A Sprite Far From Heaven in a Quest for Redemption

http://www.nytimes.com/2006/01/31/arts/music/31bots.html

A Cornucopia of Orchestral Colors

http://www.nysun.com/article/26770

Mazeppa, OpÈra national de Lyon

http://news.ft.com/cms/s/ce687c6e-9134-11da-a628-0000779e2340.html

A new generation in the house

http://news.ft.com/cms/s/afcbd12e-9135-11da-a628-0000779e2340.html

He Reigns In Spain

http://nymag.com/arts/classicaldance/classical/reviews/15621/index.html

Alex Ross on Beethoven’s Great Fugue

Secrets of a Beethoven manuscript.

Mozart 250 ó Barbican/St Giles Cripplegate, London

http://www.guardian.co.uk/arts/reviews/story/0,,1698002,00.html

Pros Show the Neophytes How to Stroke an Audience

http://www.nytimes.com/2006/01/30/arts/music/30horn.html

DEBUSSY: La Mer

Inspired by the elitist poets of late nineteenth century Paris, Debussy was eager to join their ranks by developing musical ideas that evoked the same emotional response as the poetry he admired. Originally, PrÈlude ‡ líaprËs-midi díun faune was a collaborative project between Debussy and StÈphane MallarmÈ, a poet highly regarded by the composer.

PETITGIRARD: The Elephant Man

Perhaps instead of waiting for the next great new opera, focus should be on finding the next great opera composer.