Christine Brewer’s Enthralling Night

http://www.washingtonpost.com/wp-dyn/content/article/2006/11/29/AR2006112901327.html

Salzburg Festival Looks for ëNocturnal Side of Reasoní

http://www.nytimes.com/2006/11/30/arts/music/30salz.html

Monteverdi’s naked ambition

http://www.thisislondon.co.uk/theatre/show-375566-details/The+Coronation+of+Poppea/showReview.do?reviewId=23376220

CHARPENTIER: Le Malade Imaginaire

On the 10th February 1673, only a few months after their first collaboration, Jean-Baptiste Poquelin, better known as MoliËre (1622-1673), and Marc-Antoine Charpentier (1643-1704) presented at the Palais Royal’s theater…

All the Ends of the Earth: Contemporary & Medieval Vocal Music

There is an often compelling relationship between early and contemporary music. The relationship grows out of many different things.

CHARPENTIER: AndromËde; Ballet de Polyeucte

Conceived by Marc-Antoine Charpentier (1643-1704) to serve as musical interludes for a revival at the Jesuit college of Harcourt in 1680 of Pierre Corneille’s play, Polyeucte Martyr (originally written in…

Opera on verge of caricature

http://www.theglobeandmail.com/servlet/story/LAC.20061127.OPERA27/TPStory/TPEntertainment/Music/

Andreas Scholl, Barbican Hall, London

http://www.ft.com/cms/s/5ca9d886-7e3a-11db-84bb-0000779e2340.html

MEYERBEER: Robert Le Diable

Robert Le Diable, grand opera in five acts. Music by Giacomo Meyerbeer (1791-1864). Libretto by EugËne Scribe and Germaine Delavigne.

HOLD THE MOZART

http://www.newyorker.com/critics/music/articles/061204crmu_music1