That Face of Beauty, the Chaos It Creates

http://www.nytimes.com/2007/03/17/arts/music/17hele.html?_r=1&ref=music&oref=slogin

A ëBarber’ Debut for DiDonato

http://www.nysun.com/article/50622

Dido and Aeneas, Sadlerís Wells, London

http://www.ft.com/cms/s/38aba3b8-d314-11db-829f-000b5df10621.html

Imelda deíLambertazzi, Queen Elizabeth Hall, London

http://www.ft.com/cms/s/4017d4ac-d2e5-11db-829f-000b5df10621.html

Imelda deí Lambertazzi

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article1509875.ece

“Figaro” in Z¸rich: Revolution, Kind der Komˆdie

http://www.diepresse.at/home/kultur/klassik/290503/index.do?_vl_backlink=/home/kultur/klassik/index.do

Mark Morris Directs and Choreographs Orfeo ed Euridice in Met Debut

http://www.operatoday.com/documents/MarkMorris.pdf

The Gondoliers — English National Opera

Speaking to a trusted chorus-member friend after this performance, I was told that I had benefited from not having seen this production when new three months ago.

LA Opera “Recovered Voices”

Just about halfway though his first season as music director of Los Angeles Opera, James Conlon has already made himself an endearing and appreciated figure.

Native-American Drama at Opera Omaha

Perhaps the gestation period for ìWakondaís Dream,î premiered by Opera Omaha on March 7, was too long.