Johann Strauss: Das Spitzentuch der Kˆnigin

Dear non-German speaking Opera Today reader — what’s your first guess as to the meaning of the biggest word in the title of this obscure Johann Strauss operetta?

Siegfried Wagner: Der Schmeid von Marienburg

Will the 22nd century still see the opera-loving world as fascinated by the ongoing saga of the Wagner family as the 20th did and the 21st does?

Oxford Lieder – Britain’s top Song Festival

In the autumn, Oxford is especially beautiful. The ancient colleges are swathed in scarlet vines, and the mellow evening light creates great atmosphere. For those who love art song, though, the best reason for visiting Oxford at this time of year is the Oxford Lieder Festival, which starts October 16th 2009.

Dresden’s Gain is Munich’s Loss: Thielemann Signs With Staatskapelle

http://www.weta.org/fmblog/?p=817

Opera Singer Fees Revealed

http://www.scena.org/blog/2009/10/opera-singer-fees-revealed.html

Tosca at the MET

In the end the performance does not rescue the dreary new production — still, the reason to visit the Met’s new Tosca is Karita Mattila’s bravura if wrongheaded interpretation of the title role.

Tristan und Isolde — Christof Loy and Antonio Pappano’s stark production of Wagner’s opera is a haunting triumph

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article6868045.ece

Imogen Cooper’s Birthday at the Wigmore Hall

This wasn’t an ordinary concert but something very special. The Wigmore Hall was honouring Imogen Cooper on her 60th birthday. She is greatly loved here, both as soloist and as partner in song recitals. The atmosphere was electric. The house was packed, with many famous pianists and singers in the audience. It was a historic occasion, but it felt like a party among friends.

Il trovatore in San Francisco

SFO general director David Gockley has a mania for developing new audiences — last year The Bonesetter’s Daughter was aimed at enticing the Asian American community into the opera house, and Porgy and Bess encouraged the African American community to cross the threshold.

John Gay: The Beggar’s Opera

The only thing truly operatic in this work is the use of the word “opera” in the title.