Utterly mad but absolutely right — Richard Strauss’s Ariadne auf Naxos started the Glyndebourne 2013 season with an explosion. Strauss could hardly have made his intentions more clear. Ariadne auf Naxos is not “about” Greek myth so much as a satire on art and the way art is made.
Year: 2013
Wozzeck at ENO
“Man is an abyss. It makes one dizzy to look into it.” So utters Georg B¸chner’s Woyzeck, repeating what was also a recurring motif in the playwright’s own letters.
Mulhouse: Rare Britten Well Done
National Opera Company of the Rhine has marked this year’s Benjamin Britten celebration with a remarkably compelling, often gripping new production of the seldom-seen Owen Wingrave.
Frankfurt’s Intriguing Idomeneo
Once upon a time, Frankfurt Opera had the baddest ass reputation in Germany as “the” cutting edge producer of must-see opera.
Rigoletto at Lyric Opera of Chicago
Productions of Giuseppe Verdi’s Rigoletto can serve as a vehicle for individual singers to make a strong impression and become afterward associated with specific roles in the opera.
Britten Sinfonia with Ian Bostridge
Just in case we were not aware that the evening’s programme was ‘themed’, the Britten Sinfonia designed a visual accompaniment to their musical exploration of night, sleep and dreams.
Michele Mariotti conducts La donna del lago
Rossini’s La donna del Lago at the Royal Opera House boasts a superstar cast. Joyce DiDonato and Juan Diego FlÛrez are perhaps the best in these roles in the business at this time. Yet the conductor Michele Mariotti is also hot news.