http://www.nytimes.com/2006/01/31/arts/music/31bots.html
Year: 2006
A Cornucopia of Orchestral Colors
http://www.nysun.com/article/26770
Mazeppa, OpÈra national de Lyon
http://news.ft.com/cms/s/ce687c6e-9134-11da-a628-0000779e2340.html
A new generation in the house
http://news.ft.com/cms/s/afcbd12e-9135-11da-a628-0000779e2340.html
He Reigns In Spain
http://nymag.com/arts/classicaldance/classical/reviews/15621/index.html
Mozart 250 ó Barbican/St Giles Cripplegate, London
http://www.guardian.co.uk/arts/reviews/story/0,,1698002,00.html
Pros Show the Neophytes How to Stroke an Audience
http://www.nytimes.com/2006/01/30/arts/music/30horn.html
DEBUSSY: La Mer
Inspired by the elitist poets of late nineteenth century Paris, Debussy was eager to join their ranks by developing musical ideas that evoked the same emotional response as the poetry he admired. Originally, PrÈlude ‡ líaprËs-midi díun faune was a collaborative project between Debussy and StÈphane MallarmÈ, a poet highly regarded by the composer.
PETITGIRARD: The Elephant Man
Perhaps instead of waiting for the next great new opera, focus should be on finding the next great opera composer.
Alex Ross on Beethoven’s Great Fugue
Secrets of a Beethoven manuscript.