By Andrew Clark [Financial Times, 23 March 2010]
There is no more potent pairing in opera than Poulenc’s monodrama about a suicidal woman and BartÛk’s two-hander about an abusive man.
By Andrew Clark [Financial Times, 23 March 2010]
There is no more potent pairing in opera than Poulenc’s monodrama about a suicidal woman and BartÛk’s two-hander about an abusive man.