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Elsewhere

Aida, Opera Holland Park

With its outrageous staging demands, you sometimes wonder why opera companies want to produce Verdi’s Aida. But the piece is about far more than pharaohs, pyramids and camels.

Press Release: Welsh National Opera explores Madness for autumn season

Madness descends upon Welsh National Opera for its autumn 2015 season, with three new productions that will explore human turmoil through some of the finest musical expressions of madness and the human condition.

A Chat with Pulitzer Prize Winning Composer Jennifer Higdon

American composer Jennifer Higdon has won many awards for her imaginative music. Her percussion concerto received the 2009 Grammy Award for Best Contemporary Classical Composition.

Death in Venice, Garsington Opera

Given the enduring resonance and impact of the magnificent visual aesthetic of Visconti’s 1971 film of Thomas Mann’s novella, opera directors might be forgiven for concluding that Britten’s Death in Venice does not warrant experimentation with period and design, and for playing safe with Edwardian elegance, sweeping Venetian vistas and stylised seascapes.

La Rondine Swoops Into St. Louis

If La Rondine (The Swallow) is a less-admired work than rest of the mature Puccini canon, you wouldn’t have known it by the lavish production now lovingly staged by Opera Theatre of Saint Louis.

Emmeline a Stunner in Saint Louis

Few companies have championed new or neglected works quite as fervently and consistently as the industrious Opera Theatre of Saint Louis.

Luminous Handel in Saint Louis

For Opera Theatre of Saint Louis, “everything old is new again.”

Two Women in San Francisco

Why would an American opera company devote its resources to the premiere of an opera by an Italian composer? Furthermore a parochially Italian story?

Les Troyens in San Francisco

Berlioz’ Les Troyens is in two massive parts — La prise de Troy and Troyens à Carthage.

Dog Days at REDCAT

On Saturday evening June 13, 2015, Los Angeles Opera presented Dog Days, a new opera with music by David T. Little and a text by Royce Vavrek. In the opera adopted from a story of the same name by Judy Budnitz, thirteen-year-old Lisa tells of her family’s mental and physical disintegration resulting from the ravages of a horrendous war.

Opera Las Vegas Presents Exquisite Madama Butterfly

Audiences at the Teatro alla Scala in Milan first saw Madama Butterfly on February 17, 1904. It was not the success it is these days, and Puccini revised it before its scheduled performances in Brescia.

Yardbird, Philadelphia

Opera Philadelphia is a very well-managed opera company with a great vision. Every year it presents a number of well-known “warhorse” operas, usually in the venerable Academy of Music, and a few more adventurous productions, usually in a chamber opera format suited to the smaller Pearlman Theater.

Giovanni Paisiello: Il Barbiere di Siviglia

Written in 1783, Giovanni Paisiello’s Il Barbiere di Siviglia reigned for three decades as one of Europe’s most popular operas, before being overshadowed forever by Rossini’s classic work.

Princeton Festival: Le Nozze di Figaro

The Princeton Festival has established a reputation for high-quality summer opera. In recent years works by Handel, Britten, Rachmaninoff, Stravinsky, Wagner and Gershwin have been performed at Matthews Theater on Princeton University campus: a 1100-seat auditorium with good sight-lines though a somewhat dry and uneven acoustic.

Die Entführung aus dem Serail,
Glyndebourne

Die Entführung aus dem Serail was Mozart’s first great public success in Vienna, and it became the composer’s most oft performed opera during his lifetime.

German Lieder Is Given a Dramatic Twist by The Ensemble for the Romantic Century

The Ensemble for the Romantic Century offered a thoughtful and well-curated evening in their production of The Sorrows of Young Werther, which is part theatrical performance and part art song concert.

Hans Werner Henze: Ein Landarzt and Phaedra

This was an adventurous double bill of two ‘quasi-operas’ by Hans Werner Henze, performed by young singers who are studying on the postgraduate Opera Course at the Guildhall School of Music and Drama.

Dido and Aeneas, Spitalfields Festival

High brick walls, a cavernous space, entered via a narrow passage just off a London thoroughfare: Village Underground in Shoreditch is probably not that far removed from the venue in which Henry Purcell’s Dido and Aeneas was first performed — whether that was Josiah Priest’s girl’s school in Chelsea or the court of Charles II or James II.

Intermezzo, Garsington Opera

Hats off to Garsington for championing once again some criminally neglected Strauss. I overheard someone there opine, ‘Of course, you can understand why it isn’t done very often.’

Cosi fan tutte, Garsington Opera

Mozart and Da Ponte’s Cosi fan tutte provides little in the way of background or back story for the plot, thus allowing directors to set the piece in a variety settings.


OPERA TODAY ARCHIVES »

Commentary

Wales Millennium Centre
26 Jun 2015

Press Release: Welsh National Opera explores Madness for autumn season

Madness descends upon Welsh National Opera for its autumn 2015 season, with three new productions that will explore human turmoil through some of the finest musical expressions of madness and the human condition.  »

Recently in Commentary

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24 Aug 2010

Robert Baksa — An Interview by Tom Moore

Robert Baksa is a name that is well-known to lovers of contemporary chamber music, with a hundred chamber works to his credit.  »

07 Jul 2010

Daniel Catán: An Interview by Maria Nockin

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01 Jul 2010

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28 Jun 2010

Jay Reise: An Interview by Tom Moore

Jay Reise is one of the senior musical figures in Philadelphia, serving on the composition faculty of the University of Pennsylvania since 1980.  »

19 Jun 2010

Christine Brewer: An Interview by Maria Nockin

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17 Jun 2010

Polishing Gemstones — Jette Parker Young Artists

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07 Jun 2010

Jurgita Adamonytė: An Interview

‘Focussed and pure of tone’, ‘beautifully steady’, ‘pure clarity and note perfection’ — just some of the accolades bestowed on the Lithuanian mezzo soprano Jurgita Adamonytė for her recent performances of Mozart.  »

04 Jun 2010

Aris Argiris debuts as Escamillo in the Royal Opera House's Carmen

Aris Argiris makes his debut at Covent Garden as Escamillo in Bizet’s Carmen. But this is unusually high-profile because it's a first, being filmed in 3D. »

03 Jun 2010

Olja Jelaska: An Interview by Tom Moore

Olja Jelaska (b. 1967) is an important figure in the younger generation of composers from Croatia.  »

01 Jun 2010

Juan Trigos: An Interview by Tom Moore

Juan Trigos, composer and conductor, was born and raised in Mexico City, where his father, also Juan Trigos, is a noted playwright and novelist.  »

18 May 2010

Robert Maggio — An Interview by Tom Moore

Composer Robert Maggio is professor of composition at West Chester University (in suburban Philadelphia).  »

17 May 2010

Elena Ruehr: An Interview by Tom Moore

According to her web site, Elena Ruehr has been called a “composer to watch” by Opera News, and her music has been described as “stunning...beautifully lighted by [a] canny instinct for knowing when and how to vary key, timbre, and harmony” by The Boston Globe. »

03 May 2010

Central City: the little opera company that can

You don’t have to be Asian to sing Madama Butterfly, but if you’ve got a top soprano from that part of the world, it adds another dimension of reality to Puccini’s tear-drenched verismo.  »

24 Apr 2010

Shadowboxer, the opera

The Clarice Smith Performing Arts Center at the University of Maryland — College Park is presenting Shadowboxer, an opera based on the life of Joe Louis, with music composed by Frank Proto to a libretto by John Chenault. »

22 Apr 2010

Stephen Jaffe: an Interview by Tom Moore

Composer Stephen Jaffe is the Mary and James H. Semans Professor of Music Composition at Duke University. We spoke in his office there in Durham NC on June 25, 2007. »

22 Apr 2010

Micaela Carosi sings Aida in a new production at the Royal Opera House, London

Micaela Carosi, the Verdi specialist, has created Aida many times, so she’s closely attuned to the role. The new production, at the Royal Opera House, London, though, is different. “It’s like singing Aida for the first time”, she says, her eyes sparkling. »

20 Apr 2010

Osmo Tapio Räihälä: An interview by Tom Moore

Osmo Tapio Räihälä is a Finnish composer of contemporary music, and was the founder of Uusinta, a collaborative group of composers and musicians. »

10 Apr 2010

Lance Hulme: An interview by Tom Moore

Composer Lance Hulme studied composition at the University of Minnesota, Yale University, and the Eastman School of Music, and returned to the United States recently, where he lives presently in Greensboro, North Carolina, after two decades in Mitteleuropa, where he founded and directed the contemporary music ensemble Ensemble Surprise.  »

10 Apr 2010

Anna Weesner: An interview by Tom Moore

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10 Apr 2010

Timothy Andres: An interview by Tom Moore

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03 Mar 2010

Sophia Serghi — An Interview

Composer Sophia Serghi is presently professor of music at the College of William and Mary in Williamsburg, Virginia, where she has taught since 1998, with two years away in 2000-2002. »

28 Feb 2010

Kurt Streit takes on Tamerlano, Royal Opera House, London

Kurt Streit is singing Bazajet in all performances of Handel’s Tamerlano at the Royal Opera House, London. Placido Domingo, who was to have sung five of the seven performances, pulled out suddenly due to illness.  »

10 Feb 2010

Gabriela Ortiz — An Interview

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25 Jan 2010

Kerry Andrew — An Interview

Kerry Andrew is a young British composer who seems to have her finger in an astounding number of pies, from modern sacred choral music to alt-folk, and including vocal chamber ensemble music and jazz. We talked via Skype on Jan. 12, 2010.  »

18 Jan 2010

Neal Goren of Gotham Chamber Opera: An Interview

The thing you need in order to start an arts organization, even more than a great deal of money, is a whirlwind – an individual with unstoppable energy who can put it all together and keep it working through thin times and thick.  »

13 Jan 2010

Collection of Italian Opera Libretti Now Accessible at Harry Ransom Center

AUSTIN, Texas — A major collection of Italian opera libretti is now accessible through an online database at the Harry Ransom Center, a humanities research library and museum at The University of Texas at Austin.  »

08 Jan 2010

An interview with Hilary Hahn

American violinist Hilary Hahn has entered her fourth decade, having turned thirty last year, and for her eleventh disc she takes on a collaborative role, as obbligatist in a program of Bach cantata arias with soprano Christine Schäfer and baritone Matthias Goerne, accompanied by the Münchener Kammerorchester under the direction of Alexander Liebreich.  »

07 Jan 2010

An Interview with Ricardo Zohn-Muldoon

Composer Ricardo Zohn-Muldoon is presently on the faculty of the Eastman School of Music in Rochester, New York. He grew up in Guadalajara, Mexico, where he and colleague Carlos Sanchez-Gutierrez played in a rock and roll band together.  »

25 Dec 2009

An Interview with William Price

Composer William Price was born in Missouri (1971) and raised in Alabama, where he is presently professor of music theory at the University of Alabama at Birmingham.  »

17 Dec 2009

An Interview with John Fitz Rogers

John Fitz Rogers is presently an associate professor of composition at the University of South Carolina School of Music.  »

04 Nov 2009

The 18th Bienal of Contemporary Brazilian Music, 2009

Rio de Janeiro, which has had a string of winning luck in recent days — not only will it host the 2014 World Cup of soccer, but also the 2016 Olympic Games — continues a laudable and venerable tradition in the arts — the Biannual Festival of Contemporary Brazilian Music, now in its 18th edition.  »

26 Oct 2009

An Interview with Ileana Perez-Velazquez

An Interview with Ileana Perez-VelazquezBy Tom Moore  »

11 Oct 2009

Oxford Lieder - Britain's top Song Festival

In the autumn, Oxford is especially beautiful. The ancient colleges are swathed in scarlet vines, and the mellow evening light creates great atmosphere. For those who love art song, though, the best reason for visiting Oxford at this time of year is the Oxford Lieder Festival, which starts October 16th 2009. »

06 Oct 2009

Imogen Cooper's Birthday at the Wigmore Hall

This wasn't an ordinary concert but something very special. The Wigmore Hall was honouring Imogen Cooper on her 60th birthday. She is greatly loved here, both as soloist and as partner in song recitals. The atmosphere was electric. The house was packed, with many famous pianists and singers in the audience. It was a historic occasion, but it felt like a party among friends. »

06 Sep 2009

Christof Loy speaks about the new Tristan und Isolde at the Royal Opera House, London.

“Opera has so much to give” says Christof Loy, whose new production of Tristan und Isoldeopens at the Royal Opera House on 29th September. This opera is so familiar that everyone assumes they know it. But Loy’s approach involves going straight back to the score, and to the inherent drama in the music. “I don’t like superficial distractions". »

04 Sep 2009

Wigmore Hall / Kohn Foundation launches the Sixth International Singing Competition

The distinguished jury (including sopranos Dames Margaret Price and Anne Evans, and baritones Thomas Allen and Wolfgang Holzmair) has now whittled down the original 148 entrants (from 41 different countries) to 34 (including 6 from the US) and according to the Chairman and Wigmore Hall Director John Gilhooly, ‘There’s a terrific buzz about this year - it always takes about ten years for a competition to build, so we are now really at our peak, and I think I can promise you some exciting singing.’  »

11 Aug 2009

Seattle to mount new “Tristan” in 2010

SEATTLE - Underscoring its role as America’s leader in the world of Wagner, the Seattle Opera will stage an entirely new production of Tristan und Isolde in 2010. »

15 Jul 2009

The Met's Favorite Tenor: Marcello Giordani

Marcello Giordani, at present singing a generally highly praised Cavaradossi at the Royal Opera House in London, is the leading exponent of the great Italian and French tenor roles at the Metropolitan Opera, and the man whom James Levine describes as ‘my favorite tenor.’ This prominence has been arrived at after a steady rise to fame: he will celebrate the 25th year of his career in the 2010-11 season. »

29 Jun 2009

Dalibor Jenis sings Renato in the Royal Opera house Un ballo in maschera.

“Everything in opera comes from Italy”, says Dalibor Jenis, who sings Renato in the current Royal Opera House Un ballo in maschera. “Italian is the language of music, my second mother language” »

15 Jun 2009

Czech Bass Wins BBC Cardiff Singer Of The World Song Prize

Young Czech bass Jan Martiník last night (FRI) won the BBC Cardiff Singer of the World Song Prize 2009 final at St David’s Hall, Cardiff. »

15 Jun 2009

Russian Soprano Wins BBC Cardiff Singer of the World

Beautiful Russian soprano Ekaterina Shcherbachenko last night won the world’s greatest operatic competition BBC Cardiff Singer of the World. »

12 Jun 2009

BBC Cardiff Singer of the World Finalists Named

The five talented singers to compete in the final of BBC Cardiff Singer of the World, which is organised by BBC Cymru Wales, have been named. »

10 Jun 2009

Ukrainian Counter-Tenor Wins Third Concert in BBC Cardiff Singer of the World

Cardiff: 10 June 2009 — Ukrainian counter-tenor Yuriy Mynenko, aged 30, last night (TUES) won the third concert in BBC Cardiff Singer of the World. »