On September 18, 2013, San Francisco Opera will present the world premiere of Tobias Picker’s opera, Dolores Claiborne, which has a libretto by J. D. McClatchy based on Stephen King’s novel of the same name.
Category: Interviews
Ermonela Jaho — Singing and Character
Ermonela Jaho caused a sensation at Covent Garden in London five years ago, when she took over Violetta at short notice from Anna Netrebko.
Rossini Maometto Secondo at Garsington Opera – David Parry speaks
Garsington Opera at Wormsley is producing the British premiere of Giacomo Rossini¥s Maometto Secondo. Garsington Opera is well-known for its role in reviving Rossini rarities in Britain. Since 1994, there have been 14 productions of 12 Rossini operas, and David Parry has
conducted eleven since 2002. He¥s very enthusiastic about Maometto Secondo.
Michele Mariotti conducts La donna del lago
Rossini’s La donna del Lago at the Royal Opera House boasts a superstar cast. Joyce DiDonato and Juan Diego FlÛrez are perhaps the best in these roles in the business at this time. Yet the conductor Michele Mariotti is also hot news.
Kate Lindsey at Glyndebourne
It would seem a logical step for the mezzo-soprano Kate Lindsey to take on
the role of the Composer in Richard Strauss’s Ariadne auf Naxos.
Douglas Boyd on Garsington Opera at Wormsley
“Aim for excellence”, says Douglas Boyd, new Artistic Director of Garsington Opera at Wormsley, “and the audience will follow you”.
A Chat with Aida Designer Zandra Rhodes
When I spoke with Zandra Rhodes, she was in her large San Diego workspace, which she described as having walls decorated with her own huge black and white drawings.
An Interview with Virginia Zeani
Palm Beach audiences are famous for their glamour, but in recent years a special star has sparkled amid the jewels, sequins, feathers and furs (whatever the weather).
Bel Canto Queen Jessica Pratt
When the soprano Jessica Pratt first arrived in Italy, she had yet to learn the language or sing in a staged opera.
Tobias Picker Talks About His New Opera Dolores Claiborne
With the help of Andrew Welch, a London theatrical producer who had adapted several of King’s works for the stage, including this one, I got the rights to both Dolores Claiborne and Misery.