When these recordings first appeared during the mid-sixties, there was some eye batting. Why did Deutsche Grammophon bring these recordings on the market?
Year: 2006
Am Ende vergibt Titus allen alles
http://www.diepresse.com/Artikel.aspx?channel=k&ressort=ke&id=554968
Der Fliegende Holl‰nder, Aalto Music Theatre, Essen
http://news.ft.com/cms/s/8a0dbb94-d610-11da-8b3a-0000779e2340.html
Frankfurt `Parsifal’ Boasts Heroic Tenor, Suits, Plastic Armor
http://www.bloomberg.com/apps/news?pid=10000088&sid=ac3NVtAemiZU&refer=culture
AprËs les travaux, l’OdÈon reste inchangÈ
http://www.lemonde.fr/web/article/0,1-0@2-3246,36-757340@51-765075,0.html
Der Rosenkavalier, Komische Oper, Berlin
http://news.ft.com/cms/s/2cfa92ba-d548-11da-93bc-0000779e2340.html
Borodina/Abdrazakov, Carnegie Hall, New York
http://news.ft.com/cms/s/8487bd9c-d547-11da-93bc-0000779e2340.html
Lawrence Brownlee Wins Tenor Award
http://hosted.ap.org/dynamic/stories/M/MUSIC_RICHARD_TUCKER_AWARD?SITE=NYSAR&SECTION=HOME&TEMPLATE=DEFAULT