PUCCINI: Gianni Schicchi

Glyndebourne’s 2004 live recording of Gianni Schicchi, produced by Opus Arte, is quite possibly the most electric and riveting performance of this Puccini one-act opera.

Grendel, Dorothy Chandler Pavilion, Los Angeles

http://news.ft.com/cms/s/15bae226-faff-11da-b4d0-0000779e2340.html

Patricia Ciofi retrouve Dona Anna

http://www.lefigaro.fr/culture/20060613.FIG000000194_patricia_ciofi_retrouve_dona_anna.html

WOLF: Prometheus — Orchesterlieder

Like other nineteenth-century composers, Hugo Wolf (1860-1903) orchestrated some of his Lieder, and his contributions to the genre of Orchesterlieder are impressive.

The Rake’s Progress ó Aldeburgh festival

http://arts.guardian.co.uk/reviews/story/0,,1795320,00.html

Powder Her Face, Barbican Hall, London

http://news.ft.com/cms/s/e87a0ef4-f973-11da-8ced-0000779e2340.html

Fedora, Opera Holland Park, London

http://news.ft.com/cms/s/64558454-f974-11da-8ced-0000779e2340.html

Taymor’s Flash Tops Goldenthal’s Score in L.A. Opera `Grendel’

http://www.bloomberg.com/apps/news?pid=10000088&sid=aiRse14xyza0&refer=culture

MOZART: CosÏ fan tutte ó La Scala 1956

CosÏ fan tutte, ossia La scuola degli amanti (K. 588). Opera buffa in two acts.

Music composed by Wolfgang Amadeus Mozart (1756–1791). Libretto by Lorenzo Da Ponte.

Daniel Rodriguez, New York’s ‘Singing Cop,’ Tries an Opera

http://www.nytimes.com/2006/06/09/arts/music/09pagl.html