The First of Maazel’s Last

http://www.nysun.com/article/62945

WAGNER : Lohengrin

Whatís outstanding about this Lohengrin is the orchestral playing.

The gentle composer with fire in his soul

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article2474580.ece

S.F. Opera’s German diction coach, 91, speaks from experience

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/09/16/PKTKS1HAE.DTL&type=performance

The Culture: ‘Samson and Delilah’ and religion

http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2007/09/12/DDG0S3FM1.DTL

Ariane et Barbe-Bleue and Capriccio in Paris

Name this stage piece if you can:

PUCCINI: La Bohème

Before the age of computers, CDs. DVDs and Apple i-Phones, there was television.

BEETHOVEN: Fidelio

Los Angeles Opera opened its 2007 season with Fidelio on September 8th, and on the following day held a gala performance of Verdi’s Requiem.

WAGNER: Die Walk¸re

One of the glories of a well-executed performance of Richard Wagner’s Ring cycle is the sonic dimension of the work, with the dramatic contrasts between the larger musical canvasses and the more intimate ensembles that occur between several voices and within the orchestra itself.

Hector Berlioz: Te Deum, op. 22

Often overshadowed by its composer’s Requiem, the Te Deum, Op. 22 (1849) by Hector Berlioz deserves attention for its own merits, and this recent release by H‰nssler in its series of live recordings of the Staatskapelle Dresden is a solid reading of this work.