How’s That Again? An Echoing Refrain

http://www.nytimes.com/2005/12/20/arts/20echo.html

Voices of doom at the Coliseum

http://www.guardian.co.uk/arts/features/story/0,11710,1669831,00.html

WAGNER, S.: Der Heidenkˆnig

What an unjust fate for an aspiring opera composer to be born the son of Richard Wagner! Imagine a child of Albert Einstein who dreams of greatness in science, or the son of William Shakespeare sitting down to sketch out his first sonnet. Doubtless you would have a nagging suspicion that you would likely never better your fatherís titanic accomplishments.

The legendary Magda Olivero

What is the difference between a lady who becomes a prima-donna and a prima-donna who becomes a lady? The last one has to be begged as she thinks she has to behave according to her rank. The first one is sure of herself and doesnít need, well letís call it to behave somewhat capriciously.

RAUTAVAARA: Rasputin

In fall 2003, Los Angeles Opera opened its season with Deborah Dratellís Nicholas and Alexandra, with libretto by Nicholas von Hoffman. At that time, company director Placido Domingo, who took on the juicy role of Rasputin, announced that the production would be filmed and prepared for eventual DVD release.

Making waves as the tide goes out at Scottish Opera

http://scotlandonsunday.scotsman.com/thereview.cfm?id=2424152005

Katarina Karneus ó Wigmore Hall, London

http://www.guardian.co.uk/arts/reviews/story/0,11712,1669308,00.html

Push to Rescue Met Recordings

http://www.nytimes.com/2005/12/16/arts/music/16radi.html

Irresistibly moving ó Billy Budd, Coliseum

http://www.spectator.co.uk/artsreview.php?id=458

BOITO: Mefistofele

Mefistofele, Opera in un prologo, quattro atti e un epilogo

Music and libretto by Arrigo Boito (1842-1918), based on Faust: Eine Tragödie by Johann Wolfgang von Goethe