http://www.lefigaro.fr/culture/20060905.FIG000000154_le_retour_de_l_opera_francais.html
Year: 2006
Meet the iTunes Wannabes
http://www.businessweek.com/technology/content/sep2006/tc20060905_083985.htm?campaign_id=rss_null
Science Says Kandinsky Was Right – Paintings Can Be Heard
http://www.medicalnewstoday.com/medicalnews.php?newsid=50968
The Magic Flute — Festival Theatre, Edinburgh
http://arts.guardian.co.uk/reviews/story/0,,1863246,00.html
The Mysterious Wagner Archive in Hitler’s Bayreuth Residence
http://www.bloomberg.com/apps/news?pid=20601088&sid=apM5OhFrX7Zo&refer=muse
BRAHMS: Missa Canonica
RHEINBERGER: Mass
The program for this recent recording from the choir of Westminster Cathedral presents sacred choral works by Brahms and Rheinberger, anchored at one end by Brahmsís youthful Missa Canonica and at the other by Rheinbergerís Mass for Double Choir in E-flat, Op. 109. with a handful of motets by Brahms in between.
How Mozart’s Librettist Lost His Teeth, Ended Up in Manhattan
http://www.bloomberg.com/apps/news?pid=20601088&sid=aKgsw1AgkX4Y&refer=muse
VERDI: La Forza del Destino
This cast looks quite promising on paper. However, I cannot honestly say these big names keep their promise, except for the comprimario-singers.
The Bostridge Phenomenon
The curious phenomenon of British tenor manquÈ, Ian Bostridge, continues to astound, as his concert and even operatic dates, primarily in Europe, mount; his recordings increase, and his appeal to a certain section of the classical audience (they would likely call themselves, ìcognoscentiî) endures. I have to wonder why?