Orlando Furioso, London

Adapting an extended literary work for the stage remains a challenge today
and was no less so in the baroque era. Ariosto’s enormously long poem
Orlando Furioso was extremely popular and inevitably his highly
coloured characters found their way onto the operatic stage.

Fizzy “Ory” at Met Opera charms its public

http://www.washingtonpost.com/blogs/classical-beat

In for the long haul

http://www.theaustralian.com.au/news/arts/in-for-the-long-haul/story-e6frg8n6-1226025846825

Monteverdi The Return of Ulysses, ENO/ Young Vic

http://www.independent.co.uk/arts-entertainment/classical/reviews/monteverdi-the-return-of-ulysses-eno-young-vic-2252967.html

Domingo not done with ‘Il Postino,’ but Texans have composer’s OK to jump in

http://latimesblogs.latimes.com/culturemonster/2011/03/placido-domingo-il-postino-.html

A Lively, Stylish Met Debut For Rossini’s Last Comic Opera

http://www.nytimes.com/2011/03/26/arts/music/bartlett-sher-directs-rossinis-le-comte-ory-at-the-metropolitan-opera.html?_r=1

A Magical ‘Flute’ Without the Fanfare

http://online.wsj.com/article/SB10001424052748704608504576208381100985642.html?mod=WSJ_ArtsEnt_LifestyleArtEnt_4

Strauss’s Intermezzo: Scottish Opera whip up a perfect storm in a teacup

http://www.guardian.co.uk/music/2011/mar/24/strauss-intermezzo-scottish-opera

SFist Interviews: Soprano Melody Moore

http://sfist.com/2011/03/24/sfist_interviews_soprano_melody_moo.php

Sarasota Opera Winter Festival 2011

Opera is alive and well in Sarasota. “It feels like it did before,” says Communications Officer for Sarasota Opera Patricia Horwell.