Subscribe to
Opera Today

Receive articles and news via RSS feeds or email subscription.


facebook-icon.png


twitter_logo[1].gif



Plumbago_9780993198359_1.png

9780521746472.png

0810888688.gif

0810882728.gif

Elsewhere

Glyndebourne’s first production of Dialogues des Carmélites to open Glyndebourne Festival 2020

Glyndebourne’s first production of Poulenc’s Dialogues des Carmélites will open Glyndebourne Festival 2020, it was announced today. The opera house unveiled its 2020 plans at an event in its recently built Production Hub, hosted by Glyndebourne’s new senior leadership team, Artistic Director Stephen Langridge and Managing Director Sarah Hopwood, who jointly replace the former position of General Director.

Peter Sellars' kinaesthetic vision of Lasso's Lagrime di San Pietro

On 24th May 1594 just a few weeks before his death on 14 June, the elderly Orlando di Lasso signed the dedication of his Lagrime di San Pietro - an expansive cycle of seven-voice penitential madrigale spirituali, setting vernacular poetry on the theme of Peter’s threefold denial of Christ - to Pope Clement VIII.

Garsington Opera Announces 2020 season and 2019 Paris Performance

Garsington Opera is delighted to announce the 2020 season that will open on 28 May, featuring three new productions - Verdi’s Un giorno di regno, Mozart’s Mitridate, re di Ponto, Dvořák’s Rusalka and a revival of John Cox’s legendary production of Beethoven’s Fidelio.

Karlheinz Stockhausen: Donnerstag aus Licht

Stockhausen was one of the most visionary of composers, and no more so than in his Licht operas, but what you see can often get in the way of what you hear. I’ve often found fully staged productions of his operas a distraction to the major revelation in them - notably the sonorities he explores, of the blossoming, almost magical acoustical chrysalis, between voices and instruments.

David McVicar's Andrea Chénier returns to Covent Garden

Is Umberto’s Giordano’s Andrea Chenier a verismo opera? Certainly, he is often grouped with Mascagni, Cilea, Leoncavallo and Puccini as a representative of this ‘school’. And, the composer described his 1876 opera as a dramma de ambiente storico.

Glyndebourne presents Richard Jones's new staging of La damnation de Faust

Oratorio? Opera? Cantata? A debate about the genre to which Berlioz’s ‘dramatic legend’, La damnation de Faust, should be assigned could never be ‘resolved’.

Jean Sibelius: Kullervo

Why did Jean Sibelius suppress Kullervo (Op. 7, 1892)? There are many theories why he didn’t allow it to be heard after its initial performances, though he referred to it fondly in private. This new recording, from Hyperion with Thomas Dausgaard conducting the BBC Scottish Symphony Orchestra, soloists Helena Juntunen and Benjamin Appl and the Lund Male Chorus, is a good new addition to the ever-growing awareness of Kullervo, on recording and in live performance.

Hampstead Garden Opera presents Partenope-on-sea

“Oh! I do like to be beside the seaside! I do like to be beside the sea!” And, it was off to the Victorian seaside that we went for Hampstead Garden Opera’s production of Handel’s Partenope - not so much for a stroll along the prom, rather for boisterous battles on the beach and skirmishes by the shore.

Henze's Phaedra: Linbury Theatre, ROH

A song of love and death, loss and renewal. Opera was born from the ambition of Renaissance humanists to recreate the oratorical and cathartic power of Greek tragedy, so it is no surprise that Greek myths have captivated composers of opera, past and present, offering as they do an opportunity to engage with the essential human questions in contexts removed from both the sacred and the mundane.

Un ballo in maschera at Investec Opera Holland Park: in conversation with Alison Langer

“Sop. Page, attendant on the King.” So, reads a typical character description of the loyal page Oscar, whose actions, in Verdi’s Un ballo in maschera, unintentionally lead to his monarch’s death. He reveals the costume that King Gustavo is wearing at the masked ball, thus enabling the monarch’s secretary, Anckarstroem, to shoot him. The dying King falls into the faithful Oscar’s arms.

Martin Duncan directs the first UK staging of Offenbach's Fantasio at Garsington

A mournful Princess forced by her father into an arranged marriage. A Prince who laments that no-one loves him for himself, and so exchanges places with his aide-de-camp. A melancholy dreamer who dons a deceased jester’s motley and finds himself imprisoned for impertinence.

Thomas Larcher's The Hunting Gun at the Aldeburgh Festival: in conversation with Peter Schöne

‘Aloneness’ does not immediately seem a likely or fruitful subject for an opera. But, loneliness and isolation - an individual’s inner sphere, which no other human can truly know or enter - are at the core of Yasushi Inoue’s creative expression.

Actress x Stockhausen Sin {x} II - a world premiere

Is it in any sense aspirational to imitate - or even to try to create something original - based on one of Stockhausen’s works? This was a question I tried to grapple with at the world premiere of Actress x Stockhausen Sin {x} II.

The London Handel Festival and The Royal Opera announce a co-production of Handel’s Susanna starring members of The Royal Opera’s Jette Parker Young Artists Programme

The London Handel Festival and The Royal Opera today [14 May 2019] announced a co-production of Handel’s oratorio Susanna as part of the 2020 London Handel Festival. The new production, performed in English in the Linbury Theatre [5 - 14 March 2020], will star members and Link Artists from The Royal Opera’s Jette Parker Young Artists Programme. Handel’s Susanna was written for Covent Garden and had its premiere on the site in 1749, but has not been performed at Covent Garden since.

Royal Opera House announces 17 new productions for its 2019/20 Season

The Royal Opera House today launches its 2019/20 Season, unveiling an exciting range of new commissions, world premieres and much-loved revivals, supported by a diverse range of ticketed and free daytime events, activities and festivals for people of all ages. In the first full Season since the completion of the Royal Opera House’s three-year Open Up renovation, The Royal Opera Company unveils a host of innovative new work, with 13 new productions, including two world premieres, in the Season ahead.

The BBC Singers and the Academy of Ancient Music join forces for Handel's Israel in Egypt

The biblical account of the Exodus of the Israelites from Egypt is the defining event of Jewish history. By contrast, Handel’s oratorio Israel in Egypt has struggled to find its ‘identity’, hampered as it is by what might be termed the ‘Part 1 conundrum’, and the oratorio has not - despite its repute and the scholarly respect bestowed upon it - consistently or fully satisfied audiences, historic or modern.

Measha Brueggergosman: The Art of Song – Ravel to John Cage

A rather charming story recently appeared in the USA of a nine-year old boy who, at a concert given by Boston’s Handel and Haydn Society, let out a very audible “wow” at the end of Mozart’s Masonic Funeral Music. I mention this only because music – whether you are neurotypical or not – leads to people, of any age, expressing themselves in concerts relative to the extraordinary power of the music they hear. Measha Brueggergosman’s recital very much had the “wow” factor, and on many distinct levels.

In interview with Polly Graham, Artistic Director of Longborough Festival Opera

What links Wagner’s Das Rheingold, Donizetti’s Anna Bolena, Mozart’s Don Giovanni and Cavalli’s La Calisto? It sounds like the sort of question Paul Gambaccini might pose to contestants on BBC Radio 4’s music quiz, Counterpoint.

World premiere of Cecilia McDowall's Da Vinci Requiem

The quincentennial of the death Leonardo da Vinci is one of the major events this year – though it doesn’t noticeably seem to be acknowledged in new music being written for this.

Mahler: Titan, Eine Tondichtung in Symphonieform – François-Xavier Roth, Les Siècles

Not the familiar version of Mahler's Symphony no 1, but the “real” Mahler Titan at last, as it might have sounded in Mahler's time! François-Xavier Roth and Les Siècles present the symphony in its second version, based on the Hamburg/Weimar performances of 1893-94. This score is edited by Reinhold Kubik and Stephen E.Hefling for Universal Edition AG. Wien.


OPERA TODAY ARCHIVES »

Commentary

24 May 2019

Glyndebourne’s first production of Dialogues des Carmélites to open Glyndebourne Festival 2020

Glyndebourne’s first production of Poulenc’s Dialogues des Carmélites will open Glyndebourne Festival 2020, it was announced today. The opera house unveiled its 2020 plans at an event in its recently built Production Hub, hosted by Glyndebourne’s new senior leadership team, Artistic Director Stephen Langridge and Managing Director Sarah Hopwood, who jointly replace the former position of General Director.  »

Recently in Commentary

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14 
30 Jul 2012

Laurent Pelly on Glyndebourne's Ravel Double Bill

The Glyndebourne Festival highlight this year could be the Ravel double bill - L’heure espagnole and L'enfant et les sortilèges. Laurent Pelly directs. Anyone who saw his brilliant Humperdinck Hansel und Gretel at Glyndebourne in 2008 will know what to expect - a staging of great imagination and verve, true to the spirit of the composer. »

18 Jul 2012

Changes at Florida Grand Opera

Effective July 30, Cassidy E. Fitzpatrick will be the new artistic administrator of Florida Grand Opera. a position open since the dismissal of Kelly Anderson last year. »

07 Jul 2012

Changes in Bratislava

A change of leadership has been announced today by Bratislava’s Slovak National Theatre. In the opera division, famed tenor Peter Dvorsky, the current artistic director, is to be replaced on August 1st by the Austrian conductor Friedrich Haider.  »

04 Jul 2012

Honors for Bayreuth’s “other” house

Bayreuth’s opera house has been awarded the honor of UNESCO World Heritage status. If you think that means Wagner’s festival house in the same city, with its excellent acoustics and uncomfortable seats, you will be mistaken. »

04 Jul 2012

Continued Progress at the Vienna State Opera

In his second season, intendant Dominique Meyer has chalked up increases both in tickets sold and earnings at the Vienna State Opera.  »

03 Jul 2012

Lots of Loose Ends in Cologne

The fall-out from the very public display of anger on both sides continues in Cologne. Uwe Erich Laufenberg, 51, director of the city’s opera, one of the leading operas in Germany, was fired with immediate effect on June 22.  »

26 Jun 2012

Bavarian State Opera Renews Nicolas Bachler’s Contract

Nicolas Bachler, intendant of the Bavarian State Opera, has had his contract extended through August 2018.  »

09 Jun 2012

Duisburg Petition Drive Proves Strong Support for Local Opera

Amidst crucial, ongoing financial concerns about future funding for opera and ballet throughout Germany’s highly populous North Rhein-Westphalia region, a diverse gathering at the Duisburg Theatre verified sincere grassroots support for Deutsche Oper Am Rhein and the current partnership with nearby Dusseldorf. »

31 May 2012

More Delays for the Berlin State Opera

The re-opening of Berlin State Opera Unter den Linden has been set back for another year.  »

30 May 2012

Lyric Opera Posts Annual Report

The Lyric Opera of Chicago announced their financial figures in their annual report and “balanced its budget” for the 2011-2012 season, according to general director Anthony Freud.  »

30 May 2012

Thunder Storm at the Theater an der Wien

Conflicts like this usually remain inside opera house walls. The three Viennese daily newspapers carried headlines reporting that Oscar-winning director William Friedkin called the intendant of the Theater an der Wien a “liar.”  »

26 May 2012

Garsington Opera at Wormsley

Director David Freeman tells why this is an event worth experiencing in the Olympic year.  »

09 May 2012

Torsten Kerl to Perform Tannhäuser

Casting changes continue at the Bayreuth Festival, now only three months away.  »

02 May 2012

The Kathleen Ferrier Awards 2012

This year’s Kathleen Ferrier Awards final was both a competition and a celebration, marking as it did the centenary anniversary of the great singer’s birth. »

26 Apr 2012

Christopher Koelsch Tapped by LA Opera

Christopher Koelsch has been tapped Wednesday as the new president and chief executive officer of the Los Angeles Opera. Koelsch, 41, was the opera’s chief financial officer and will take the new post September 15. »

24 Apr 2012

Ignacio Garcia-Belenguer Appointed

Ignacio Garcia-Belenguer, 45, has been named as the new general manager of Madrid’s opera, Teatro Real.  »

24 Apr 2012

Uwe Eric Laufenberg Resigns

The director of the Cologne Opera, Uwe Eric Laufenberg, has confirmed at the press conference this afternoon that he will leave his post at the end of the coming season. His contract runs until 2016. »

23 Apr 2012

Denoke Bows Out of Bayreuth

Soprano Angela Denoke announced on Wednesday that she would not be appearing as Brünnhilde, one of the critically important roles, at the 2013 Bayreuth Festival Ring Cycle.  »

18 Apr 2012

Cologne Opera to Cancel Next Season?

On Tuesday evening, Cologne Opera’s director indicated he was planning to cancel the next season, 2012-2013.  »

17 Apr 2012

Chinese Conductor to Lead Italian Opera

The Chinese conductor and pianist Xu Zhong will be the new artistic director of an Italian opera house, the Teatro Massimo Bellini in Catania.  »

17 Apr 2012

Mishap at the Musikfreunde

Tenor Johan Botha had just started carving his steak when his phone rang. A director of Vienna’s Gesellschaft der Musikfreunde was on the line with an emergency request.  »

12 Apr 2012

International HD Broadcast of Rigoletto by Royal Opera House

The Royal Opera House started doing opera and ballet broadcasts before many other houses, and is now expanding its schedule. On April 17th, Verdi’s Rigoletto is being streamed live in over 600 cinemas in 21 countries.  »

31 Mar 2012

Gerald Barry: The Importance of Being Earnest

Irish composer Gerald Barry’s opera The Importance of Being Earnest premieres at the Barbican, London on April 26th. It is a joint commission between the Barbican and the Los Angeles Philharmonic.  »

24 Mar 2012

Royal Opera House 2012-13 season

“Opera is an emotional fitness centre”, says Kasper Holten, new Director of Opera, announcing the Royal Opera House 2012-13 season which mixes daring with prudence. »

19 Mar 2012

Metropolitan Opera National Council Grand Finals Concert

A major part of the rejuvenation of opera in the 21st century is the cultivation of young singers.  »

09 Mar 2012

The Los Angeles Opera — A Cultural Icon in Downtown LA

Los Angeles is often identified as “tinsel town,” a cultural wasteland. The city has long been considered as artistically irrelevant. Nothing could be further from the truth, especially with the arrival of the Los Angeles Opera in 1984. »

29 Feb 2012

Gran Teatre del Liceu Reverses Course

Barcelona’s opera, the Gran Teatre del Liceu, has reversed course and restored cuts in the current season made earlier this month.  »

27 Feb 2012

The Opera House that Almost Wasn’t — Le Palais Garnier in Paris

One of the main performing arts venues for opera, ballet and modern dance is Le Palais Garnier in Paris.  »

26 Feb 2012

Bryan Hymel, Rusalka’s Prince

New Orleans native Bryan Hymel is singing the role of The Prince in Antonin Dvořák's Rusalka at the Royal Opera House, London. »

21 Feb 2012

Victoires de la Musique Classique 2012

Last night’s French classical music awards show, the Victoires de la Musique Classique 2012, awarded the “Best Composer of the Year” honors to Philippe Manoury, 59, for his opera, “La Nuit de Gutenberg” (“The Night of Gutenberg”).  »

21 Feb 2012

Natalie Dessay to go on sabbatical

French soprano star Natalie Dessay has announced that she is taking a sabbatical from opera during 2015. She is unhappy with her current work at the Paris Opera, a production of Massenet’s opera “Manon,” and had conflicts with the stage director, French filmmaker Coline Serreau.  »

20 Feb 2012

The Veronica Dunne International Singing Competition: Showcase Concert

Inaugurated in 1995, the Veronica Dunne International Singing Competition is a triennial competition, held in the National Concert Hall in Dublin, which takes place over a week in January.  »

17 Feb 2012

Don Pasquale at the Théâtre des Champs Elysées

Critics. Can you get along without us? It is possible to reflect on this when the production of Donizetti’s Don Pasquale is shown on television tonight. »

15 Feb 2012

Carmela Remigio as Donna Anna and Donna Elvira

Carmela Remigio is a Mozart specialist, having created Donna Elvira, Donna Anna, The Countess in Le nozze di Figaro, Susana, Ilia, Ellettra, Vitellia, Pamina and Fiordigli. She speaks to Mark Berry about her latest Donna Anna at the Royal Opera House. »

13 Feb 2012

Added Drama for Wagner

It might have reminded some in the audience of the finale of Wagner’s “Götterdämmerung.” Saturday evening, during the finale of that same composer’s “Das Rheingold” at the Staatstheater in the German city of Darmstadt when a large section of the scene fell and shattered on stage. »

10 Feb 2012

Opera in Florence Has a New Home

Who says Italian opera is in the doldrums? Contrary to all the recent budget bad news from the country that invented the form, the dramatic new 150 million Euro ($200 million) opera house in Florence projects another view.  »

09 Feb 2012

Another Tenor Drops Down?

In today’s edition of the Viennese newspaper, “Die Presse” a reviewer gushes over Roberto Alagna’s recital yesterday evening at the Vienna State Opera.  »

08 Feb 2012

Lawrence Foster Named Music Director of Orchestre Philharmonique de Marseille

February 8, 2012. Los Angeles born conductor Lawrence Foster, the music director of the orchestra and the Opéra National in the French city of Montpellier from September 2009 to the end of this season, has signed on for a similar post with the Orchestre Philharmonique de Marseille starting September 1 of this year. »

07 Feb 2012

Nicola Luisotti Named Music Director of Teatro di San Carlo

February 7, 2012. Italian conductor Nicola Luisotti, the popular music director of the San Francisco Opera, has been appointed to the same position at the historic Teatro di San Carlo in Naples.  »

04 Feb 2012

Chad Shelton Comes to the Rescue

February 4, 2012. A few days before the opening of the production of Verdi’s “La Traviata” at the Houston Grand Opera, tenor David Lomeli, playing Alfredo, took ill.  »

04 Feb 2012

San Francisco Opera — Bad News Tempered by Good

February 4, 2012. With a budget of $71 million dollars, the San Francisco Opera announced a deficit for the FY 2011 year. But the numbers, in the Opera’s press release, contain some good news to offset the negative bottom line.  »

03 Feb 2012

An Aria of Lincoln Center — The Metropolitan Opera

To the dismay of New York opera fans, the original Metropolitan Opera House, located at Broadway and 39th Street, was to be torn down and replaced by a new hall a mere 30 blocks away. »

02 Feb 2012

Barcelona’s Liceo Opera in Financial Crisis

Confronting a financial shortfall, the Gran Theatro del Liceo in Barcelona has announced a reduction in performances this season with two scheduled operas cancelled.  »

02 Feb 2012

Bayreuth Festspielhaus

In an interview, Katharina Wagner, 33, granddaughter of the composer and co-director of the Richard Wagner Bayreuth Festival, spoke of the declining state of the legendary Festival House on the “Green Hill” at Bayreuth.  »

01 Feb 2012

The Smola Prize

A Swiss soprano and an Australian baritone shared the 20,000 Euro Emmerich Smola Prize awarded on Monday.  »

31 Jan 2012

Angela Meade Wins Beverly Sills Artist Award

The seventh annual Beverly Sills Artist Award, carrying with it a $50,000 prize, was awarded to American soprano Angela Meade.  »

31 Jan 2012

Vienna State Opera Keeps It’s Team

Jan. 31, 2012. The recent announcement of the extension of the contract for Dominique Meyer, the General Director of the Vienna State Opera was a firm endorsement of his leadership by the Austrian government. Meyer, 57, the first French person to hold the office, will continue now through August 31, 2020. »

25 Jan 2012

Interview with Lise Lindstrom — An Intelligent Soprano’s Guide to Turandot and Salome

Lise Lindstrom, who made a notable splash in the opera world (debuts at La Scala and at the Met) with her portrayals of Giacomo Puccini’s Turandot, has recently undertaken the still more demanding role of Salome.  »