The high notes of living dangerously

http://entertainment.timesonline.co.uk/article/0,,14932-2073534,00.html

Jenufa/Tosca, Hackney Empire, London

http://enjoyment.independent.co.uk/music/reviews/article351477.ece

A Cloudy Night for Stars, but Others Could Shine

http://www.nytimes.com/2006/03/15/arts/music/15luis.html

Who Needs Stars, Anyway?

http://www.nysun.com/article/29146

Hip-hop meets Mozart

http://enjoyment.independent.co.uk/music/features/article351244.ece

At ease with a darker vision of the world

http://news.ft.com/cms/s/90b855f2-b2b7-11da-ab3e-0000779e2340.html

CafÈ Momus Gang Returns, Bidding Farewell to an Age of Innocence

http://www.nytimes.com/2006/03/14/arts/music/14bohe.html

A ‘Boheme’ for All Ages

http://www.nysun.com/article/29040

HIGH RISK ìORFEOî FROM CHICAGO LYRIC

Producer Robert Carsen, together with his set designer Tobias Hoheisel, is taking a big risk with their new production of Gl¸ckís 1762 version for alto of ìOrfeo ed Euridiceî at Chicago Lyric Opera.

MEYERBEER: Dinorah

Some opera sets are meant to be an introduction to the work presented. They contain a booklet which tells you about the life of the composer, the history of the work, some analysis, a synopsis of the story, and maybe (if you’re lucky) the libretto translated into your language.