How we learned to start worrying and love Mahler

http://www.independent.co.uk/arts-entertainment/classical/features/how-we-learned-to-start-worrying-and-love-mahler-2062962.html

Rolando’s musical passion for home

http://www.bbc.co.uk/news/entertainment-arts-11109346

HGO to produce Wagner’s massive Ring Cycle

http://www.chron.com/disp/story.mpl/ent/7173173.html

Classique, opÈra, danse : les temps forts de l’automne

http://www.lefigaro.fr/musique/2010/08/25/03006-20100825ARTFIG00542-classique-opera-danse-les-temps-forts-de-l-automne.php

Unlocking the Mystery of Honegger

http://www.nytimes.com/2010/08/29/arts/music/29chant.html?_r=1&ref=music

The Sixteen/Christophers, Usher Hall, Edinburgh

http://www.guardian.co.uk/culture/2010/aug/26/the-sixteen-christophers-edinburgh-review

Mostly Mozart finale, Avery Fisher Hall, New York

http://www.ft.com/cms/s/2/f39ab6a4-b06b-11df-8c04-00144feabdc0.html

Opera Lover Targets Young Patrons With $25 Seats

http://online.wsj.com/article/SB10001424052748703447004575449731766172828.html?mod=googlenews_wsj

Aspen makes Corigliano’s Ghosts classic

When it debuted at the Met in 1991 John Corigliano’s overwrought and somewhat all-too comic Ghosts of Versailles was praised largely as a vehicle for the long-celebrated artistry of Teresa Stratas and Marilyn Horne.

Les Enfants Terribles

http://www.guardian.co.uk/culture/2010/aug/24/les-enfants-terribles-review