Norma, ThÈ‚tre du Ch‚telet, Paris

http://www.ft.com/cms/s/2/a31d502c-05eb-11df-8c97-00144feabdc0.html

For Verdi, Masquerading as a Baritone

http://www.nytimes.com/2010/01/20/arts/music/20simon.html?ref=music

Simon Boccanegra, Metropolitan Opera, New York

http://www.ft.com/cms/s/2/379e6866-051b-11df-a85e-00144feabdc0.html

Operatic Italian

Robert Stuart Thomson’s Italian language learning text, Operatic Italian, promises to become an invaluable textbook for aspiring operatic singers, voice teachers, coaches and conductors.

La Boheme at the Grand, Leeds

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/stage/opera/article6992715.ece

Henze weekend, Barbican, London

http://www.ft.com/cms/s/2/df7181d4-0455-11df-8603-00144feabdc0.html

Stiffelio at the MET

Stiffelio was composed just after Luisa Miller — an opera that has had little trouble holding its own in the repertory — and just before the magic trio of Rigoletto, Trovatore and Traviata, the first Verdi operas to take their immediate place on the stages of the world and hold them without a break from that day to this.

Phaedra at the Barbican

Most musical of mourners, weep anew!
Not all to that bright station dared to climb
And happier they their happiness who knew
Whose tapers yet burn through that night of time

Winter Opera focuses on singing in ‘Werther’

http://www.stltoday.com/stltoday/entertainment/reviews.nsf/stage/story/41E90990B562840B862576AF005D8003?OpenDocument

‘Il Trovatore’ casts show convoluted plot’s versatility

http://seattletimes.nwsource.com/html/entertainment/2010825923_opera19.html