Year: 2014
Don Giovanni, Glyndebourne
Having become so jaded with indifferent — or, sadly, far worse than merely indifferent — stagings of an opera I love more than words can tell, it proved a relief and indeed a joy for me to attend this first revival of Jonathan Kent’s 2010 Glyndebourne production, especially its first act.
Offenbach’s Vert-Vert at Garsington Opera
Is Garsington the new Glyndebourne, a Glyndebourne for the 21st Century?