Of late opera stagings often seem to be slotted into one of two categories: the “traditional,” with sets as the original libretto detailed and singers in period costumes; and “non-traditional,” “regie theater,” or “Eurotrash,” what you will.
Month: September 2006
STRAUSS: Salome
Having spent the better part of its life at full-price, the Solti/Nilsson Salome now appears as a mid-priced re-issue.
La Traviata
http://entertainment.timesonline.co.uk/article/0,,14936-2379957,00.html
Opera Cleveland puts pieces together
http://www.cleveland.com/entertainment/plaindealer/index.ssf?/base/entertainment/115951945768580.xml&coll=2
Opera House Hints at ‘Idomeneo’ Reversal
http://www.washingtonpost.com/wp-dyn/content/article/2006/09/29/AR2006092900284.html
CHERUBINI: Le Sposo di tre marito di nessuna
This 250th anniversary year of Mozart’s birth must be heaven not only Amadeus lovers but also for those with a general inclination toward classical era music.
ZEISL: Lieder
While most of the familiar Lieder repertoire stems from the nineteenth century, the powerful attraction the artform spurred composition in this genre through the mid-twentieth century.
La traviata, Coliseum, London
http://www.ft.com/cms/s/dd83f3b0-4f0f-11db-b600-0000779e2340.html
Il campiello, Salle Richelieu, Paris
http://www.ft.com/cms/s/db266daa-4f0f-11db-b600-0000779e2340.html
That’s Amore
Vanity publishing is not for the print world only, as a release from a company called Jeremiah Productions, called “That’s Amore,” proves.