A literary critic once recalled the day when a German could not clear his throat “without finding pithy precedent in Goethe.”
Year: 2007
Houston takes fresh approach to Cenerentola
In opera, Rossini, born in 1892- the year after Mozart died, is the successor of the great master
and, when performed as perceptively as in the “Cenerentola” that debuted at the Houston Grand Opera on January 27, his rightful heir.
Jaume Aragall en Vivo
During any recital by an aging divo there comes a moment of truth when he sings an operatic aria
(usually E lucevan le stelle , as the highest note is an A). That is the defining moment when he no longer can hide behind idiosyncratic interpretation, expressive breathing and a lot of clever transpositions.
Conservatory Tries to Raise Its Profile
http://www.nytimes.com/2007/02/07/arts/music/07scho.html?_r=1&ref=music&oref=slogin
PURCELL: Dido and Aeneas
This disc is a reissue of a 1993 recording made at Skywalker Sound in Marin County, California, but new to me.
A Conductor with panache: JosÈ Serebrier speaks to Anne Ozorio
http://www.musicweb-international.com/SandH/2007/Jan-Jun07/serebrier.htm
PROKOFIEV: Peter and the Wolf
I suppose you will find this quite an addition to the Melchior legacy if you are a collector of every sound Melchior ever uttered.
Madama Butterfly, Wales Millennium Centre, Cardiff
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article1334253.ece
HGO announces season
Two Mozart operas — “Magic Flute” and “Abduction from the Serail” — head the list of works to be performed by the Houston Grand Opera in its 2007- 08 season that opens with Verdi’s “Masked Ball” on October 19.