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René Pape, Joseph Calleja, Kristine Opolais, Boito Mefistofele, Munich

Arrigo Boito Mefistofele was broadcast livestream from the Bayerische Staatsoper in Munich last night. What a spectacle !

Calixto Bieito’s The Force of Destiny

The monochrome palette of Picasso’s Guernica and the mural’s anti-war images of suffering dominate Calixto Bieito’s new production of Verdi’s The Force of Destiny for English National Opera.

Morgen und Abend — World Premiere, Royal Opera House

The world premiere of Morgen und Abend by Georg Friedrich Haas at the Royal Opera House, London — so conceptually unique and so unusual that its originality will confound many.

Company XIV Combines Classic and Chic in an Exquisite Cinderella

Company XIV’s production of Cinderella is New York City theater at its finest. With a nod to the court of Louis the XIV and the grandiosity of Lully’s opera theater, Company XIV manages to preserve elements of the French Baroque while remaining totally innovative, and never—in fact, not once for the entire two and a half hour show—falls prey to the predictable. Not one detail is left to chance in this finely manicured yet earthily raw production of Cinderella.

Monteverdi by The Sixteen at Wigmore Hall

This was a concert where immense satisfaction was derived equally from the quality of musicianship displayed and the coherence and resourcefulness of the programme presented. In 1610, Claudio Monteverdi published his Vespro della Beata Vergine for soloists, chorus, and orchestra.

Félicien David: Songs for voice and piano

This well-packed disc is a delight and a revelation. Until now, even the most assiduous record collector had access to only a few of the nearly 100 songs published by Félicien David (1810-76), in recordings by such notable artists as Huguette Tourangeau, Ursula Mayer-Reinach, Udo Reinemann, and Joan Sutherland (the last-mentioned singing the duet “Les Hirondelles” with herself!).

Dialogues des Carmélites Revival at Dutch National Opera

If not timeless, Robert Carsen’s production of Francis Poulenc’s Dialogues des Carmélites is highly age-resistant.

Ermanno Wolf-Ferrari: Le donne curiose

Ermanno Wolf-Ferrari was one of the Italian composers of the post-Puccini generation (which included Licinio Refice, Riccardo Zandonai, Umberto Giordano and Franco Leoni) who struggled to prolong the verismo tradition in the early years of the twentieth century.

Moby-Dick Surfaces in the City of Angels

On Saturday evening October 31, 2015, the Nantucket whaling ship Pequod journeyed to Los Angeles Opera and began its sixth voyage in the attempt to kill the elusive whale called Moby-Dick.

Great Scott at the Dallas Opera

Great Scott is a combination of a parody of bel canto opera and an operatic version of All About Eve. Beloved American diva Arden Scott (Joyce DiDonato), has discovered the score to a long-lost opera “Rosa Dolorosa, Figlia di Pompeii” and has become committed to getting the work revived as a vehicle for her. “Rosa Dolorosa” has grand musical moments and a hilariously absurd plot.

Schubert and Debussy at Wigmore Hall

The most recent instalment of the Wigmore Hall’s ambitious series, ‘Schubert: The Complete Songs’, was presented by soprano Lucy Crowe, pianist Malcolm Martineau and harpist Lucy Wakeford.

John Taverner: Missa Corona spinea

This new release of John Taverner’s virtuosic and florid Missa Corona spinea (produced by Gimell Records) comes two years after The Tallis Scholars’ critically esteemed recording of the composer’s Missa Gloria tibi Trinitas, which topped the UK Specialist Classical Album Chart for 6 weeks, and with which the ensemble celebrated their 40th anniversary. The recording also includes Taverner’s two settings of Dum transisset Sabbatum.

A Bright and Accomplished Cenerentola at Lyric Opera of Chicago

Gioachino Rossini’s La Cenerentola has returned to Lyric Opera of Chicago in a production new to this venue and one notable for several significant debuts along with roles taken by accomplished, familiar performers.

La Bohème, ENO

Back in 2000, Glyndebourne Touring Opera dragged Puccini’s sentimental tale of suffering bohemian artists into the ‘modern urban age’, when director David McVicar ditched the Parisian garrets and nineteenth-century frock coats in favour of a squalid bedsit in which Rodolfo and painter Marcello shared a line of cocaine under the grim glare of naked light bulbs and the clientele at Café Momus included a couple of gaudily attired transvestites.

Luigi Rossi: Orpheus

Just as Orpheus embarks on a quest for his beloved Eurydice, so the Royal Opera House seems to be in pursuit of the mythical music-maker himself: this year the house has presented Monteverdi’s Orfeo at the Camden Roundhouse (with the Early Opera Company in January), Gluck’s Orphée et Eurydice on the main stage (September), and, in the Linbury Studio Theatre, both Birtwistle’s The Corridor (June) and the Paris-music-hall style Little Lightbulb Theatre/Battersea Arts Centre co-production, Orpheus (September).

64th Wexford Festival Opera

Wexford Festival Opera has served up another thought-provoking and musically rewarding trio of opera rarities — neglected, forgotten or seldom performed — in 2015.

Christoph Prégardien, Schubert, Wigmore Hall London

Another highlight of the Wigmore Hall complete Schubert Song series - Christoph Prégardien and Christoph Schnackertz. The core Wigmore Hall Lieder audience were out in force. These days, though, there are young people among the regulars : a sign that appreciation of Lieder excellence is most certainly alive and well at the Wigmore Hall. .

The Magic Flute in San Francisco

How did it go? Reactions of my neighbors varied. Some left at the intermission, others remarked that they thought the singing was good.

La Vestale, La Monnaie, Bruxelles

In the first half of the 19th century, Spontini’s La Vestale was a hit. Empress Josephine sponsored its premiere, Parisians heard it hundreds of times, Berlioz raved about it and Wagner conducted it.

THOMAS: Hamlet, Moscow 2015

Hamlet: Opéra in five acts. Music composed by Ambroise Thomas. Libretto by Michel Carré and Jules Barbier after The Tragedy of Hamlet, Prince of Denmark by William Shakespeare.



Atsuto Sawakami
20 Oct 2015

Atsuto Sawakami — Sponsor of Italian Opera in Japan

Atsuto Sawakami is a slightly built man in his late sixties with impeccable, gentlemanly manners. He communicates a certain restless energy and his piercingly bright eyes reveal an undimmed appetite for life. »

Recently in Commentary

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31 Jan 2011

Elisabeth Meister — An Interview

British soprano, Elisabeth Meister, is a rare combination of pragmatism, serious intent, personal warmth and infectious energy.  »

31 Dec 2010

Andrea Clearfield — An Interview

Composer and pianist Andrea Clearfield is a fundamental presence on the contemporary music scene in Philadelphia, with a long collaboration with the Relâche Ensemble to her credit, as well as a monthly salon in her home (with close to 25 years of concerts) that brings together artists from various disciplines, not only music.  »

09 Dec 2010

Renée Fleming Named By Lyric Opera Of Chicago First Ever Creative Consultant

December 9, 2010 CHICAGO – The Board of Directors of Lyric Opera of Chicago announced today that soprano RENÉE FLEMING has been named Creative Consultant, a first in this company’s history.  »

06 Dec 2010

Rodney Waschka — An Interview

Rodney Waschka is a professor at North Carolina State University in Raleigh, where his multifarious activities are fundamental to the presence of contemporary music in the state.  »

18 Nov 2010

Stellan Sagvik: An Interview

Swedish composer Stellan Sagvik is a protean figure with a large and diverse body of work ranging from works for solo flute (most recently written for his wife, Kinga Práda), to chamber music — five string quartets, with another on the way, and symphonies, operas and choral music.  »

07 Nov 2010

New Adriana Lecouvreur in London — Alessandro Corbelli

A completely new production of Francesco Cilea’s Adriana Lecouvreur is coming to the Royal Opera House, London.  »

03 Nov 2010

Overture to London’s Handel Festival 2011

The small but perfectly formed Grosvenor Chapel in London’s exclusive Mayfair was the venue last Monday night for a programme of Handel vocal and instrumental music of considerable quality — if minimal quantity.  »

03 Nov 2010

Marcela Pavia — An Interview

Composer Marcela Pavia was born and raised in Rosario, Argentina, and comes from a family of Italian immigrants.  »

13 Oct 2010

Joan Sutherland: My Starter Diva

I was sixteen and knew nothing about opera, had just seen my first Traviata at the City Opera (Patricia Brooks, Placido Domingo), was entranced by the melodies — especially the Brindisi and “Sempre libera” — and wanted more.  »

10 Oct 2010

Oxford Lieder Festival 2010

The Oxford Lieder Festival is small, but is extremely important. It's quite an achievement, extremely well organized and comprehensive, a model for intelligently-presented festivals of any kind.  »

24 Sep 2010

Pierre Jalbert: An Interview

Composer Pierre Jalbert (b.1967), of French Canadian ancestry, was born and raised in northern New England, and studied composition at Oberlin Conservatory and at the University of Pennsylvania, where he worked with George Crumb.  »

13 Sep 2010

Kate Lindsey: An Interview

This season Santa Fe Opera offered new productions that ranged from standard repertoire (Madame Butterfly and The Magic Flute) to a world premiere (Lewis Spratlan’s Life is a Dream) with The Tales of Hoffmann and Albert Herring falling somewhere amidst.  »

13 Sep 2010

Bruce Adolphe: An Interview

Bruce Adolphe, born and raised in the New York area, a student of composition at Juilliard in the sixties and seventies, has an impressive body of work commissioned by artists known on every continent, and was chosen by the Music Library Association to write a piece for brass (Triskelion) marking the sixtieth anniversary of the Association, premiered by the American Brass Quintet at the national meeting in Indianapolis in February, 1991.  »

12 Sep 2010

Mohammed Fairouz: An Interview

As one of the most sought after composers of the young generation, Mohammed Fairouz has many commissions and a substantial body of work, and maintains a busy performance schedule. »

09 Sep 2010

Jacques Imbrailo, Malatesta at the Royal Opera House

Jacques Imbrailo sings Dr Malatesta in Donizetti’s Don Pasquale at the Royal Opera House, London »

24 Aug 2010

Robert Baksa — An Interview by Tom Moore

Robert Baksa is a name that is well-known to lovers of contemporary chamber music, with a hundred chamber works to his credit.  »

07 Jul 2010

Daniel Catán: An Interview by Maria Nockin

“You want to frame the voice in such a way that it shines.”— Daniel Catán »

01 Jul 2010

Baritone Austin Kness on his way

Baritone Austin Kness, an Adler Fellow at San Francisco Opera recently spoke with Opera Today critic Michael Milenski.  »

28 Jun 2010

Jay Reise: An Interview by Tom Moore

Jay Reise is one of the senior musical figures in Philadelphia, serving on the composition faculty of the University of Pennsylvania since 1980.  »

19 Jun 2010

Christine Brewer: An Interview by Maria Nockin

On 7 June 2010, I spoke with Christine Brewer who was enjoying a relatively free week at her home near St. Louis, Missouri, after long months of air travel between concerts, recitals and operatic performances.  »

17 Jun 2010

Polishing Gemstones — Jette Parker Young Artists

Opera stars are made as well as born. The Royal Opera House Jette Parker Young Artists Programme shapes the stars of the future.  »

07 Jun 2010

Jurgita Adamonytė: An Interview

‘Focussed and pure of tone’, ‘beautifully steady’, ‘pure clarity and note perfection’ — just some of the accolades bestowed on the Lithuanian mezzo soprano Jurgita Adamonytė for her recent performances of Mozart.  »

04 Jun 2010

Aris Argiris debuts as Escamillo in the Royal Opera House's Carmen

Aris Argiris makes his debut at Covent Garden as Escamillo in Bizet’s Carmen. But this is unusually high-profile because it's a first, being filmed in 3D. »

03 Jun 2010

Olja Jelaska: An Interview by Tom Moore

Olja Jelaska (b. 1967) is an important figure in the younger generation of composers from Croatia.  »

01 Jun 2010

Juan Trigos: An Interview by Tom Moore

Juan Trigos, composer and conductor, was born and raised in Mexico City, where his father, also Juan Trigos, is a noted playwright and novelist.  »

18 May 2010

Robert Maggio — An Interview by Tom Moore

Composer Robert Maggio is professor of composition at West Chester University (in suburban Philadelphia).  »

17 May 2010

Elena Ruehr: An Interview by Tom Moore

According to her web site, Elena Ruehr has been called a “composer to watch” by Opera News, and her music has been described as “stunning...beautifully lighted by [a] canny instinct for knowing when and how to vary key, timbre, and harmony” by The Boston Globe. »

03 May 2010

Central City: the little opera company that can

You don’t have to be Asian to sing Madama Butterfly, but if you’ve got a top soprano from that part of the world, it adds another dimension of reality to Puccini’s tear-drenched verismo.  »

24 Apr 2010

Shadowboxer, the opera

The Clarice Smith Performing Arts Center at the University of Maryland — College Park is presenting Shadowboxer, an opera based on the life of Joe Louis, with music composed by Frank Proto to a libretto by John Chenault. »

22 Apr 2010

Stephen Jaffe: an Interview by Tom Moore

Composer Stephen Jaffe is the Mary and James H. Semans Professor of Music Composition at Duke University. We spoke in his office there in Durham NC on June 25, 2007. »

22 Apr 2010

Micaela Carosi sings Aida in a new production at the Royal Opera House, London

Micaela Carosi, the Verdi specialist, has created Aida many times, so she’s closely attuned to the role. The new production, at the Royal Opera House, London, though, is different. “It’s like singing Aida for the first time”, she says, her eyes sparkling. »

20 Apr 2010

Osmo Tapio Räihälä: An interview by Tom Moore

Osmo Tapio Räihälä is a Finnish composer of contemporary music, and was the founder of Uusinta, a collaborative group of composers and musicians. »

10 Apr 2010

Lance Hulme: An interview by Tom Moore

Composer Lance Hulme studied composition at the University of Minnesota, Yale University, and the Eastman School of Music, and returned to the United States recently, where he lives presently in Greensboro, North Carolina, after two decades in Mitteleuropa, where he founded and directed the contemporary music ensemble Ensemble Surprise.  »

10 Apr 2010

Anna Weesner: An interview by Tom Moore

Anna Weesner is an American composer who grew up in rocky New Hampshire, and now teaches in historic Philadelphia.  »

10 Apr 2010

Timothy Andres: An interview by Tom Moore

Composer and pianist Timothy Andres is in his mid-twenties, with an impressive catalog of works to his credit, many of which can be heard at his website.  »

03 Mar 2010

Sophia Serghi — An Interview

Composer Sophia Serghi is presently professor of music at the College of William and Mary in Williamsburg, Virginia, where she has taught since 1998, with two years away in 2000-2002. »

28 Feb 2010

Kurt Streit takes on Tamerlano, Royal Opera House, London

Kurt Streit is singing Bazajet in all performances of Handel’s Tamerlano at the Royal Opera House, London. Placido Domingo, who was to have sung five of the seven performances, pulled out suddenly due to illness.  »

10 Feb 2010

Gabriela Ortiz — An Interview

Composer Gabriela Ortiz studied composition in Mexico City with Mario Lavista at the National Conservatory of Music, at the Guildhall School with Robert Saxton, and at the University of London with Simon Emmerson.  »

25 Jan 2010

Kerry Andrew — An Interview

Kerry Andrew is a young British composer who seems to have her finger in an astounding number of pies, from modern sacred choral music to alt-folk, and including vocal chamber ensemble music and jazz. We talked via Skype on Jan. 12, 2010.  »

18 Jan 2010

Neal Goren of Gotham Chamber Opera: An Interview

The thing you need in order to start an arts organization, even more than a great deal of money, is a whirlwind – an individual with unstoppable energy who can put it all together and keep it working through thin times and thick.  »

13 Jan 2010

Collection of Italian Opera Libretti Now Accessible at Harry Ransom Center

AUSTIN, Texas — A major collection of Italian opera libretti is now accessible through an online database at the Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin.  »

08 Jan 2010

An interview with Hilary Hahn

American violinist Hilary Hahn has entered her fourth decade, having turned thirty last year, and for her eleventh disc she takes on a collaborative role, as obbligatist in a program of Bach cantata arias with soprano Christine Schäfer and baritone Matthias Goerne, accompanied by the Münchener Kammerorchester under the direction of Alexander Liebreich.  »

07 Jan 2010

An Interview with Ricardo Zohn-Muldoon

Composer Ricardo Zohn-Muldoon is presently on the faculty of the Eastman School of Music in Rochester, New York. He grew up in Guadalajara, Mexico, where he and colleague Carlos Sanchez-Gutierrez played in a rock and roll band together.  »

25 Dec 2009

An Interview with William Price

Composer William Price was born in Missouri (1971) and raised in Alabama, where he is presently professor of music theory at the University of Alabama at Birmingham.  »

17 Dec 2009

An Interview with John Fitz Rogers

John Fitz Rogers is presently an associate professor of composition at the University of South Carolina School of Music.  »

04 Nov 2009

The 18th Bienal of Contemporary Brazilian Music, 2009

Rio de Janeiro, which has had a string of winning luck in recent days — not only will it host the 2014 World Cup of soccer, but also the 2016 Olympic Games — continues a laudable and venerable tradition in the arts — the Biannual Festival of Contemporary Brazilian Music, now in its 18th edition.  »