MEYERBEER: Dinorah

Some opera sets are meant to be an introduction to the work presented. They contain a booklet which tells you about the life of the composer, the history of the work, some analysis, a synopsis of the story, and maybe (if you’re lucky) the libretto translated into your language.

Orest, Komische Oper, Berlin

http://news.ft.com/cms/s/be5b6e52-b1e7-11da-96ad-0000779e2340.html

An Inspired Requiem And a Gratifying Opera

http://www.nysun.com/article/28978

Opportunity Is Waiting at the Opera As Maestro Recovers From a Fall

http://www.nysun.com/article/28987

Rags and Riches: Joplin’s Flawed Masterpiece

http://www.nysun.com/article/28979

The Dearly Departed, Lingering This Side of Paradise

http://www.nytimes.com/2006/03/13/arts/music/13span.html?_r=1&oref=slogin

CIMAROSA: Il Matrimonio Segreto

Il Matrimonio Segreto, Melodramma giocoso in two acts.

Music composed by Domenico Cimarosa (1749-1801). Libretto by Giovanni Bertati after The Clandestine Marriage (1766) by George Colman the Elder and David Garrick.

Anna Moffo, 73, Soprano and Arts Advocate, has Died

http://www.metoperafamily.org/operanews/news/pressrelease.aspx?id=1132

That Big Nose Is Back, and So Is the Voice That Goes With It

http://www.nytimes.com/2006/03/10/arts/music/10cyra.html

Preview: Eugene Onegin, Royal Opera House, London

http://enjoyment.independent.co.uk/music/features/article350466.ece