RAMEAU: Platée, Pigmalion, Dardanus Ballet Suites

In the seventeenth and eighteenth centuries, French instrumental music was closely identified with dance and dance suites.

GRÉTRY: Pierre le Grand

Although milestones in the history of opéra-comique, Grétry’s operas are infrequently revived and rarely recorded.

WNO’s ‘Walkure’ Takes Flight

http://www.washingtonpost.com/wp-dyn/content/article/2007/03/25/AR2007032501220.html

Resurrecting Rossini’s Leading Lady

http://www.nysun.com/article/51153

The Modern ëMagic Flute’

http://www.nysun.com/article/51189

Chicago Opera Theater springs forward

http://www.suntimes.com/entertainment/music/classical/311754,SHO-Sunday-cot25.article

VERDI: Rigoletto

Rigoletto, melodramma in three acts.

MOZART: Die Entf¸hrung aus dem Serail

With the trials and tribulations of a multicultural society currently at the forefront of the British media, Gavin Quinnís production placed a light-hearted focus on the bizarreness of a group of foreigners being thrown together in an unfamiliar situation.

Rebel Poet Loses His Heart (and Head)

http://www.nytimes.com/2007/03/24/arts/music/24andr.html?_r=1&ref=music&oref=slogin

MOZART: Don Giovanni

This 2005 production of the Mozart-Da Ponte masterpiece Don Giovanni makes for a frustrating experience.