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Elsewhere

Gluck and Bertoni at Bampton

Bampton Classical Opera’s 2014 double bill neatly balanced drollery and gravity. Rectifying the apparent prevailing indifference to the 300th centenary of Christoph Willibald Gluck birth, Bampton offered a sharp, witty production of the composer’s Il Parnaso confuso, pairing this ‘festa teatrale’ with Ferdinando Bertoni’s more sombre Orfeo.

Purcell: A Retrospective

Harry Christophers and The Sixteen Choir and Orchestra launched the Wigmore Hall’s two-year series, ‘Purcell: A Retrospective’, in splendid style. Flexibility, buoyancy and transparency were the watchwords.

Mahler: Symphony no.3 — Prom 73

It would be unfair, but one could summarise this concert with the words, ‘Senator, you’re no Leonard Bernstein.’

Los Angeles Opera Opens with La traviata

On September 13, Los Angeles Opera opened its 2014-2015 season with a revival of Marta Domingo’s updated, Art Deco staging of Giuseppe Verdi’s La traviata. It starred Nino Machaidze as Violetta, Arturo Chácon-Cruz as Alfredo, and Plácido Domingo as Giorgio Germont. The conductor was Music Director James Conlon.

Stars of Lyric Opera at Millennium Park, 2014

In its annual concert previewing the forthcoming season Lyric Opera of Chicago presented its “Stars of Lyric Opera at Millennium Park” during the past weekend to a large audience of enthusiastic listeners.

Susannah in San Francisco

Come to think of it the 1950‘s were operatically rich years in America compared to other decades in the recent past. Just now the San Francisco Opera laid bare an example, Carlisle Floyd’s Susannah.

Xerxes, ENO

Nicholas Hytner’s production of Handel’s Xerxes (Serse) at English National Opera (ENO) is nearly 30 years old, and is the oldest production in ENO’s stable.

San Diego Opera Opens 2014-2015 Season

On Friday evening September 5, 2014, tenor Stephen Costello and soprano Ailyn Pérez gave a recital to open the San Diego Opera season. After all the threats to close the company down, it was a great joy to great San Diego Opera in its new vibrant, if slightly slimmed down form.

Otello at ENO

English National Opera’s 2014-15 season kicked off with an ear-piercing orchestral thunderbolt. Brilliant lightning spears sliced through the thick black night, fitfully illuminating the Mediterranean garret-town square where an expectant crowd gather to welcome home their conquering hero.

Anna Nicole, back with a bang!

It is now three and a half years since Anna Nicole was unleashed on the world at the Royal Opera House, Covent Garden.

Norma in San Francisco

It was a Druid orgy that overtook the War Memorial. Magnificent singing, revelatory conducting, off-the-wall staging (a compliment, sort of).

Joyce DiDonato starts Wigmore Hall new season

There was a quasi-party atmosphere at the Wigmore Hall on Monday evening, when Joyce DiDonato and Antonio Pappano reprised the recital that had kicked off the Hall’s 2014-15 season with reported panache and vim two nights previously. It was standing room only, and although this was a repeat performance there certainly was no lack of freshness and spontaneity: both the American mezzo-soprano and her accompanist know how to communicate and entertain.

Aida at Aspendos Opera and Ballet Festival

In strict architectural terms, the stupendous 2nd century Roman theatre of Aspendos near Antalya in southern Turkey is not an arena or amphitheatre at all, so there are not nearly as many ghosts of gored gladiators or dismembered Christians to disturb the contemporary feng shui as in other ancient loci of Imperial amusement.

St Matthew Passion, Prom 66

Simon Rattle and the Berlin Philharmonic Orchestra brought their staging of Bach's St Matthew Passion to the BBC Proms at the Royal Albert Hall on Saturday, 6 September 2014.

Glimmerglass: Butterfly Leads the Pack

Every so often an opera fan is treated to a minor miracle, a revelatory performance of a familiar favorite that immediately sweeps all other versions before it.

Operalia, the World Opera Competition, Showcases 2014 Winners

On August 30, Los Angeles Opera presented the finals concert of Plácido Domingo’s Operalia, the world opera competition. Founded in 1993, the contest endeavors to discover and help launch the careers of the most promising young opera singers of today. Thousands of applicants send in recordings from which forty singers are chosen to perform live in the city where the contest is being held. Last year it was Verona, Italy, this year Los Angeles, next year London.

Elektra at Prom 59

The second day of the Richard Strauss weekend at the BBC Proms saw Richard Strauss's Elektra performed at the Royal Albert Hall on 31 August 2014 by the BBC Symphony Orchestra, conducted by Semyon Bychkov, with Christine Goerke in the title role.

Powerful Mahler Symphony no 2 Harding, BBC Proms London

Triumphant! An exceptionally stimulating Mahler Symphony No 2 from Daniel Harding and the Swedish Radio Symphony Orchestra, BBC Prom 57 at the Royal Albert Hall. Harding's Mahler Tenth performances (especially with the Berliner Philharmoniker) are pretty much the benchmark by which all other performances are assessed. Harding's Mahler Second is informed by such an intuitive insight into the whole traverse of the composer's work that, should he get around to doing all ten together, he'll fulfil the long-held dream of "One Grand Symphony", all ten symphonies understood as a coherent progression of developing ideas.

Nina Stemme's stunning Strauss Salome, BBC Proms London

The BBC Proms continued its Richard Strauss celebrations with a performance of his first major operatic success Salome. Nina Stemme led forces from the Deutsche Oper, Berlin,at the Royal Albert Hall on Saturday 30 August 2014,the first of a remarkable pair of Proms which sees Salome and Elektra performed on successive evenings

Santa Fe Opera Presents Updated, at One Point Up-ended, Don Pasquale

On August 9, 2014, Santa Fe Opera presented a new updated production of Don Pasquale that set the action in the 1950s. Chantal Thomas’s Act I scenery showed the Don’s furnishing as somewhat worn and decidedly dowdy. Later, she literally turned the Don’s home upside down!


OPERA TODAY ARCHIVES »

Commentary

27 Aug 2014

Dolora Zajick about her Institute for Young Dramatic Voices

"Although there are now more people on this planet than there have ever been before, there are fewer dramatic voices. Something is wrong with that equation. I thought there needs to be some sort of helping hand so that dramatic voices don’t fall through the cracks in the system as they advance through their various stages of development." »

Recently in Commentary

All Pages |  1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |  11 
22 Dec 2008

Bayerische Staatsoper Announces Program for 2009 Munich Opera Festival

The Bayerische Staatsoper announced its program of the 2009 Munich Opera Festival — the only festival of its kind in the world so rich in tradition, with roots reaching as far back as 1875. »

17 Dec 2008

Keith Jameson — Comprimario Extraordinaire

Most opera-world publicity is accorded star singers, but we take another tack here to look at American tenor Keith Jameson who has made a specialty of character or comprimario parts, while at the same time building a solid reputation as sophisticated musician and actor, a performer who can seize the moment and elevate a role to first rank for the time he is on stage. »

23 Nov 2008

The ‘Colors’ of La Fanciulla

The transition in Giacomo Puccini’s mature period from one autonomous phase to another (although the two are connected by subtle links) is a fact that has been accepted by operatic scholars.  »

17 Nov 2008

Opera in Germany

Following a recent visit to Germany, Wes Blomster surveys the vibrant opera scene in Berlin and Magdeburg.  »

04 Nov 2008

Elektra at Royal Opera House

“Opera directing is very different to theatre directing”, says Charles Edwards, director of Elektra at the Royal Opera House this season. “It has to be the music that motivates you”. For this production, he works with Mark Elder, “an extraordinarily theatrically-minded conductor who sees theatre in everything he hears”. »

23 Oct 2008

Chaslin Chats About Wuthering Heights

Writer Frank Cadenhead discusses Wuthering Heights, the nearly-finished new operatic endeavor by composer Frédéric Chaslin. Cadenhead recently traveled to Valenica, Spain, where Chaslin and librettist Paula Heil Fisher are hard at work on the piece. »

21 Oct 2008

An interview with Scott Lindroth

An interview with Scott Lindroth by Tom Moore »

03 Oct 2008

Korngold opera the “Hair” of its day

Back in the 19th century it was not smoke, but hair that got in one’s eyes. »

03 Oct 2008

Tom Moore Interviews Mark Engebretson

A virtuoso saxophonist, performing internationally, Mark Engebretson is also a composer whose recent works often take place at the interface between the live performer and the computer. »

03 Oct 2008

Tom Moore Interviews Alejandro Rutty

Composer Alejandro Rutty is newly-arrived in North Carolina, where he teaches at UNC Greensboro. »

19 Sep 2008

Pergolesi’s Home Service Really Delivers!

The United States premiere of Pergolesi’s Home Service will be presented by The Chamber Opera of Memphis in cooperation with the University of Memphis Rudi E. Scheidt School of Music on Thursday, October 16 at 7:30 p.m. in Harris Concert Hall (3775 Central Ave.). »

18 Sep 2008

Dr. Ulrike Hessler First Woman Appointed Intendant to Semper Oper in Dresden

For the first time in its 169 year history, the Saxonian State Opera — home to world premiere performances of most Richard Strauss and several Wagner operas — has appointed a woman as its General Director. »

17 Sep 2008

Lawrence Brownlee Expands Repertoire in 2008-09 Season

The remarkable Lawrence Brownlee has proven himself to be one of the most prominent bel canto tenors on the international scene. »

14 Sep 2008

Vivica Genaux Focuses on Baroque Repertoire in 2008-09 Season

The 2008-09 season of radiant mezzo-soprano Vivica Genaux promises to add further luster to her credentials as one of the world’s leading interpreters of music of the Baroque and bel canto periods. »

08 Sep 2008

“Great Performances” remembers Pavarotti — What remains is the voice.

Luciano Pavoritti died on September 6, 2007. The all-too-ample figure and the fables associated with him are already retreating from memory. »

19 Aug 2008

Singers from South Africa and Sweden win Seattle Wagner Competition

A soprano originally from South Africa and a tenor from Sweden sang their way to top honors in the 2008 International Wagner Competition staged by the Seattle Opera on August 16 in Marion Oliver McCaw Hall, the company's handsome home. »

06 Jul 2008

Opera at the BBC Proms — the world’s biggest Music Festival

London’s musical life shuts down for eight weeks while the Proms reign supreme, and no wonder ! »

02 Jun 2008

A Tribute to Franco Zeffirelli

Among the tributes that came to the legendary Producer, Designer and Director Franco Zeffirelli, in the remaining days of this past March, a little gem of a celebration was held at the Lincoln Triangle Barnes and Noble bookstore, on the evening of March 28th. »

28 May 2008

An Interview with Allen Anderson

By Tom MooreComposer Allen Anderson will be familiar to aficionados of contemporary music through various works released on CRI, or those in the Research Triangle through his presence in the new music scene here in North Carolina, where he has taught at UNC since 1996. »

27 May 2008

Books 'n Things

Two excellent books on opera have come to hand, providing many hours of entertaining reading. I combine notice of them with a few thoughts about composer Paul Moravec’s CDs, and his forthcoming opera premiere at Santa Fe Opera in 2009.  »

09 May 2008

Canada’s Brueggergosman makes the most of Mozart

When Toronto’s Opera Atelier asked her to sing Elettra in Mozart’s Idomeneo Measha Brueggergosman hesitated. »

09 May 2008

Fort Worth Opera Festival features “Angels in America”

In 2007 it was an experiment; now it’s a new summer festival firmly rooted in fertile Texas turf with a bright view of its second season and of the more distant future as well. »

09 May 2008

Spoleto USA revives opera, hall

Operas do not often get a second chance. A new work is premiered and — if it’s a co-commission — it moves on to another company or two. »

21 Apr 2008

Berlin’s “other” opera often stellar

It is, you might say, the little opera that can. True, if it’s size of the budget, the price of tickets and the number of seats that concerns you, the Komische Oper is clearly the third of Berlin’s opera houses. »

17 Feb 2008

Interview with Canadian Mezzo-Soprano, Jean Stilwell, and pianist, Patti Loach

“Quand je vous aimerais? Ma fois, je ne sais pas?” are Carmen’s first words of seduction. »

13 Jan 2008

Tom Moore Interviews Dimitri Cervo

Oct. 25, 2007, Sala Cecilia MeirelesI met the young gaucho composer Dimitri Cervo at the 2003 Bienal of Contemporary Music, where his works for solo flute and strings, Pattapiana [named for Pattapio Silva, a great Brazilian flutist who died tragically young at the beginning of the last century] made quite an impression. »

27 Dec 2007

Houston puts final touches on new Heggie opera

There’s still a hint of jest in the comparison, but it’s not without reason that Jake Heggie and Terrence McNally are mentioned now and then in opera circles as “the Strauss and Hofmannsthal of the 21st century.” »

27 Dec 2007

‘Polish’ Not Change for Santa Fe Opera

Incoming general director of Santa Fe Opera, Charles MacKay, has made clear he is “in the tradition -- I will not be an agent for radical change,” at the celebrated New Mexico summer opera festival, MacKay says. »

26 Dec 2007

Tom Moore Interviews Frederick Carrilho

Composer Frederick Carrilho was born in 1971 in the state of Sao Paulo, and has studied guitar and composition, most recently at UNICAMP in Campinas. His music has been heard at the recent biennial festivals of contemporary music in Rio, with the Profusão V – Toccata making a strong impression at the Bienal of 2007. We spoke in Portuguese. »

28 Nov 2007

Tom Moore Interviews Marisa Rezende

October 23, 2007, Sala Cecilia Meireles, Rio de Janeiro »

28 Nov 2007

Guanajuato Opera a document of Mexican history

What makes the first visit to Guanajuato’s Teatro Juárez breathtaking is the suddenness of the encounter. »

19 Nov 2007

Nikolai Brucher — An Interview

Oct. 25, 2007, Rio de Janeiro. »

11 Nov 2007

José Orlando Alves — An Interview

José Orlando Alves is a young composer, originally from Minas Gerais, but who spent many years in Rio de Janeiro, where he has been active for a decade with the composers’ collaborative, Preludio XXI. »

02 Sep 2007

The Pleasures of Presence — The Small Loudspeakers of Richard Sequerra

In the long ago, when the best source of music reproduction in the home was a handsome piece of furniture, fitted with hidden audio components, and usually called radio-phonographs, my family had one — from Avery Fisher I believe — that had among its controls a switch labeled ‘presence.’ »

28 Aug 2007

An Interview with Canadian mezzo-soprano, Kimberly Barber.

Uncut with Canada’s Mistress of the trouser-role: the multifaceted Kimberly Barber. »

27 Aug 2007

Glimmerglass Opera 2007 — An Overview

Glimmerglass Opera is in a watershed year. With the departure of Paul Kellogg, who had considerable success developing that annual festival, General and Artistic Director Michael Macleod has chosen to begin his tenure with a variation on the usual four-opera-season, namely a thematic collection of pieces based on the “Orpheus” legend. “Don’t look back” is the marketing catch phrase. »

27 Aug 2007

Jan Neckers on Recently Reissued Historicals

Almost thirty years ago a century old tradition ended with the last performance of I Maestri Cantatori. »

20 Aug 2007

Santa Fe Opera in Changing Times

Santa Fe Opera’s announcement August 10 that English-born impresario, Richard Gaddes, General Director of the company since 2001, will retire at the end of season 2008, took the local opera community by surprise. »

16 Aug 2007

The Week that Was for Opera: Santa Fe — Dallas — Denver/St Louis — Toronto

The week just ended was certainly of historic moment in the world of North American opera companies. »

24 Jun 2007

Countertenor David DQ Lee: Winning Hearts and Minds at Cardiff Singer of the World

Perhaps it is a sign that, at last, the countertenor voice has come of age in the hearts and minds of both audiences and the opera establishment. »

17 Jun 2007

New Frocks for Old – Cardiff Singer of the World, 2007

Back in the early 1980’s two good ideas came to fruition: the much-needed new concert hall for Cardiff, capital city of Wales, and plans to hold within it the first “Singer of the World” competition. »

25 May 2007

Opera on the move at Spoleto USA

Charleston, S.C. — For over 20 years it was two operas a season here at Spoleto USA, the all-arts festival brought to this cultural capital of the Old South by Gian Carlo Menotti in 1977. »

20 May 2007

Rising to the occasion – Michael Maniaci saves the day at La Fenice

It is every young opera singer’s dream. »

10 May 2007

SANTA FE TO CHANGE MUSIC DIRECTORS

On May 9th, when Santa Fe Opera finally announced that Alan Gilbert had left his post as Music Director of that company, a long-standing rumor was made official. »

25 Apr 2007

Kelly Kaduce sings Anna Karenina

Robert Gierlach wishes he could rewrite “Anna Karenina,” the Tolstoi whopper turned into an opera by librettist Colin Graham and composer David Carlson. It’s not that Gierlach, who sings Vronsky in the world premiere of the work at Florida Grand Opera on April 28, has misgivings about the author’s artistry; he simply wishes that the story could have a happy ending. »

09 Apr 2007

'Giulio Cesare' at The Met — Two Views

Here are two views of Handel's Giulio Cesare in Egitto (HWV 17), a drama in three acts, performed at The Met on 6 April. »