http://www.nytimes.com/2007/03/17/arts/music/17hele.html?_r=1&ref=music&oref=slogin
Year: 2007
A ëBarber’ Debut for DiDonato
http://www.nysun.com/article/50622
Dido and Aeneas, Sadlerís Wells, London
http://www.ft.com/cms/s/38aba3b8-d314-11db-829f-000b5df10621.html
Imelda deíLambertazzi, Queen Elizabeth Hall, London
http://www.ft.com/cms/s/4017d4ac-d2e5-11db-829f-000b5df10621.html
Imelda deí Lambertazzi
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/music/live_reviews/article1509875.ece
“Figaro” in Z¸rich: Revolution, Kind der Komˆdie
http://www.diepresse.at/home/kultur/klassik/290503/index.do?_vl_backlink=/home/kultur/klassik/index.do
Mark Morris Directs and Choreographs Orfeo ed Euridice in Met Debut
http://www.operatoday.com/documents/MarkMorris.pdf
The Gondoliers — English National Opera
Speaking to a trusted chorus-member friend after this performance, I was told that I had benefited from not having seen this production when new three months ago.
LA Opera “Recovered Voices”
Just about halfway though his first season as music director of Los Angeles Opera, James Conlon has already made himself an endearing and appreciated figure.
Native-American Drama at Opera Omaha
Perhaps the gestation period for ìWakondaís Dream,î premiered by Opera Omaha on March 7, was too long.