http://www.operatoday.com/sounds/Weber/Euryanthe/Euryanthe.xml
Month: February 2006
Rigoletto, Coliseum, London
http://enjoyment.independent.co.uk/music/reviews/article345052.ece
WEBER: Euryanthe
Euryanthe, Romantische Oper in drei Aufz¸gen
Music composed by Carl Maria von Weber (1786-1826). Libretto by Wilhelmina Christiane von ChÈzy.
Bonney/Martineau ó St George’s, Bristol
http://www.guardian.co.uk/arts/reviews/story/0,,1707334,00.html
Rigoletto ó Coliseum, London
http://www.guardian.co.uk/arts/reviews/story/0,,1707602,00.html
Baritone Sings to His Strong Suit of English Art Songs
http://www.nytimes.com/2006/02/11/arts/music/11thal.html
As Audience Shrinks, the Met Gets Daring
http://www.nytimes.com/2006/02/11/arts/music/11met.html
G”RECKI: Symphony no. 3
Henryk GÛreckiís Symphony no. 3 (1976), his ìSymphony of Sorrowful Songs,î as it is called, is one of the most popular recordings of late twentieth-century music.
CIMAROSA: Il Matrimonio Segreto
Premiered in 1792 (just months after the death of Mozart), Il Matrimonio Segreto won over Vienna from the start, and Domenico Cimarosaís opera would remain his most popular work.
Remembering Schumann
According to Charles K. Moss, “Robert Schumann was one of the driving forces of the young Romantic movement in Germany. And like many in his generation, Schumann did not seem destined to become a composer, let alone one who would be so influential in the development of a new style. But music became all-important to Schumann, and he displayed multiple talents as a performer, composer, and literary exponent of Romanticism, championing new composers and their works and influencing the musical tastes of a generation.” This year marks the 150th anniversary of Schumann’s death.