Author: Gary Hoffman

This Macbeth, originally conceived by Phyllida Lloyd for a co-production of the Paris OpÈra and Covent Garden, is an excellent example of what nowadays is to be seen on most opera stages in Europe (and probably the States as well).

Through Rossini’s influence Bellini and his rival Donizetti were each invited to compose an opera for the ThÈ‚tre des Italiens in Paris. Bellini who, paranoid and delusional, thought he was the object of a sinister plan headed by Rossini to benefit Donizetti, went out of his way to ingratiate himself with the “Great Master” long before Donizetti’s arrival in the French capital. After a year of idle life in Paris, where he survived off the kindness of his hosts and friends, the Sicilian composer set to work on what would regretfully become his last opera: I Puritani di Scozia.