Akhnaten still compels at English National Opera

Those lavish costumes, the fiery sun and the troupe of jugglers continue to leave a vivid impression in Phelim McDermott’s sumptuous staging of Akhnaten.  Now in its second revival since…

Leoncavallo’s Pagliacci at the Teatro dell’Opera di Roma

In his final years, celebrated film and opera director Franco Zeffirelli came to be closely associated with the Teatro dell’Opera di Roma, which shared his traditionalist view of opera staging.…

Mary Bevan on superb form in Signum’s Visions Illuminées

If you think soprano Mary Bevan is associated only with Baroque repertoire, think again.  Yes, she’s recently wowed audiences in Handel’s Alcina at Covent Garden, and she’s about to embark…

Tchaikovsky’s first surviving opera, Oprichnik, gets a vibrant performance from Chelsea Opera Group

Tchaikovsky was fascinated by opera; he started writing around 20 of which nine survive as complete works. We know so very few of them well. His first opera to survive…

Florian Störtz announced as winner of International Handel Singing Competition

On Thursday 16th March 2023, baritone Florian Störtz was announced as the winner of the International Handel Singing Competition following the final presented by internationally acclaimed soprano Danielle de Niese, which took place at London’s St George’s Church, Hanover Square.…

A ‘fantastic’ Respighi-Ravel double bill at the Royal College of Music

If you thought that fairy tales were for children, then this fantastic – in all senses of the word – double bill at the Royal College of Music would teach…

A superb Yonghoon Lee heads a magnificent cast at Covent Garden in Antonio Pappano’s first Turandot

Is Turandot the last great Italian opera of the twentieth century? It’s a common and widely written viewpoint – indeed, William Ashbrook and Harold Powers called it ‘the end of…

WNO’s radical Magic Flute misfires

Out with the old and in with the new is the modus operandi for aspiring operatic directors.  In this new production of The Magic Flute Daisy Evans takes her prerogative…

Tongues of Fire: James Gilchrist sings Eric McElroy’s song-cycles with wonderful discernment and beauty

“Composing a song-cycle is like writing a philosophical essay,” replies composer and pianist Eric McElroy when I ask him why he is so drawn to the genre.  We’re meeting in…

Lohengrin at the Met

Québécois director François Girard probably seemed an obvious choice to design the Met’s new Lohengrin.  His recent opera stagings are as celebrated as his music-obsessed movies, including the classic Thirty-two…