moore

Osmo Tapio Räihälä is a Finnish composer of contemporary music, and was the founder of Uusinta, a collaborative group of composers and musicians. »

10 Apr 2010

Lance Hulme: An interview by Tom Moore

Composer Lance Hulme studied composition at the University of Minnesota, Yale University, and the Eastman School of Music, and returned to the United States recently, where he lives presently in Greensboro, North Carolina, after two decades in Mitteleuropa, where he founded and directed the contemporary music ensemble Ensemble Surprise.  »

10 Apr 2010

Anna Weesner: An interview by Tom Moore

Anna Weesner is an American composer who grew up in rocky New Hampshire, and now teaches in historic Philadelphia.  »

10 Apr 2010

Timothy Andres: An interview by Tom Moore

Composer and pianist Timothy Andres is in his mid-twenties, with an impressive catalog of works to his credit, many of which can be heard at his website.  »