PROMS 2026: A Mini–Italian Festival at the Proms

An Italian-Turkish conductor, Nil Venditti, led the BBC Symphony Chorus and Orchestra alongside the vocal Epiphoni Consort in an all-Italian programme for this Prom (I see numbers seem to have…

PROMS 2026: Carl Maria von Weber, Oberon, Semi-Staged at the Proms

What to do with Oberon? Staging it ‘as is’ – or ‘was’ – is barely an option, though it would be far from without interest for those of us who care…

Longborough Festival Opera’s Hansel and Gretel

How we respond to any production of Humperdinck’s musical Märchenspiel (Fairy Tale) may depend on whether we want to explore our inner child and be charmed by eye-catching visuals or a wish…

Glyndebourne’s Gloriously Colourful and Magnificently Sung Die Entführung aus dem Serail

Themes of fidelity and mercy in Mozart’s 1782 Singspiel might bring to mind similar notions nearly a decade later in Così fan tutti and La Clemenza di Tito. With its witty commentary on servant/master…

Fellow Travelers at Glimmerglass

Is Gregory Spears’ Fellow Travelers an opera that moves us, or is it a document of a decade we prefer to forget, and to ignore its aftermath? The opera is…

PROMS 2026: Mixed Performances from the BBC Scottish Symphony Orchestra and Ryan Wigglesworth in Dean, Elgar & Weir

Two contemporary works and “the greatest symphony of modern times” gave an opportunity for the BBC Scottish Symphony Orchestra to show off their credentials in the first of four Proms appearances. They…

The Egyptian Helen at Bard

This ninth opera in the Richard Strauss catalogue is famed as the only opera, ever, with a singing seashell. There is little else to recommend it. Fortunately Bard College’s famed…