Florian Boesch is singing Schubert’s Die Schˆne M¸llerin at the Oxford Lieder Festival on Sunday 14th October. This won’t be routine. Radically challenging conventional interpretation, Boesch says “I don’t believe it ends in suicide”
Category: Interviews
Opera Tomorrow: Wolf Trap Today
Three quarters of the way through this discussion, a question that inhabits the mind of anyone putting any thought to the subject — but no one dare ask — was rhetoricised, “what is opera?”
Laurent Pelly on Glyndebourne’s Ravel Double Bill
The Glyndebourne Festival highlight this year could be the Ravel double bill – L’heure espagnole and L’enfant et les sortilËges. Laurent Pelly directs. Anyone who saw his brilliant Humperdinck Hansel und Gretel at Glyndebourne in 2008 will know what to expect – a staging of great imagination and verve, true to the spirit of the composer.
Bryan Hymel, Rusalka’s Prince
New Orleans native Bryan Hymel is singing the role of The Prince in Antonin Dvo?·k’s Rusalka at the Royal Opera House, London.
Carmela Remigio as Donna Anna and Donna Elvira
Carmela Remigio is a Mozart specialist, having created Donna Elvira, Donna Anna, The Countess in Le nozze di Figaro, Susana, Ilia, Ellettra, Vitellia, Pamina and Fiordigli. She speaks to Mark Berry about her latest Donna Anna at the Royal Opera House.
Interview with Lise Lindstrom — An Intelligent Soprano’s Guide to Turandot and Salome
Lise Lindstrom, who made a notable splash in the opera world (debuts at La Scala and at the Met) with her portrayals of Giacomo Puccini’s Turandot, has recently undertaken the still more demanding role of Salome.
Vivica Genaux — An Interview
I spoke with Vivica Genaux in December 2011, when she stopped in New York at
the end of one of her concert tours.
Rewriting the Unwritten Law: Gilliam and Ghent Tackle Damnation
One of the most noteworthy and controversial productions in recent memory
arrived in Belgium with hurricane force as Director Terry Gilliam’s inaugural
opera, an inspired interpretation of Hector Berlioz’s Le Damnation de
Faust, blasted into Ghent, followed by a run in Antwerp.