VIVALDI: Arie díOpera

This recording is another gem from the Complete Vivaldi Edition, a collaboration of NaÔve (opus 111) and various Piedmontese institutions [see this authorís review of Vivaldiís Orlando in that series].

What wonít Dan dare?

http://entertainment.timesonline.co.uk/article/0,,14932-2043428,00.html

Sexual healing

http://www.guardian.co.uk/filmandmusic/story/0,,1710977,00.html

LA Times: A sense of adventure lost. And found.

Conservatism is once more on the rise in the orchestral world but the starchy old Met, under new boss Peter Gelb, is trying to buck the trend.

Dull, sleepy ‘Padlock’ gives way to dandy ‘Dido’

http://metromix.chicagotribune.com/reviews/critics/mmx-gjd267amt.13feb15,1,6323777.story?coll=mmx-home_bottom_hedsh2o

The Guardian Interviews Violeta Urmana: ‘My voice decides what’s good for me’

First she was forced to sing mezzo roles. Then she was invited to be president of Lithuania. Violeta Urmana tells Tim Ashley why she prefers life as a soprano

Hercules in Brooklyn ó Two Reviews

http://www.operatoday.com/content/2006/02/hercules_last_t.php

Preview: Macbeth, Royal Opera House, London

http://enjoyment.independent.co.uk/music/features/article345824.ece

Hercules in Brooklyn ó Two Reviews

The Brooklyn Academy of Music is presenting Handel’s Hercules with Les Arts Florissants, conducted by William Christie and directed by Luc Bondy. Here are two reviews:

ROSSINI: Armida — Venice 1970

Armida, Dramma per musica in tre atti.