Stressed Opera Singers Turn to Drugs

http://hosted.ap.org/dynamic/stories/O/OVERDOSED_OPERA?SITE=NJMOR&SECTION=HOME&TEMPLATE=DEFAULT

Kate Royal and Christine Rice, Queenís Hall, Edinburgh

http://www.ft.com/cms/s/2/7bcd8f38-4ffd-11dc-a6b0-0000779fd2ac.html

Santa Fe Opera in Changing Times

Santa Fe Operaís announcement August 10 that English-born impresario, Richard Gaddes, General Director of the company since 2001, will retire at the end of season 2008, took the local opera community by surprise.

Unsuk Chin’s “Alice in Wonderland”

“Who in the world am I?” proclaimed the posters all over Munich, reducing Lewis Carroll’s famous conundrum to a sound-bite.

GLUCK: IphigÈnie en Tauride

IphigÈnie en Tauride, TragÈdie Lyrique in four acts.

The Savvy Operator Who Aced That Newfangled Art Form, Opera

http://www.nytimes.com/2007/08/17/arts/music/17mont.html?ref=music

Art Songs From An Honorary Austrian

http://www.nysun.com/article/60784

Sea-shanty festival a porthole on Brittany’s mode de vie

http://www.csmonitor.com/2007/0816/p20s01-litr.html

The Week that Was for Opera: Santa Fe ó Dallas ó Denver/St Louis ó Toronto

The week just ended was certainly of historic moment in the world of North American opera companies.

Katharina Wagner’s Debut at Bayreuth

If you are in need of a Romantic, Alt-Nuernberg, Beloved-Old-Vaterland-As-It-(Never)-Was sort of production of “Die Meistersinger,” you would probably do well to wait for the Met revival, and stay far far away (actually, add another “far” to that) from the Bayreuth Festpiel’s latest “Skandal”-ripe interpretation.