VERDI: Don Carlo

For a time this Don Carlo was a return to times people thought long gone. As always, Dutch papers covered beforehand this new Decker production in depth, as the theme of liberty is an important one.

Met Orchestra/Conlon, Carnegie Hall, New York

http://news.ft.com/cms/s/d9693ad0-e68f-11da-a36e-0000779e2340.html

GLUCK: Alceste

Alceste. Tragedia in three acts (Italian version).

Alceste. TragÈdie opÈra in three acts (French version).

Glyndebourne Season Features Strange Rituals, Bollywood Handel

http://www.bloomberg.com/apps/news?pid=10000088&sid=aWNbMX67lbXI&refer=culture

At times you have to behave operatically

http://news.ft.com/cms/s/c373f564-e5c0-11da-b309-0000779e2340.html

Missing Opera’s Lost Generation of Stars at a Gala for Volpe

http://www.nytimes.com/2006/05/18/arts/music/18sing.html

PETRELLA: Jone

Jone is the only Italian opera from the 1850s by a composer other than Giuseppe Verdi to make it into the standard repertory for a period of well over 50 years, lasting until the onset of World War I before eventually disappearing.

CHARPENTIER: Te Deum and Grand Office des Morts

In the modern performance of seventeenth-century French music, the ensemble Les Arts Florissants holds a special place, both for its longevity and the striking stylistic fluency it brings to performances — performances that have come to define our very sense of French Baroque style.

Deborah Voigt and RenÈe Fleming vs. the Ghosts of Met Divas Past

http://www.nytimes.com/2006/05/17/arts/music/17voig.html

Earthy ‘Parsifal’ is fresh and fine

http://www.newsday.com/features/printedition/ny-etledew4743495may17,0,342816.story