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Elsewhere

Pavarotti: A Film by Ron Howard

Pavarotti: a touching, yet not dispassionate, account of the legendary Italian tenor

Three Chamber Operas at the Aix Festival

Along with the celestial Mozart Requiem, a doomed Tosca and a gloriously witty Mahagonny the Aix Festival’s new artistic director Pierre Audi regaled us with three chamber operas — the premiere of a brilliant Les Mille Endormis, the technically playful Blank Out (on a turgid subject), and a heavy-duty Jakob Lenz.

Herbert Howells: Choir of King’s College, Cambridge

The Choir of King’s College, Cambridge has played a role in the evolution of British music. This recording honours this heritage and Stephen Cleobury’s contribution in particular by focusing on Herbert Howells, who transformed the British liturgical repertoire in the 20th century.

Laurent Pelly's production of La Fille du régiment returns to Covent Garden

French soprano Sabine Devieilhe seems to find feisty adolescence a neat fit. I first encountered her when she assumed the role of a pill-popping nightclubbing ‘Beauty’ - raced from ecstasy-induced wonder to emergency ward - when I reviewed the DVD of Krzysztof Warlikowski’s production of Handel’s Il trionfo del Tempo e del Disinganno at Aix-en-Provence in 2016.

The Rise and Fall of the City of Mahagonny in Aix

Make no mistake, this is about you! Jim laid-out dead on the stage floor, conductor Esa-Pekka Salonen brought his very loud orchestra (London’s Philharmonia) to an abrupt halt. Black out. The maestro then turned his spotlighted face to confront us and he held his stare. There was no mistake, the music was about us.

Mozart's Travels: Classical Opera and The Mozartists at Wigmore Hall

There was a full house at Wigmore Hall for Classical Opera’s/The Mozartists’ final concert of the 2018-19 season: a musical paysage which chartered, largely chronologically, Mozart’s youthful travels from London to The Hague, on to Paris, then Rome, concluding - following stop-overs in European cultural cities such as Munich and Vienna - with an arrival at his final destination, Prague.

Tosca in Aix

From the sublime — the Mozart Requiem — to the ridiculous, namely stage director Christophe Honoré's Tosca. A ridiculous waste of operatic resources.

A terrific, and terrifying, The Turn of the Screw at Garsington

One might describe Christopher Oram’s set for Louisa Muller’s new production of The Turn of the Screw at Garsington as ‘shabby chic’ … if it wasn’t so sinister.

Mozart Requiem in Aix

Pierre Audi, now the directeur général of the Festival d’Aix as well as the artistic director of New York City’s Park Avenue Armory opens a new era for this distinguished opera festival in the south of France with a new work by the Festival’s signature composer, Wolfgang Amadeus Mozart.

A Rachmaninov Drama at Middle Temple Hall

It is Rachmaninov’s major works for orchestra - the Second and Third Piano Concertos, the Rhapsody on a Theme of Paganini, the Symphonic Dances - alongside the All-Night Vespers and the music for solo piano, which have earned the composer a permanent place in the concert repertoire today.

An interview with composer Dani Howard

The young Hong Kong-born British composer Dani Howard is having quite a busy year.

Fun, Frothy, and Frivolous: L’elisir d’amore at Las Vegas

There are a dizzying array of choices for music entertainment in Las Vegas ranging from Celine Dion and Cher to Paul McCartney and Aerosmith. Admittedly, these performers are a far cry from opera, but the point is that Las Vegas residents have many options when it comes to live music.

McVicar's production of Mozart's Le nozze di Figaro returns to the Royal Opera House

David McVicar's production of Mozart's Le nozze di Figaro at the Royal Opera House, Covent Garden, has been a remarkable success since it debuted in 2006. Set with the Count of Almaviva's fearfully grand household in 1830, McVicar's trick is to surround the principals by servants in a supra-naturalistic production which emphasises how privacy is at a premium.

The Cunning Little Vixen at the Barbican Hall

The presence of a large cast of ‘animals’ in Janáček’s The Cunning Little Vixen can encourage directors and designers to create costume-confections ranging from Disney-esque schmaltz to grim naturalism.

Barbe-Bleue in Lyon

Stage director Laurent Pelly is famed for his Offenbach stagings, above all others his masterful rendering of Les Contes d’Hoffmann as a nightmare. Mr. Pelly has staged eleven of Offenbach’s ninety-nine operettas over the years (coincidently this production of Barbe-Bleue is Mr. Pelly’s ninety-eighth opera staging).

Mieczysław Weinberg: Symphony no. 21 (“Kaddish”)

Mieczysław Weinberg witnessed the Holocaust firsthand. He survived, though millions didn’t, including his family. His Symphony no. 21 “Kaddish” (Op. 152) is a deeply personal statement. Yet its musical qualities are such that they make it a milestone in modern repertoire.

The Princeton Festival Presents Nixon in China

The Princeton Festival has adopted a successful and sophisticated operatic programming strategy, whereby the annual opera alternates between a standard warhorse and a less known, more challenging work. Last year Princeton presented Puccini’s Madama Butterfly. This year the choice is Nixon in China by modern American composer John Adams, which opened before a nearly full house of appreciative listeners.

Humperdinck's Hansel and Gretel at Grange Park Opera

When Engelbert Humperdinck's sister, Adelheid Wette, wrote the libretto to Hansel and Gretel the idea of a poor family living in a hut near the woods, on the bread-line, would have had an element of realism to it despite the sentimental layers which Wette adds to the tale.

Handel’s Belshazzar at The Grange Festival

What a treat to see members of The Sixteen letting their hair down. This was no strait-laced post-concert knees-up, but a full on, drunken orgy at the court of the most hedonistic ruler in the Old Testament.

Kenshiro Sakairi and the Tokyo Juventus Philharmonic in Mahler’s Eighth

Although some works by a number of composers have had to wait uncommonly lengthy periods of time to receive Japanese premieres - one thinks of both Mozart’s Jupiter and Beethoven’s Fifth (1918), Handel’s Messiah (1929), Wagner’s Parsifal (1967), Berlioz’s Roméo et Juliette (1966) and even Bruckner’s Eighth (1959, given its premiere by Herbert von Karajan) - Mahler might be considered to have fared somewhat better.


OPERA TODAY ARCHIVES »

Commentary

05 Jul 2019

An interview with composer Dani Howard

The young Hong Kong-born British composer Dani Howard is having quite a busy year. »

Recently in Commentary

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15 Oct 2012

Rewriting the Unwritten Law: Gilliam and Ghent Tackle Damnation

One of the most noteworthy and controversial productions in recent memory arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural opera, an inspired interpretation of Hector Berlioz’s Le Damnation de Faust, blasted into Ghent, followed by a run in Antwerp. »

09 Oct 2012

Florian Boesch on Schubert’s Die schöne Müllerin

Florian Boesch is singing Schubert’s Die Schöne Müllerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide” »

05 Oct 2012

Exciting Glyndebourne 2013 season

Exciting developments at Glyndebourne ! Many new initiatives which could transform Glyndebourne from a summer festival to a truly international, year-round opera experience.  »

28 Sep 2012

Good News for Opera in Barcelona

The recently released numbers for the past season at Barcelona’s opera Liceu gives some hope for the future.  »

12 Sep 2012

New Attendance Record for Salzburg

A record 278,978 people attended events of the 2012 edition of the famed Salzburg Festival in Austria, the largest number since its founding 92 years ago. »

13 Aug 2012

Another Bayreuth Stunner

Just after things were settling after the scandal of baritone Evgeny Nitikin supposed swastika tattoo at the Bayreuth Festival, another one seems likely to take its place.  »

08 Aug 2012

Opera Tomorrow: Wolf Trap Today

Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”  »

30 Jul 2012

Laurent Pelly on Glyndebourne's Ravel Double Bill

The Glyndebourne Festival highlight this year could be the Ravel double bill - L’heure espagnole and L'enfant et les sortilèges. Laurent Pelly directs. Anyone who saw his brilliant Humperdinck Hansel und Gretel at Glyndebourne in 2008 will know what to expect - a staging of great imagination and verve, true to the spirit of the composer. »

18 Jul 2012

Changes at Florida Grand Opera

Effective July 30, Cassidy E. Fitzpatrick will be the new artistic administrator of Florida Grand Opera. a position open since the dismissal of Kelly Anderson last year. »

07 Jul 2012

Changes in Bratislava

A change of leadership has been announced today by Bratislava’s Slovak National Theatre. In the opera division, famed tenor Peter Dvorsky, the current artistic director, is to be replaced on August 1st by the Austrian conductor Friedrich Haider.  »

04 Jul 2012

Honors for Bayreuth’s “other” house

Bayreuth’s opera house has been awarded the honor of UNESCO World Heritage status. If you think that means Wagner’s festival house in the same city, with its excellent acoustics and uncomfortable seats, you will be mistaken. »

04 Jul 2012

Continued Progress at the Vienna State Opera

In his second season, intendant Dominique Meyer has chalked up increases both in tickets sold and earnings at the Vienna State Opera.  »

03 Jul 2012

Lots of Loose Ends in Cologne

The fall-out from the very public display of anger on both sides continues in Cologne. Uwe Erich Laufenberg, 51, director of the city’s opera, one of the leading operas in Germany, was fired with immediate effect on June 22.  »

26 Jun 2012

Bavarian State Opera Renews Nicolas Bachler’s Contract

Nicolas Bachler, intendant of the Bavarian State Opera, has had his contract extended through August 2018.  »

09 Jun 2012

Duisburg Petition Drive Proves Strong Support for Local Opera

Amidst crucial, ongoing financial concerns about future funding for opera and ballet throughout Germany’s highly populous North Rhein-Westphalia region, a diverse gathering at the Duisburg Theatre verified sincere grassroots support for Deutsche Oper Am Rhein and the current partnership with nearby Dusseldorf. »

31 May 2012

More Delays for the Berlin State Opera

The re-opening of Berlin State Opera Unter den Linden has been set back for another year.  »

30 May 2012

Lyric Opera Posts Annual Report

The Lyric Opera of Chicago announced their financial figures in their annual report and “balanced its budget” for the 2011-2012 season, according to general director Anthony Freud.  »

30 May 2012

Thunder Storm at the Theater an der Wien

Conflicts like this usually remain inside opera house walls. The three Viennese daily newspapers carried headlines reporting that Oscar-winning director William Friedkin called the intendant of the Theater an der Wien a “liar.”  »

26 May 2012

Garsington Opera at Wormsley

Director David Freeman tells why this is an event worth experiencing in the Olympic year.  »

09 May 2012

Torsten Kerl to Perform Tannhäuser

Casting changes continue at the Bayreuth Festival, now only three months away.  »

02 May 2012

The Kathleen Ferrier Awards 2012

This year’s Kathleen Ferrier Awards final was both a competition and a celebration, marking as it did the centenary anniversary of the great singer’s birth. »

26 Apr 2012

Christopher Koelsch Tapped by LA Opera

Christopher Koelsch has been tapped Wednesday as the new president and chief executive officer of the Los Angeles Opera. Koelsch, 41, was the opera’s chief financial officer and will take the new post September 15. »

24 Apr 2012

Ignacio Garcia-Belenguer Appointed

Ignacio Garcia-Belenguer, 45, has been named as the new general manager of Madrid’s opera, Teatro Real.  »

24 Apr 2012

Uwe Eric Laufenberg Resigns

The director of the Cologne Opera, Uwe Eric Laufenberg, has confirmed at the press conference this afternoon that he will leave his post at the end of the coming season. His contract runs until 2016. »

23 Apr 2012

Denoke Bows Out of Bayreuth

Soprano Angela Denoke announced on Wednesday that she would not be appearing as Brünnhilde, one of the critically important roles, at the 2013 Bayreuth Festival Ring Cycle.  »

18 Apr 2012

Cologne Opera to Cancel Next Season?

On Tuesday evening, Cologne Opera’s director indicated he was planning to cancel the next season, 2012-2013.  »

17 Apr 2012

Chinese Conductor to Lead Italian Opera

The Chinese conductor and pianist Xu Zhong will be the new artistic director of an Italian opera house, the Teatro Massimo Bellini in Catania.  »

17 Apr 2012

Mishap at the Musikfreunde

Tenor Johan Botha had just started carving his steak when his phone rang. A director of Vienna’s Gesellschaft der Musikfreunde was on the line with an emergency request.  »

12 Apr 2012

International HD Broadcast of Rigoletto by Royal Opera House

The Royal Opera House started doing opera and ballet broadcasts before many other houses, and is now expanding its schedule. On April 17th, Verdi’s Rigoletto is being streamed live in over 600 cinemas in 21 countries.  »

31 Mar 2012

Gerald Barry: The Importance of Being Earnest

Irish composer Gerald Barry’s opera The Importance of Being Earnest premieres at the Barbican, London on April 26th. It is a joint commission between the Barbican and the Los Angeles Philharmonic.  »

24 Mar 2012

Royal Opera House 2012-13 season

“Opera is an emotional fitness centre”, says Kasper Holten, new Director of Opera, announcing the Royal Opera House 2012-13 season which mixes daring with prudence. »

19 Mar 2012

Metropolitan Opera National Council Grand Finals Concert

A major part of the rejuvenation of opera in the 21st century is the cultivation of young singers.  »

09 Mar 2012

The Los Angeles Opera — A Cultural Icon in Downtown LA

Los Angeles is often identified as “tinsel town,” a cultural wasteland. The city has long been considered as artistically irrelevant. Nothing could be further from the truth, especially with the arrival of the Los Angeles Opera in 1984. »

29 Feb 2012

Gran Teatre del Liceu Reverses Course

Barcelona’s opera, the Gran Teatre del Liceu, has reversed course and restored cuts in the current season made earlier this month.  »

27 Feb 2012

The Opera House that Almost Wasn’t — Le Palais Garnier in Paris

One of the main performing arts venues for opera, ballet and modern dance is Le Palais Garnier in Paris.  »

26 Feb 2012

Bryan Hymel, Rusalka’s Prince

New Orleans native Bryan Hymel is singing the role of The Prince in Antonin Dvořák's Rusalka at the Royal Opera House, London. »

21 Feb 2012

Victoires de la Musique Classique 2012

Last night’s French classical music awards show, the Victoires de la Musique Classique 2012, awarded the “Best Composer of the Year” honors to Philippe Manoury, 59, for his opera, “La Nuit de Gutenberg” (“The Night of Gutenberg”).  »

21 Feb 2012

Natalie Dessay to go on sabbatical

French soprano star Natalie Dessay has announced that she is taking a sabbatical from opera during 2015. She is unhappy with her current work at the Paris Opera, a production of Massenet’s opera “Manon,” and had conflicts with the stage director, French filmmaker Coline Serreau.  »

20 Feb 2012

The Veronica Dunne International Singing Competition: Showcase Concert

Inaugurated in 1995, the Veronica Dunne International Singing Competition is a triennial competition, held in the National Concert Hall in Dublin, which takes place over a week in January.  »

17 Feb 2012

Don Pasquale at the Théâtre des Champs Elysées

Critics. Can you get along without us? It is possible to reflect on this when the production of Donizetti’s Don Pasquale is shown on television tonight. »

15 Feb 2012

Carmela Remigio as Donna Anna and Donna Elvira

Carmela Remigio is a Mozart specialist, having created Donna Elvira, Donna Anna, The Countess in Le nozze di Figaro, Susana, Ilia, Ellettra, Vitellia, Pamina and Fiordigli. She speaks to Mark Berry about her latest Donna Anna at the Royal Opera House. »

13 Feb 2012

Added Drama for Wagner

It might have reminded some in the audience of the finale of Wagner’s “Götterdämmerung.” Saturday evening, during the finale of that same composer’s “Das Rheingold” at the Staatstheater in the German city of Darmstadt when a large section of the scene fell and shattered on stage. »

10 Feb 2012

Opera in Florence Has a New Home

Who says Italian opera is in the doldrums? Contrary to all the recent budget bad news from the country that invented the form, the dramatic new 150 million Euro ($200 million) opera house in Florence projects another view.  »

09 Feb 2012

Another Tenor Drops Down?

In today’s edition of the Viennese newspaper, “Die Presse” a reviewer gushes over Roberto Alagna’s recital yesterday evening at the Vienna State Opera.  »

08 Feb 2012

Lawrence Foster Named Music Director of Orchestre Philharmonique de Marseille

February 8, 2012. Los Angeles born conductor Lawrence Foster, the music director of the orchestra and the Opéra National in the French city of Montpellier from September 2009 to the end of this season, has signed on for a similar post with the Orchestre Philharmonique de Marseille starting September 1 of this year. »

07 Feb 2012

Nicola Luisotti Named Music Director of Teatro di San Carlo

February 7, 2012. Italian conductor Nicola Luisotti, the popular music director of the San Francisco Opera, has been appointed to the same position at the historic Teatro di San Carlo in Naples.  »

04 Feb 2012

Chad Shelton Comes to the Rescue

February 4, 2012. A few days before the opening of the production of Verdi’s “La Traviata” at the Houston Grand Opera, tenor David Lomeli, playing Alfredo, took ill.  »

04 Feb 2012

San Francisco Opera — Bad News Tempered by Good

February 4, 2012. With a budget of $71 million dollars, the San Francisco Opera announced a deficit for the FY 2011 year. But the numbers, in the Opera’s press release, contain some good news to offset the negative bottom line.  »