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Elsewhere

MOZART 250: the year 1767

Classical Opera’s MOZART 250 project has reached the year 1767. Two years ago, the company embarked upon an epic, 27-year exploration of the music written by Mozart and his contemporaries exactly 250 years previously. The series will incorporate 250th anniversary performances of all Mozart’s important compositions and artistic director Ian Page tells us that as 1767 ‘was the year in which Mozart started to write more substantial works - opera, oratorio, concertos … this will be the first year of MOZART 250 in which Mozart’s own music dominates the programme’.

Monteverdi, Masters and Poets - Imitation and Emulation

‘[T]hey moderated or increased their voices, loud or soft, heavy or light according to the demands of the piece they were singing; now slowing, breaking of sometimes with a gentle sigh, now singing long passages legato or detached, now groups, now leaps, now with long trills, now with short, or again, with sweet running passages sung softly, to which one sometimes heard an echo answer unexpectedly. They accompanied the music and the sentiment with appropriate facial expressions, glances and gestures, with no awkward movements of the mouth or hands or body which might not express the feelings of the song. They made the words clear in such a way that one could hear even the last syllable of every word, which was never interrupted or suppressed by passages or other embellishments.’

Visionary Wagner - The Flying Dutchman, Finnish National Opera

An exceptional Wagner Der fliegende Holländer, so challenging that, at first, it seems shocking. But Kasper Holten's new production, currently at the Finnish National Opera, is also exceptionally intelligent.

Don Quichotte at Chicago Lyric

A welcome addition to Lyric Opera of Chicago’s roster was its recent production of Jules Massenet’s Don Quichotte.

Written on Skin: Royal Opera House

800 years ago, every book was a precious treasure - ‘written on skin’. In George Benjamin’s and Martin Crimp’s 2012 opera, Written on Skin, modern-day archivists search for one such artefact: a legendary 12th-century illustrated vanity project, commissioned by an unnamed Protector to record and celebrate his power.

Madama Butterfly at Staatsoper im Schiller Theater

It was like a “Date Night” at Staatsoper unter den Linden with its return of Eike Gramss’ 2012 production of Puccini’s Madama Butterfly. While I entered the Schiller Theater, the many young couples venturing to the opera together, and emerging afterwards all lovey-dovey and moved by Puccini’s melodramatic romance, encouraged me to think more positively about the future of opera.

It’s the end of the world as we know it: Hannigan & Rattle sing of Death

For the Late Night concert after the Saturday series, fifteen Berliners backed up Barbara Hannigan in yet another adventurous collaboration on a modern rarity with Simon Rattle. I was completely unfamiliar with the French composer, but the performance tonight made me fall in love with Gérard Grisey’s sensually disintegrating soundscape Quatre chants pour franchir le seuil, or “Fours Songs to cross the Threshold”.

A Vocally Extravagant Saturday Night with Berliner Philharmoniker

One of the things I love about the Philharmonie in Berlin, is the normalcy of musical excellence week after week. Very few venues can pull off with such illuminating star wattage. Michael Schade, Anne Schwanewilms, and Barbara Hannigan performed in two concerts with two larger-than-life conductors Thielemann and Rattle. We were taken on three thrilling adventures.

Les Troyens at Lyric Opera of Chicago

Lyric Opera of Chicago’s original and superbly cast production of Hector Berlioz’s Les Troyens has provided the musical public with a treasured opportunity to appreciate one of the great operatic achievements of the nineteenth century.

Merry Christmas, Stephen Leacock

The Little Opera Company opened its 21st season by championing its own, as it presented the world premiere of Winnipeg composer Neil Weisensel’s Merry Christmas, Stephen Leacock.

Bampton Classical Opera 2017

In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press.

The nature of narropera?

How many singers does it take to make an opera? There are single-role operas - Schönberg’s Erwartung (1924) and Eight Songs for a Mad King by Peter Maxwell Davies (1969) spring immediately to mind - and there are operas that just require a pair of performers, such as Rimsky-Korsakov’s Mozart i Salieri (1897) or The Telephone by Menotti (1947).

A Christmas Festival: La Nuova Musica at St John's Smith Square

Now in its 31st year, the 2016 Christmas Festival at St John’s Smith Square has offered sixteen concerts performed by diverse ensembles, among them: the choirs of King’s College, London and Merton College, Oxford; Christchurch Cathedral Choir, Oxford; The Gesualdo Six; The Cardinall’s Musick; The Tallis Scholars; the choirs of Trinity College and Clare College, Cambridge; Tenebrae; Polyphony and the Orchestra of the Age of the Enlightment.

Fleming's Farewell to London: Der Rosenkavalier at the ROH

As 2016 draws to a close, we stand on the cusp of a post-Europe, pre-Trump world. Perhaps we will look back on current times with the nostalgic romanticism of Richard Strauss’s 1911 paean to past glories, comforts and certainties: Der Rosenkavalier.

Loft Opera’s Macbeth: Go for the Singing, Not the Experience

Ah, Loft Opera. It’s part of the experience to wander down many dark streets, confused and lost, in a part of Brooklyn you’ve never been. It is that exclusive—you can’t even find the performance!

A clipped Walküre in Amsterdam

Let’s start by getting a couple of gripes out of the way. First, the final act of Die Walküre does not constitute a full-length concert, even with a distinguished cast and orchestra, and with animated drawings fluttering on a giant screen.

A Leonard Bernstein Delight

When you combine two charismatic New York stage divas with the artistry of Los Angeles Opera, you have a mix that explodes into singing, dancing and an evening of superb entertainment.

An English Winter Journey

Roderick Williams’ and Julius Drake’s English Winter Journey seems such a perfect concept that one wonders why no one had previously thought of compiling a sequence of 24 songs by English composers to mirror, complement and discourse with Schubert’s song-cycle of love and loss.

History Repeating Itself: Prokofiev’s Semyon Kotko, Amsterdam Concertgebouw

A historical afternoon at the NTR Saturday Matinee occurred with an epic concert version of Prokofiev’s Soviet Opera Semyon Kotko.

L’amour de loin at the Metropolitan Opera

Opening night at the Metropolitan is a gleeful occasion even when the composer is long gone, but December 1st was an opening for a living composer who has been making waves around the world and is, gasp, a woman — the second woman composer ever to have an opera presented at the Met.


OPERA TODAY ARCHIVES »

Commentary

Bampton Classical Opera 2017
23 Dec 2016

Bampton Classical Opera 2017

In 2015, Bampton Classical Opera’s production of Salieri’s La grotta di Trofonio - a UK premiere - received well-deserved accolades: ‘a revelation ... the music is magnificent’ (Seen and Heard International), ‘giddily exciting, propelled by wit, charm and bags of joy’ (The Spectator), ‘lively, inventive ... a joy from start to finish’ (The Oxford Times), ‘They have done Salieri proud’ (The Arts Desk) and ‘an enthusiastic performance of riotously spirited music’ (Opera Britannia) were just some of the superlative compliments festooned by the critical press. »

Recently in Commentary

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17 Jun 2007

New Frocks for Old – Cardiff Singer of the World, 2007

Back in the early 1980’s two good ideas came to fruition: the much-needed new concert hall for Cardiff, capital city of Wales, and plans to hold within it the first “Singer of the World” competition. »

25 May 2007

Opera on the move at Spoleto USA

Charleston, S.C. — For over 20 years it was two operas a season here at Spoleto USA, the all-arts festival brought to this cultural capital of the Old South by Gian Carlo Menotti in 1977. »

20 May 2007

Rising to the occasion – Michael Maniaci saves the day at La Fenice

It is every young opera singer’s dream. »

10 May 2007

SANTA FE TO CHANGE MUSIC DIRECTORS

On May 9th, when Santa Fe Opera finally announced that Alan Gilbert had left his post as Music Director of that company, a long-standing rumor was made official. »

25 Apr 2007

Kelly Kaduce sings Anna Karenina

Robert Gierlach wishes he could rewrite “Anna Karenina,” the Tolstoi whopper turned into an opera by librettist Colin Graham and composer David Carlson. It’s not that Gierlach, who sings Vronsky in the world premiere of the work at Florida Grand Opera on April 28, has misgivings about the author’s artistry; he simply wishes that the story could have a happy ending. »

09 Apr 2007

'Giulio Cesare' at The Met — Two Views

Here are two views of Handel's Giulio Cesare in Egitto (HWV 17), a drama in three acts, performed at The Met on 6 April. »

07 Apr 2007

Ruth Ann’s Rampage: Nobody Wins

Based on reading the New York Times’ account of Met opera soprano Ruth Ann Swenson’s distemper with her home company in New York, published Thursday 5 April over the byline of Daniel J. Wakin, it is hard to find either motivation or reasonable expectation of reward for any of the participants in this travesty – reporter, newspaper, opera manager Peter Gelb (who comes off best), or, least of all, the distraught diva. »

08 Mar 2007

Conlon makes his mark at LA Opera

To his work as music director of the Los Angeles Opera James Conlon brings two commitments that some in music would find incompatible. »

22 Feb 2007

Launch of BBC Cardiff Singer of the World 2007

Record number of singers auditioned Three countries competing for first time New sponsorship and increased prize money »

14 Feb 2007

The Handel Singing Competition 2007 – Win or Lose?

Singing competitions are a mixed blessing. »

08 Feb 2007

HGO announces season

Two Mozart operas — “Magic Flute” and “Abduction from the Serail” — head the list of works to be performed by the Houston Grand Opera in its 2007- 08 season that opens with Verdi’s “Masked Ball” on October 19. »

15 Nov 2006

BBC Cardiff Singer of the World 2007

The worldwide search is on for opera’s rising stars to compete for the coveted title BBC Cardiff Singer of the World 2007 and a £15,000 prize. »

07 Nov 2006

On The Academy of Vocal Arts

The Academy of Vocal Arts, based in the hub of Philadelphia, has one of the richest traditions of training and nurturing operatic singers. »

16 Oct 2006

Opera at Curtis

Curtis, America’s top fully funded conservatory, is on the move as one of the nation’s leading opera preparatory programs. »

08 Oct 2006

“A voice so beautiful, it will break your heart.”

Mary-Lou Vetere-Borghoff interviews Soprano Jennifer O’Loughlin of the Vienna Volksoper »

08 Oct 2006

Settling the Score — An Interview with Philip Gossett

Introduction: Philip Gossett is one of those rarities in academia: a scholar of the first order and a consummate teacher. »

01 Oct 2006

Pairing and Elaboration

The character configuration in Vivaldi’s Tito Manlio is unusual because of its musical pairing of the prima donna Servilia with the seconda donna Vitellia not just once, but twice in the second act of the opera. »

01 Oct 2006

Pratolino, Venice, Mantua: Musings on Vivaldi’s Tito Manlio

Tito Manlio, Vivaldi’s second opera in Mantua for the 1718/19 season, is fraught with political and familial tensions.1 »

12 Sep 2006

Opera in Paris

What a difference a year makes. Music lovers who rely on their memories to find the right places to hear music in Paris could be for a surprise if they do not check beforehand what France has now to offer. »

01 Sep 2006

The Bostridge Phenomenon

The curious phenomenon of British tenor manqué, Ian Bostridge, continues to astound, as his concert and even operatic dates, primarily in Europe, mount; his recordings increase, and his appeal to a certain section of the classical audience (they would likely call themselves, “cognoscenti”) endures. I have to wonder why? »

23 Jun 2006

"Castrato" — In Search of a Lost Voice

Nestling artistically in a bowl, carefully arranged and lit to suit the camera early in the programme, the testicles seemed to glow softly with their hidden history, their inherent potential and, now, their very lack of future. »

08 May 2006

Hello, cruel world

With its mismatched couples and absurd plot, Cosi Fan Tutte is thought of as Mozart's 'frivolous' opera. »

07 May 2006

Andrew Clark: All the world’s his stage

The scene is an urban wasteland at night. A young man is having sex with a woman in the back of a car while his sidekick keeps watch. An older man appears, hell-bent on attacking his daughter’s seducer. »

20 Apr 2006

Alex Ross on Adriana Mater

A new opera from the Finnish composer Kaija Saariaho. »

09 Apr 2006

The Guardian on Helen of Troy and Opera

She'll always have ParisSexual icon, dark temptress or a smutty comedienne? Helen of Troy has fascinated writers and composers for centuries. »

07 Apr 2006

Rosie Millard on the price of tickets at Covent Garden

The Royal Opera House is publicly funded - so why does it charge more than £100 per seat, asks Rosie Millard »

03 Apr 2006

Young Man in a Hurry — Iestyn Davies

I met with Iestyn Davies at 1330 hours precisely, on the steps of the Hippodrome theatre, Bristol, England, where he was singing the role of Hamor in Welsh National Opera’s riveting production of Handel’s “Jephtha”. »

20 Mar 2006

ALEX ROSS: SONGS OF EXPERIENCE

Ian Bostridge sings Benjamin Britten. »

20 Mar 2006

Snip judgment

Rupert Christiansen laments the lost art of the castrato »

28 Feb 2006

Fabulous Mister Fat Belly

He's a terrible old rogue - but to opera composers, he's irresistible. Tim Ashley on the deathless appeal of Falstaff »

16 Feb 2006

LA Times: A sense of adventure lost. And found.

Conservatism is once more on the rise in the orchestral world but the starchy old Met, under new boss Peter Gelb, is trying to buck the trend. »

16 Feb 2006

The Guardian Interviews Violeta Urmana: 'My voice decides what's good for me'

First she was forced to sing mezzo roles. Then she was invited to be president of Lithuania. Violeta Urmana tells Tim Ashley why she prefers life as a soprano »

10 Feb 2006

Remembering Schumann

According to Charles K. Moss, "Robert Schumann was one of the driving forces of the young Romantic movement in Germany. And like many in his generation, Schumann did not seem destined to become a composer, let alone one who would be so influential in the development of a new style. But music became all-important to Schumann, and he displayed multiple talents as a performer, composer, and literary exponent of Romanticism, championing new composers and their works and influencing the musical tastes of a generation." This year marks the 150th anniversary of Schumann's death. »

08 Feb 2006

The truth about Shostakovich in his centenary year

Dmitry Shostakovich survived Stalin's rule by the skin of his teeth. But is his music really the Soviet propaganda that many people claim? »

30 Jan 2006

Alex Ross on Beethoven's Great Fugue

Secrets of a Beethoven manuscript. »

17 Jan 2006

IT MUST NOT HAVE BEEN EASY BEING MOZART

It must not have been an easy life, being Wolfgang Amadeus Mozart (1756-1791). Perhaps even more so after the fact when scholars began to do their research and “wanna bes” began their intimations and psychoanalyzing. In the more seventy-five years of Mozart scholarship and its coming of age, one must ask: How much more is there to learn, to research? »

14 Jan 2006

The Guardian on Dmitri Shostakovich

In from the cold »

13 Jan 2006

The New San Francisco Opera

SAN FRANCISCO OPERA [11 January 2006]: "The San Francisco Opera today unveiled a new visual identity for the Company, heralding the beginning of a new era under the leadership of David Gockley, who became the Company’s sixth general director on January 1, 2006. Elements of San Francisco Opera’s new image include a new logo, a glamorous and sophisticated new look for the print materials, and a major redesign of the Company’s Web site." »

12 Jan 2006

Tributes to Birgit Nilsson

Birgit Nilsson died on 25 December 2005 at age 87. Her death was announced on 11 January 2006. Here are three tributes to this great soprano. »

09 Jan 2006

DNA detectives discover more skeletons in Mozart family closet

Scientists reveal results of tests on skull unearthed by Viennese gravedigger »

07 Jan 2006

The Guardian on Beaumarchais

How to stage a revolutionBeaumarchais, the dramatist behind The Marriage of Figaro and The Barber of Seville, was more than a mere playwright - he shaped the 18th century. »

07 Jan 2006

The Guardian on Lorenzo da Ponte

The phoenixA poet, priest and womaniser, who ended his days as a grocer, he also wrote the words to some of the greatest operas. On the eve of Mozart's 250th anniversary, Anthony Holden looks at the colourful life of his librettist, Lorenzo da Ponte »

01 Jan 2006

A musical genius? No, Mozart was just a hard-working boy

With the 250th anniversary of the composer's birth just weeks away, the source of his brilliance is being disputed. Alice O'Keeffe reports »

20 Dec 2005

Johann Wolfgang von Goethe himself as a musical hero: The case of Lehár’s Friederike

Franz Lehár was not the first to think of Goethe as an opera or operetta hero. There was the precedent of Giacomo Meyerbeer himself who in his old age wrote theatre music for a piece called La Jeunesse de Goethe. The piece was never performed. »

11 Dec 2005

Grammy Award Nominees — Classical Vocal Music

The following are the nominees for the Grammy award in selected categories pertaining to classical vocal music. »

10 Dec 2005

HANDEL'S GIULIO CESARE

Giulio Cesare in Egitto was the fifth of the full-length operas composed by Handel for London’s Royal Academy of Music, the opera company founded in 1719 by a group of noblemen with the objective of staging Italian opera seria. »

08 Dec 2005

A Fresh Look at Giulia Grisi

Giulia Grisi must be, by whatever standard is applied, regarded as one of the greatest and most important soprano singers who ever graced the operatic stage, »

15 Nov 2005

Symphony and Opera take different paths to getting new behinds into those velvet seats

Classical performing organizations are feeling a little antsy nowadays, all except for the ones that are flat-out running scared. »

11 Nov 2005

FeedBlitz Subscribers

For those who are subscribers to FeedBlitz, please take notice that changes have been made to the settings to correct certain errors. Subscribers to Opera Today (All Articles) will receive articles but no news headlines. Subscribers who want both articles... »

01 Nov 2005

vilaine fille: Turandot

Puccini's Turandot is an opera to whose sinister charms I was long immune. I'm not sure what happened in recent years to make me love it. »