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Elsewhere

Santa Fe: Secondary Mozart in First Rate Staging

Impresario Boris Goldovsky famously referred to La finta giardiniera as The Phony Farmerette.

Regimented Daughter in Santa Fe

At Santa Fe Opera, Donizetti’s effervescent The Daughter of the Regiment can’t quite decide what it wants to be when it grows up.

Santa Fe’s Celebratory Jester

Santa Fe Opera noted a landmark two-thousandth performance in their distinguished history with a stylish new production of Rigoletto.

Sibelius Kullervo, BBC Proms, London

Why did Jean Sibelius suppress Kullervo (Op7, 1892)? There are many theories why he didn't allow it to be heard after its initial performance, though he referred to it fondly in private.

Aïda at Aspen

Most opera professionals, including the individuals who do the casting for major houses, despair of finding performers who can match historical standards of singing in operas such as Aïda. Yet a concert performance in Aspen gives a glimmer of hope. It was led by four younger singers who may be part of the future of Verdi singing in America and the world.

Prom 53: Shostakovich — Orango

One might have been forgiven for thinking that both biology and chronology had gone askew at the Royal Albert Hall yesterday evening.

Written on Skin at Lincoln Center

Three years ago I made what may have been my single worst decision in a half century of attending opera. I wasn’t paying close attention when some conference organizers in Aix-en-Provence offered me two tickets to the premiere of a new opera. I opted instead for what seemed like a sure thing: William Christie conducting some Charpentier.

La Púrpura de la Rosa

Advertised in the program as the first opera written in the New World, La Púrpura de la Rosa (PR) was premiered in 1701 in Lima (Peru), but more than the historical feat, true or not, accounts for the piece’s interest.

Pesaro’s Rossini Festival 2015

The 36th Rossini Opera Festival in Rossini’s Pesaro! La gazza ladra (1817), La gazzetta (1816) and L'inganno felice (1812) — the little opera that made Rossini famous.

Santa Fe: Placid Princess of Judea

Unlike the brush fire in a distant neighborhood of the John Crosby Theatre, Santa Fe Opera’s Salome stubbornly failed to ignite.

Airy and Bucolic Glimmerglass Flute

As part of a concerted effort to incorporate local color and resonance into its annual festival, Glimmerglass has re-imagined The Magic Flute in a transformative woodland setting.

Glimmerglass Conquers Cato

Bravura singing and vibrant instrumental playing were on ample display in Glimmerglass Festival’s riveting Cato in Utica.

Energetic Glimmerglass Candide

Bernstein’s Candide seems to have more performance versions than Tales of Hoffmann.

Odyssey Opera Presents the Boston Premiere of Le Cid in One-­Night-­Only Concert Event

(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).

Die Eroberung von Mexico in Salzburg

That’s The Conquest of Mexico, an historical music drama composed in 1991 by German composer Wolfgang Rihm (b. 1952). But wait. Wolfgang Rihm construed a few sentences of Artaud’s La Conquête du Mexique (1932) mixed up with bits of Aztec chant and bits of poem(s) by Mexico’s Octavio Paz (d. 1998) to make a libretto.

Scottish Sensation at Glimmerglass

Glimmerglass is celebrating its 40th Festival season with a stylish new production of Verdi’s Macbeth.

Norma in Salzburg

This Salzburg Norma is not new news. This superb production was first seen at the Salzburg Festival’s springtime Whitsun Festival in 2013 with this same cast. It will now travel to a few major European cities.

The power of music: a young cast in a semi-stage account of Monteverdi’s first opera

John Eliot Gardiner conducted a much anticipated performance of Monteverdi’s first opera L’Orfeo at the BBC Proms on 4 August 2015, with his own Monteverdi Choir and English Baroque Soloists.

Cold Mountain Wows Audience at Santa Fe World Premiere

On August 1, 2015, Santa Fe Opera presented the world premiere of Cold Mountain, a brand new opera composed by Pulizer Prize and Grammy winner Jennifer Higdon.

Review: You Promised Me Everything

Richard Taruskin entitled his 1988 polemical critique of the notion of ‘authenticity’ in the context of historically informed performance, ‘The Pastness of the Present and the Presence of the Past’.


OPERA TODAY ARCHIVES »

Commentary

12 Aug 2015

Odyssey Opera Presents the Boston Premiere of Le Cid in One-­Night-­Only Concert Event

(Boston, MA) — Odyssey Opera, a Boston-based opera company dedicated to exploring the full spectrum of adventurous repertoire, presents the Boston premiere of one of France’s great operas, Le Cid (1885), composed by Jules Massenet (1842–1912).  »

Recently in Commentary

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10 Feb 2006

Remembering Schumann

According to Charles K. Moss, "Robert Schumann was one of the driving forces of the young Romantic movement in Germany. And like many in his generation, Schumann did not seem destined to become a composer, let alone one who would be so influential in the development of a new style. But music became all-important to Schumann, and he displayed multiple talents as a performer, composer, and literary exponent of Romanticism, championing new composers and their works and influencing the musical tastes of a generation." This year marks the 150th anniversary of Schumann's death. »

08 Feb 2006

The truth about Shostakovich in his centenary year

Dmitry Shostakovich survived Stalin's rule by the skin of his teeth. But is his music really the Soviet propaganda that many people claim? »

30 Jan 2006

Alex Ross on Beethoven's Great Fugue

Secrets of a Beethoven manuscript. »

17 Jan 2006

IT MUST NOT HAVE BEEN EASY BEING MOZART

It must not have been an easy life, being Wolfgang Amadeus Mozart (1756-1791). Perhaps even more so after the fact when scholars began to do their research and “wanna bes” began their intimations and psychoanalyzing. In the more seventy-five years of Mozart scholarship and its coming of age, one must ask: How much more is there to learn, to research? »

14 Jan 2006

The Guardian on Dmitri Shostakovich

In from the cold »

13 Jan 2006

The New San Francisco Opera

SAN FRANCISCO OPERA [11 January 2006]: "The San Francisco Opera today unveiled a new visual identity for the Company, heralding the beginning of a new era under the leadership of David Gockley, who became the Company’s sixth general director on January 1, 2006. Elements of San Francisco Opera’s new image include a new logo, a glamorous and sophisticated new look for the print materials, and a major redesign of the Company’s Web site." »

12 Jan 2006

Tributes to Birgit Nilsson

Birgit Nilsson died on 25 December 2005 at age 87. Her death was announced on 11 January 2006. Here are three tributes to this great soprano. »

09 Jan 2006

DNA detectives discover more skeletons in Mozart family closet

Scientists reveal results of tests on skull unearthed by Viennese gravedigger »

07 Jan 2006

The Guardian on Beaumarchais

How to stage a revolutionBeaumarchais, the dramatist behind The Marriage of Figaro and The Barber of Seville, was more than a mere playwright - he shaped the 18th century. »

07 Jan 2006

The Guardian on Lorenzo da Ponte

The phoenixA poet, priest and womaniser, who ended his days as a grocer, he also wrote the words to some of the greatest operas. On the eve of Mozart's 250th anniversary, Anthony Holden looks at the colourful life of his librettist, Lorenzo da Ponte »

01 Jan 2006

A musical genius? No, Mozart was just a hard-working boy

With the 250th anniversary of the composer's birth just weeks away, the source of his brilliance is being disputed. Alice O'Keeffe reports »

20 Dec 2005

Johann Wolfgang von Goethe himself as a musical hero: The case of Lehár’s Friederike

Franz Lehár was not the first to think of Goethe as an opera or operetta hero. There was the precedent of Giacomo Meyerbeer himself who in his old age wrote theatre music for a piece called La Jeunesse de Goethe. The piece was never performed. »

11 Dec 2005

Grammy Award Nominees — Classical Vocal Music

The following are the nominees for the Grammy award in selected categories pertaining to classical vocal music. »

10 Dec 2005

HANDEL'S GIULIO CESARE

Giulio Cesare in Egitto was the fifth of the full-length operas composed by Handel for London’s Royal Academy of Music, the opera company founded in 1719 by a group of noblemen with the objective of staging Italian opera seria. »

08 Dec 2005

A Fresh Look at Giulia Grisi

Giulia Grisi must be, by whatever standard is applied, regarded as one of the greatest and most important soprano singers who ever graced the operatic stage, »

15 Nov 2005

Symphony and Opera take different paths to getting new behinds into those velvet seats

Classical performing organizations are feeling a little antsy nowadays, all except for the ones that are flat-out running scared. »

11 Nov 2005

FeedBlitz Subscribers

For those who are subscribers to FeedBlitz, please take notice that changes have been made to the settings to correct certain errors. Subscribers to Opera Today (All Articles) will receive articles but no news headlines. Subscribers who want both articles... »

01 Nov 2005

vilaine fille: Turandot

Puccini's Turandot is an opera to whose sinister charms I was long immune. I'm not sure what happened in recent years to make me love it. »

29 Oct 2005

The Paris Opera Scene

The city-funded Théâtre du Châtelet, an operatic David to Paris Opera’s Goliath, managed to make the biggest artistic splash of the new season. Richard Wagner’s Die Walküre, which opened October 21, following Das Rheingold by two days, was generally well cast, surely conducted and, as staged by Robert Wilson, brimming with theatrical interest. The two final operas will follow in November/December with two complete cycles offered in April. »

27 Oct 2005

“La Muette de Portici” : a small revolt in Ghent

No opera history is complete without mentioning that Auber’s La Muette de Portici caused Belgium’s revolution against Holland in 1830. As a historian I know there are three falsehoods in that one small sentence. »

23 Oct 2005

The twists and trysts of Tosca

A few years ago, I had the rare experience of attending a performance of Tosca in a small farm community where opera was a fairly new commodity. After the second act ended, with Scarpia's corpse lying center stage, I happened to overhear a young, wide-eyed woman say to her companion, "I knew she was upset, but I didn't think she'd KILL him!" »

17 Oct 2005

Alex Ross on City Opera’s fall season

New York City Opera opened in February, 1944, at the height of the battles of Anzio and Truk. If skeptics thought it frivolous to start an opera company in the middle of a world war, Fiorello LaGuardia straightened them out: the music-loving Mayor believed that opera was essential to city life, and he wanted lower- and middle-class New Yorkers to have it at affordable prices, without pretension. »

10 Oct 2005

The Operatic Pushkin

Aleksandr Sergeevich Pushkin (1799-1837) is generally considered Russia’s greatest poet. According to Andrew Kahn, his contemporaries held him “above all the master of the lyric poem, verse that is famous for its formal perfection and its reticent lyric persona, and infamous for its resistance to translation.” [Alexander Pushkin, The Queen of Spades and Other Stories, trans. Alan Myers, Oxford and New York: Oxford University Press, 1997] »

05 Oct 2005

Abbé Prévost's Manon Lescaut

The Story of the Chevalier Des Grieux and Manon Lescaut by Abbé Prévost stands as one of the great works of French literature. It first appeared in 1731 as an appendix to the series, Memoirs and Adventures of a Man of Quality. It was later revised in 1753 for independent publication under the title Les Aventures du chevalier Des Grieux et Manon Lescaut with illustrations by Pasquier and Gravelot. »

29 Sep 2005

New World Symphony

By Russell Platt [The Nation, 3 October 2005] Classical music in America, we are frequently told, is in its death throes: its orchestras bled dry by expensive guest soloists and greedy musicians unions, its media presence shrinking, its prestige diminished,... »

24 Sep 2005

SOUNDS FROM THE STUDIO

The EMI label’s new version of “Tristan und Isolde,” starring Plácido Domingo, has received weirdly apocalyptic advance publicity: it has been described as the final large-scale opera recording in history. »

22 Sep 2005

Tom Sutcliffe - Behind the scenes

Sheridan Morley, impressed with Michael Grandage's staging of Schiller's Don Carlos last February, turned to a fellow critic at the Gielgud Theatre and asked if they had known that it was such a terrific piece, adding jocularly that somebody ought to make an opera of it. »

16 Sep 2005

Myth, Muzak and Mozart

As the 250th anniversary of the composer's birth approaches, Proms director Nicholas Kenyon offers a personal guide to enjoying his work »

15 Sep 2005

COME RAIN OR COME SHINE

The bittersweet life of Harold Arlen. The composer Harold Arlen, a dapper man whose songs brought something both dashing and deep to the Republic, liked to tell a story about the time he danced with Marilyn Monroe. »

15 Sep 2005

Paul Kellogg to retire as New York City Opera’s General and Artistic Director at the end of the 2006-07 Season

Paul Kellogg, General and Artistic Director of City Opera, today announced that he will retire from the Company in June, 2007 at the end of the 2006-2007 season, his 12th with the company. »

14 Sep 2005

View from the Top — David Daniels, ten years on

The life of an opera singer is not for the faint-hearted. It’s one of dizzying highs and lows, a crazy roundabout of heart-warming praise and soul-piercing criticism. No-one gets off lightly — even the best in the world — and to survive just a decade of this madness is an achievement in itself. I’ve been following the progress of American star countertenor David Daniels for a while now, so when I was asked to write a ten year retrospective on his career it seemed to me that, with a lot written already about that career, the “how” would be more interesting to discuss than the “what” or “when”. And the viewpoint that would give the most insight into how this exceptional singer came to be where he was would be: his own. »

08 Sep 2005

The Met Broadcasts Have a New Sponsor

Metropolitan Opera General Manager Joseph Volpe announced today that Toll Brothers, America’s luxury home builder™, will be the corporate sponsor for the Metropolitan Opera Saturday afternoon radio broadcasts which will celebrate their 75th anniversary this season. The twenty-one radio broadcasts will run from December 17 of this year to May 6, 2006, and will be heard over the Toll Brothers-Metropolitan Opera International Radio Network, which comprises over 300 stations in the United States and reaches eleven million people in forty-two countries around the globe. The Annenberg Foundation and the Vincent A. Stabile Foundation will continue to provide generous support for this season’s broadcasts as part of their long-term commitments to the future of this program. -------- »

23 Aug 2005

SANTA FE — Second Thoughts

For an opera company that boasts a $30-million endowment, and has scheduled funding efforts expected to bring that largesse to $50-million by 2007, its fiftieth anniversary of summer opera performances, plus $10-million more for capital improvements, the question comes up: Santa Fe Opera can afford top quality, but are they providing it? The answer seems to be, sometimes. »

11 Aug 2005

Unearthed Vivaldi Aria Premiered in Australia

Today at the University of Melbourne, an excerpt from Vivaldi's newly discovered choral setting of Psalm 110 ("Dixit Dominus") received its modern premiere, marking an historic occasion not only for musicologists but for the field in general. »

11 Jul 2005

High Noon in Düsseldorf

Barely a month ago, Rotterdam and the music world generally celebrated the first performance of Vivaldi’s Motezuma since those held in Venice in 1733. Musicologist Steffen Voss reconstructed the opera’s score in large part from a manuscript he found while examining documents recently returned to the Sing-Akademie zu Berlin by the government of Ukraine. Kees Vlaardingerbroeck, the artistic director of Rotterdam’s De Doelen, declared, “This is the most important Vivaldi discovery in 75 years.” »