Opera Boston gives new life to ‘The Consul’

http://www.boston.com/ae/music/articles/2005/10/22/opera_boston_gives_new_life_to_the_consul/

Opera, singers shine despite distractions

http://www.theglobeandmail.com/servlet/ArticleNews/TPStory/LAC/20051022/COC22/TPEntertainment/Music

A Composer Happily Returns to ‘The Mines’

http://www.nytimes.com/2005/10/21/arts/music/21benn.html

The Queen of Excess

http://www.nysun.com/article/21852

La Cenerentola at Glyndebourne

http://www.guardian.co.uk/arts/reviews/story/0,11712,1597539,00.html

Salome, London Coliseum

http://news.ft.com/cms/s/19b01b2e-41cf-11da-a45d-00000e2511c8.html

When Opera Was Forced Under the Radar

http://www.nytimes.com/2005/10/21/arts/music/21ceci.html

Somber ‘Affair’ features top-notch acting, music

http://heraldnet.com/stories/05/10/21/100ae_opera001.cfm

BRUCKNER: Symphony No. 8

In recent years orchestras like the London Symphony have begun to release their own CDs, in lieu of pursing contracts recording firms. While the implications of this are best left to another discussion, it is significant to see that Royal Concertgebouw Orchestra now has its own label, and among its recordings is a fine live performance of Anton Brucknerís Symphony no. 8 in C minor, led by its conductor laureate, Bernard Haitink. This recording is actually made from performances given on 18 and 20 February 2005, and preserves an outstanding recent interpretation of this enduring work by Bruckner.

Walisische Lieder sind eine Entdeckung wert

Das walisische Label SAIN (das walisische Wort f¸r “Sound”), gegr¸ndet 1969 von Dafydd Iwan, Huw Jones und Brian Morgan Edwards, hat einen starken sozialen und politischen Anspruch und ist darauf spezialisiert, CD’s mit jungen S‰ngern und Liedern aus Wales und in walisischer Sprache herauszubringen.