President and Opera, on Unexpected Stages

http://www.nytimes.com/2011/02/04/arts/music/04nixon.html

Lucrezia Borgia, London Coliseum

http://www.ft.com/cms/s/2/edb250a8-2faf-11e0-834f-00144feabdc0.html#axzz1DEvs8DW6

Mosheh, a VideOpera

Yoav Gal, an Israeli-born composer-in-residence at the HERE arts complex in
Manhattan’s South Village, calls Mosheh a “VideOpera,” rightly giving as much place to what is seen (electronic projections) as to what is heard (from four sopranos playing the women in the prophet’s life and an orchestra of nine musicians).

BÈrÈnice, Carnegie Hall

AlbÈric Magnard, inspired to abandon the law for music by a visit to Bayreuth in 1886, was wealthy enough to ignore the public and go off on his own to compose.

I Puritani, Glyndebourne 1960

It’s a joy to watch an athlete finding her legs, especially when you
know she’ll achieve her feat superbly, matchlessly, with supreme grace. I
first heard Sutherland sing I Puritani (three times) during the famous
Met run of 1976.

Jurowski conducts Zemlinsky

This looked an enticing programme before Vladimir Jurowski, in conversation
with the Southbank Centre’s Head of Music, Marshall Marcus, divulged its
secrets.

La Fanciulla in its Anniversary at Lyric Opera of Chicago

In its current production of Giacomo Puccini’s La fanciulla del West Lyric Opera of Chicago celebrates the centenary of the first performances of the opera.

Real Opera In New Jersey

In an episode of the series West Wing, political strategist Josh Lyman (played by Bradley Whitford) visits his friend and speech writer Sam Seaborn (Rob Lowe) in New York City before heading to New Hampshire for a promising candidate’s campaign speech.

Maria Stuarda, Minnesota Opera

The 2010-2011 season for Minnesota Opera is steeped in Bel Canto
opera selections, starting with Rossini’s Cenerentola this fall, currently featuring Donizetti’s Maria Stuarda, and for the spring, a production of Verdi’s La Traviata with acclaimed Violetta, Elizabeth Futral.

Simon Boccanegra, New York

A few years ago, a certain major newspaper boasted a music critic who could not bring himself either to take opera seriously or to deny himself the opportunity to review it.