The legacy of Ferruccio Busoni (1866-1924) includes some notable compositions, and among them is his unique setting of the Faust story.
Year: 2009
K·t’a Kabanov· at Holland Park
http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article6729115.ece
An Evening at PËre Lachaise [Or, Natalie Dessay Attempts Violetta]
A fine-sounding Santa Fe Opera orchestra, excellently conducted by FrÈdÈric
Chaslin, was barely into the haunting, delicate prelude to Act I of La
traviata, when a funeral procession, wet umbrellas unfurled, arrived to
wend its way though a stage full of big grey marble rectangular boxes,
handsomely abstracted tomb shapes, soon to be the courtesan Violetta
ValÈry’s destination. So much for the Prelude to Act I.
GOUNOD: Faust — Vienna 2008
Faust, OpÈra en cinq actes.
Jedermanns Theater
http://www.sueddeutsche.de/kultur/403/481870/text/
Munich opera director says public taste is always behind the times
http://www.dw-world.de/dw/article/0,,4512659,00.html
Bought and Paid-for Magic — Bernstein Tahiti in Munich’s CuvilliËs Theater
There she is, in her inch or two of sarong, floating, floating…Oh, excuse me, where was I?
Mozart: Die Entf¸hrung aus dem Serail
The strategies of non-traditional opera directors are becoming as predictable and formulaic as the stuffy, static traditional productions that they work so hard not to emulate.
A knock-out Ariadne auf Naxos at Munich’s Bavarian State Opera Festival
There are rare times when a critic can just enjoy, and say “Wow!”
Tosca at the Baths of Caracalla, Rome
Tosca is the quintessential Roman opera, with a plot located in
three infamous landmarks of Rome, its 1900 premiere in Rome was bound to be
enormously successful.