Incongruity was the rule of the day in the New York City Opera’s production of Handel’s Flavio, which opened on Wednesday, April 4.
Year: 2007
ROSSINI: Mosè
Mosè (Moïse et Pharaon, ou Le passage de la Mer Rouge), Melodramma in four acts
Passion, pain paired in Berlin
It was, of course, a coincidence; on the other hand, on Berlin’s vital, vibrant and
all-encompassing arts scene one is continually overwhelmed by new perspectives on the creative
process and its product.
L’invitation au voyage: Mélodies from La belle époque
“Linvitation au voyage” is an appropriate title for this collection of French song, which makes available a number of fine performances of both familiar and rare works.
WAGNER: Lohengrin
With a label such as Gala, a purveyor of live recordings of various provenance, some adjustment to compromised sound quality can be expected.
“Giulio Cesare,” Crocodile-style
http://www.musicalamerica.com/news/newsstory.cfm?archived=0&storyid=15766&categoryid=4&cookies=1
SAINT-SAÀNS: Samson et Dalila
Samson et Dalila, grand opera in three acts and four tableaux.
A Grand Work On a Miniature Scale
http://www.nysun.com/article/52080
‘I like to go on new adventures’
http://www.signonsandiego.com/news/features/20070408-9999-lz1a08des.html
‘Giulio Cesare’ at The Met ó Two Views
Here are two views of Handel’s Giulio Cesare in Egitto (HWV 17), a drama in three acts, performed at The Met on 6 April.