http://seattlepi.nwsource.com/classical/244507_clas14.html
Month: October 2005
East Village Opera: Verdi in leather pants
http://seattletimes.nwsource.com/html/artsentertainment/2002561782_opera15.html
The Mikado: Lyric Opera San Diego
http://www.sandiego.com/critichome.jsp?x=000&id=daedf357-682b-4df3-a04f-acca78a5178d
Director sets stage for `Dido’
http://theedge.bostonherald.com/artsNews/view.bg?articleid=106934
Le Nozze di Figaro
http://www.guardian.co.uk/arts/reviews/story/0,11712,1591741,00.html
Unsingable Maybe, Yet ‘Daphne’ Blooms
http://www.nytimes.com/2005/10/14/arts/music/14daph.html
Fidelio, Barbican Hall, London
http://news.ft.com/cms/s/d28a7602-3b86-11da-b7bc-00000e2511c8.html
MARSCHNER: Hans Heiling
This Dynamic set spills over with rewards for opera lovers, especially those looking for something a little (or a lot) off the beaten path.
HAYDN: Missa Cellensis
MOZART: Credo Messe
PARADISI GLORIA: Psalms
PARADISI GLORIA: Stabat Mater
One can divide these recordings into two groups of two compact discs each. Much of the music of the two Mass settings offered here was composed in the mid 1770s. We have a young Mozartótwenty years old and in the employ of Archbishop Colloredo of Salzburg when he composed this Credo Massóand the veteran Franz Joseph Haydn, twice Mozartís age and firmly settled at the Esterhazy court, when he completed the Credo, Sanctus, and Agnus Dei movements of the Missa Cellensis, a work he had begun in 1766 with the Kyrie and Gloria movements.
Programming dances of death
http://www.budapestsun.com/full_story.asp?ArticleId=%7BE2D3124AB0B14A8FB35464EC54BE479F%7D&From=Style