Kasarova Seduces in Weak Donizetti Staging With Clumps of Monks

http://www.bloomberg.com/apps/news?pid=10000088&sid=aMIEidHjuduY&refer=culture

La Rondine

http://entertainment.timesonline.co.uk/article/0,,14936-2094896,00.html

Synthesiser creates a fight at the opera

http://enjoyment.independent.co.uk/music/news/article352581.ece

Henze premiere/HallÈ/De Ridder

http://arts.guardian.co.uk/reviews/story/0,,1735799,00.html

In search of the lost golden age

http://news.ft.com/cms/s/3397751c-b837-11da-bfc5-0000779e2340.html

The Growth of a Tenor Voice Made Plain in Handel Works

http://www.nytimes.com/2006/03/21/arts/music/21luke.html

City Operaís Production of The Most Happy Fella

The New York City Opera opened its spring 2006 season with a new production of Frank Loesserís The Most Happy Fella, which premiered on Broadway fifty years ago in 1956.

GOUNOD: RomÈo et Juliette

RomÈo et Juliette, OpÈra en cinq actes

Music composed by Charles FranÁois Gounod. Libretto by Jules Barbier and Michel CarrÈ, based on the play Romeo and Juliet by William Shakespeare.

A classy ‘Carmen’

http://www.signonsandiego.com/news/features/20060320-9999-lz1c20carmen.html

SCHUBERT: Symphony no. 9

This is an absolutely fabulous recording of Schubertís final symphony, which is often compared as his closest composition to the style of Beethoven.