The Met’s Twist on ‘Tosca’? It’s the Audience That Gets the Knife.

http://www.washingtonpost.com/wp-dyn/content/article/2009/09/22/AR2009092200045.html?hpid=moreheadlines

The Proms, Royal Albert Hall, London

http://www.ft.com/cms/s/2/97771b66-a076-11de-b9ef-00144feabdc0.html

Technology changes the face of productions

http://www.latimes.com/entertainment/news/arts/la-ca-techno13-2009sep13,0,7151605.story

‘Il Trovatore’ by the San Francisco Opera

http://www.mercurynews.com/arts/ci_13326384

Mid-19th-Century Tale With Oedipal Plot Twist

http://www.nytimes.com/2009/09/12/arts/music/12emmeline.html

Linda di Chamounix, Royal Opera House

http://www.ft.com/cms/s/2/a1e6ce92-9e1f-11de-b0aa-00144feabdc0.html

To aria is human, to tweet divine

http://www.thestar.com/entertainment/article/691807

Actus Tragicus, review

http://www.telegraph.co.uk/culture/music/opera/6149883/Actus-Tragicus-review.html

Rusalka, Norwegian National Opera, Oslo

http://www.ft.com/cms/s/2/48548fb2-9ba0-11de-b214-00144feabdc0.html

Actus tragicus at the Festival Theatre

http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/specials/edinburgh/article6823818.ece