Year: 2006

If one should believe British critics, especially English ones, Jonathan Lemalu is a major new bass; one of the greatest talents around whose qualities are widely proven by the fact this is already his third solo CD in a short time.

A century or so past, those simpler times without the internet, Desperate Housewives, and back-to-back sports and other activities that desperate parents feel they have to chauffeur their children to so theyíll be able to get into the higher levels of student loan debt, Americans joined choral societies and regularly presented well-known oratorios and cantatas: Elijah, The Seasons, maybe Christ on the Mount of Olives if they were really adventurous.

This 1959 recording is one where the whole is bigger and better than the separate parts. It is the German equivalent to the Cetra recordings of the fifties. Those were maybe not the greatest recording of an opera but one felt that everybody was steeped in the Italian tradition. The same is happening here.

One takes a look at the sleeve and one realizes the wheel has finally turned a full circle. It started to move with the Decca La Traviata (Gheorgiu as Violetta, conducted by Solti) in 1994. Downloading and pc-copies were still in the future but nevertheless sales of complete opera recordings were spectacularly falling off since the eighties.