The Metropolitan Opera presented Donizetti’s L’Elisir d’Amore (The Elixir of Love), which “tells of the peasant Nemorino who decides to take some magic elixir sold to him by a quack doctor, so that he can win the heart of a wealthy land-owner, who (to spite Nemorino) has announced her marriage to a sergeant.” Here are three reviews:
Month: January 2006
Scientists May Have Found Mozart’s Skull
http://news.yahoo.com/s/ap/20060103/ap_on_sc/austria_mozart_s_skull
Jonathan Lemalu: Love Blows as the Wind Blows
If one should believe British critics, especially English ones, Jonathan Lemalu is a major new bass; one of the greatest talents around whose qualities are widely proven by the fact this is already his third solo CD in a short time.
Even at Concert Halls, It’s Location, Location, Location
http://www.nytimes.com/2006/01/03/arts/music/03seat.html
BRUCH: Das Lied von der Glocke
A century or so past, those simpler times without the internet, Desperate Housewives, and back-to-back sports and other activities that desperate parents feel they have to chauffeur their children to so theyíll be able to get into the higher levels of student loan debt, Americans joined choral societies and regularly presented well-known oratorios and cantatas: Elijah, The Seasons, maybe Christ on the Mount of Olives if they were really adventurous.
WEBER: Der Freisch¸tz
This 1959 recording is one where the whole is bigger and better than the separate parts. It is the German equivalent to the Cetra recordings of the fifties. Those were maybe not the greatest recording of an opera but one felt that everybody was steeped in the Italian tradition. The same is happening here.
VERDI: La Traviata
One takes a look at the sleeve and one realizes the wheel has finally turned a full circle. It started to move with the Decca La Traviata (Gheorgiu as Violetta, conducted by Solti) in 1994. Downloading and pc-copies were still in the future but nevertheless sales of complete opera recordings were spectacularly falling off since the eighties.