By ANTHONY TOMMASINI [NY Times, 2 July 2006]
WHAT constitutes a suitably dramatic concept for an opera? It is only natural that as composers continue to grapple with this formidable genre, they seek new answers to this old question.
By ANTHONY TOMMASINI [NY Times, 2 July 2006]
WHAT constitutes a suitably dramatic concept for an opera? It is only natural that as composers continue to grapple with this formidable genre, they seek new answers to this old question.